Jessica LeightonRows of Trees at Wood Stanway2019
2019
About the Item
- Creator:
- Creation Year:2019
- Dimensions:Height: 40.36 in (102.5 cm)Width: 40.36 in (102.5 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU63235605812
- ShippingRetrieving quote...Shipping from: Deddington, United Kingdom
- Return Policy
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A row of slender trees lines a road in Provence, France. As artist Janet Dyer drove by, she was captivated by the configuration of the trunks against the pale...
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Artist James Hartman draws inspiration from the experience of seeing sunlit colors and details appearing through the strong vertical tree pattern. He expresses the painting sections to appear like stained glass. James highlights small areas where collaged 100-year-old paper show through the surface, he does this in a non-disruptive way. James applies heat to fuse the oils into a mixture of beeswax and damar crystals to seal the work.
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When James Hartman was in art school, he became fascinated with the Society of Six, a group of artists who painted en plein air (outdoors) and exhibited together in the San Francisco Bay Area during the early 20th Century. James's paintings of the Northern California landscape pay tribute to some of the great Bay Area artists of the past. His expressive scenes feel alive through his vibrant use of color and his painterly brushwork. James’s paintings have an immediate visual impact from a distance, yet up close, dissolve into a series of confident marks and strokes. There is a simultaneous complexity and steadiness in his flattened, color-blocked planes. Knowledge and observation are essential elements of James’s working practice. To this end, he spends a large proportion of his time painting on location. His body of work captures the fresh and sunlit essence of the coastal California hills.
Words that describe this painting: expressionism, encaustic, beeswax, collage, antique ephemera...
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Building up many layers of color in oil paint and cold wax medium, Valerie then used scrapers to reveal the tree trunks in an abstract landscape. Warm orange and yellow trees standing in front of a cool blue and green background. Heavy texture complements the expressionist palette. The piece is part of a series of three works. Although Valerie did not create them as triptych, the three hang well close together.
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