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Medium: Archival Paper
Turbulence III
Located in Lenox, MA
Turbulence III
64" x 42" Pigment, Graphite and Sumi Ink on Archival Paper
Unique
Framed 67.5" x 46.5": $12,500
Category
21st Century and Contemporary Abstract Geometric Archival Paper Mixed Media
Materials
Sumi Ink, Archival Paper, Graphite, Pigment
Ethereal Lake
Located in New Orleans, LA
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery as a starting point, he collages and layers his mixed media paintings. The inclusion of imagery from vintage photographs becomes Henderson’s visual language through which to depict the notion of how one’s past experiences, emotions and personal archeology greatly shape one’s identity. Henderson’s new works on paper use plaster and roofing tar to secure the fading images printed on vellum. Henderson has exhibited at the Ogden Museum, LA and Northwestern State University, Natchitoches, LA, and his works have been included in film and television programs such as Bad Girls Club, The Twilight Saga...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Plaster, Charcoal, Tar, Archival Paper, Photographic Paper
Boys Club
Located in New Orleans, LA
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery as a starting point, he collages and layers his mixed media paintings. The inclusion of imagery from vintage photographs becomes Henderson’s visual language through which to depict the notion of how one’s past experiences, emotions and personal archeology greatly shape one’s identity. Henderson’s new works on paper use plaster and roofing tar to secure the fading images printed on vellum. Henderson has exhibited at the Ogden Museum, LA and Northwestern State University, Natchitoches, LA, and his works have been included in film and television programs such as Bad Girls Club, The Twilight Saga...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Plaster, Charcoal, Tar, Archival Paper, Photographic Paper
"Sea Level Kaneohe Bay" Contemporary Abstract Painting
Located in New York, NY
Collage, acrylic and graphite on paper. This abstract collage by the New York/ Hawaiian artist, Debra Drexler, incorporates cut paper, drawing and impasto brushwork with poured pain...
Category
2010s Abstract Archival Paper Mixed Media
Materials
Oil, Acrylic, Archival Paper, Graphite
"Sea Level Honolulu Harbor" Contemporary Abstract Painting
Located in New York, NY
Collage, acrylic and graphite on paper. This abstract collage by the New York/ Hawaiian artist, Debra Drexler, incorporates cut paper, drawing and impasto brushwork with poured pain...
Category
2010s Abstract Archival Paper Mixed Media
Materials
Oil, Acrylic, Archival Paper, Graphite
Ice Showers
By Nancy Baker
Located in New York, NY
paint and mixed media on cut paper
9"x 9" (available framed)
Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on mac...
Category
21st Century and Contemporary Contemporary Archival Paper Mixed Media
Materials
Acrylic, Archival Paper, Mixed Media
Atoll
By Nancy Baker
Located in New York, NY
paper construction on wood panel
14"x 11" (available unframed)
Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on m...
Category
21st Century and Contemporary Abstract Archival Paper Mixed Media
Materials
Archival Paper, Glitter, Paint, Wood Panel
The Together Colored Instant Collage, (Abstract Dimensional Shaped Assemblage)
Located in New York, NY
Large Scale Shaped Collage Assemblage created with Archival Papers and 3/4" plywood.
Artwork is mounted to wall with Included metal Hardware with a 3" float from the wall.
Ray Bel...
Category
21st Century and Contemporary Abstract Archival Paper Mixed Media
Materials
Plywood, Archival Paper
Taking Place
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Ink, Archival Paper
Drawing in Water
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Ink, Archival Paper
The Fatigue of the Conquest
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene.
In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities.
Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien who have been inspired by the explorers of the past. Like them, she draws, in part, on the singular tradition of polar exploration narratives as well as fictions such as Ursula Le Guin’s “Sur” (1981), a utopian feminist hoax in which a party of South American women reach the South Pole in 1909, two years before the official arrival of European explorers. Le Guin’s explorers do not feel compelled to leave any written record or physical proof of their presence at the South Pole. If Le Guin’s women might have made it, what other traces have been missed?
Collage can work alongside alternative history: it interprets, interrupts, and rearranges. It questions the completed whole, instead emphasizing composition and relation. Collage suggests it all might be … otherwise. Houston’s collages flaunt their second nature. Yet what they show remains somehow plausible. You want to believe what you’re beginning to see.
In “A life Attuned to Larger Rhythms” Houston grids out rectangles of captured images to overwhelm the eye as the polar environment itself might (whiteout is a paradoxical species of optical overstimulation). Through the strangely ordered confusion of an ice survey grafted atop a chessboard, the mind begins to recognize new connections, emergent shapes: a different future? In “Launching Strategy” a yellow-orange pyramid balances garishly atop a tent. Which came first, the realist tent or the Platonic shape? Can we ever be sure that we’re not already seeing through premade abstractions? Or is it that baggage we’ve been dragging along?
In “Architecture of the Anthropocene” and “Red Blood, Red Earth” Houston reroutes visually symbolic through-lines between women and non-European people and the official history in which they appear dimly or not at all. A full-skirted woman holds onto the tether of a kite that seems to pull her upwards towards a weather balloon floating above an Antarctic base’s radio tower; a row of tropical workers wielding pickaxes folds into the trajectory of a sailor aiming a bow and arrow at an iceberg stained with red. These are not people or images normally associated with polar discovery. But shouldn’t they matter?
“Territory Over Land” strips in a scene from a painted depiction of the tropics, possibly from one of Captain James Cook’s circumnavigations. “Captain Cook’s Legacy” more directly confronts an official portrait of Cook with the torn-in eyes from what can only be described as the explorer’s anonymous dark Other. The hybrid portrait is a kind of contact zone. “Henson and Peary – Past Entanglements” is a cooler, less volatile twin portrait of disputed discoverer of the North Pole Robert Peary...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Ink, Archival Paper
The Second Flight
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Aerial Exploration
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
The Plume of Nationalism
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Undercurrents
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Henson and Peary - Past Entanglements
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
Ghost in the Land
Located in Montreal, Quebec
A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Magazine Paper
BF Algae 1 Green & Red
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
BF Algae 2
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Wet Lands
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Meandering - Loss and Hope
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Eco-sphere Biosphere Stratosphere
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Geo-Frack Run Off I
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
The Divide Polarized
Located in New Orleans, LA
Alston’s work explores a plea for better respect of the earth, with nudges on what society can do to create a world of substantial ecological balance by understanding the tension bet...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
The illustrated Long Walk to Freedom 30th Anniversary of Presidency
Located in Knowle Lane, Cranleigh
A leather-bound autobiography with an original pencil signature inserted posthumously.
L27 x W23 x D3 cms Book Dimensions
L29 x W25 x D5.5 cms Presentation Box Dimensions
This beaut...
Category
1990s Post-Modern Archival Paper Mixed Media
Materials
Archival Paper
Outlander, Contemporary Photographic Collage by Justine Kurland
By Justine Kurland
Located in New York, NY
Outlander, Contemporary Photographic Collage by Justine Kurland
Justine Kurland “Outlander”
2022
Signed
Collage (Unique)
48 x 43.5 inches
Contact gallery for price.
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Paper, Photographic Paper
Blue
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 22 x 16 inches.
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Spray Paint, Acrylic, Archival Paper
Pink
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 22 x 16 inches.
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found imagery...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Spray Paint, Acrylic, Archival Paper
Green
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 18 1/2 x 14 1/2 inches.
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Spray Paint, Acrylic, Archival Paper
Orange
Located in New Orleans, LA
Piece is floated on a white mat with white frame. Framed dimensions are 18 1/2 x 14 1/2 inches.
James Henderson’s work explores the concept of memory and nostalgia. Utilizing found...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Acrylic, Spray Paint, Archival Paper
Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue
Located in Santa Fe, NM
Morning Song, by Melanie Yazzie, work on paper, monotype, female, red, blue
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Archival Ink, Archival Paper
Heart Message, by Melanie Yazzie, work on paper, framed, yellow, abstract, blue
Located in Santa Fe, NM
Framed work on paper with monotype elements
Hand pulled and painted 1/1 unique work of art
As a printmaker, painter, and sculptor, my work draws upon my rich Diné (Navajo) heritage....
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Plexiglass, Mixed Media, Archival Paper, Monotype
Side Track 58
Located in New York, NY
Earth, air, water, and fire are the center subjects of my art. I live in New York City-it is close to the ocean, and I’ve developed a deep affinity for the sea, which has also evoked...
Category
2010s Abstract Archival Paper Mixed Media
Materials
Canvas, Paint, Archival Ink, Mixed Media, Acrylic, Archival Paper
Storm
Located in New York, NY
Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...
Category
2010s Abstract Archival Paper Mixed Media
Materials
Archival Ink, Oil, Acrylic, Archival Paper, Archival Pigment
Lincoln's Bullet as a Meteorite
Located in New York, NY
Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...
Category
2010s Surrealist Archival Paper Mixed Media
Materials
Steel, Stainless Steel
Starry, Starry, Starry
Located in New York, NY
Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...
Category
2010s Surrealist Archival Paper Mixed Media
Materials
Archival Ink, Mixed Media, Acrylic, Archival Paper, Archival Pigment
Danger
Located in New York, NY
Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...
Category
2010s Surrealist Archival Paper Mixed Media
Materials
Steel, Stainless Steel
Homage to Frida Kahlo (Red Frida)
By Lesley Dill
Located in New York, NY
The complete title of the work is "HOMAGE TO FRIDA KAHLO (RED FRIDA) "Exhilaration-is-within-There can be not Outer Wine So Royally intoxicate" E. Dickinson.
Lesley Dill is an Amer...
Category
Early 2000s Archival Paper Mixed Media
Materials
Fabric, Cotton, Silk, Ink, Archival Paper
Acteon
By Sophia Vari
Located in New York, NY
Sophia Vari (born in Athens, Greece) recently deceased, was an established international visual artist known for polychrome sculptures, collages, oil and watercolor paintings. Her ex...
Category
1990s Archival Paper Mixed Media
Materials
Canvas, Charcoal, Cardboard, Archival Paper
Kyrzig Motif III
Located in New York, NY
Again, the versatility in her texture, shapes an palette are reflected in this work.
Category
1990s Archival Paper Mixed Media
Materials
Gesso, Oil, Archival Paper
Motif II (Male, Dragon)
Located in New York, NY
This work is a great sample of the versatility in use of medium, texture and color. This work is also oil on gessoed paper.
Category
1990s Archival Paper Mixed Media
Materials
Gesso, Oil, Archival Paper
Bedouin Cliffs I
Located in New York, NY
Valerie Hird's work reflects her travels throughout Morocco, her unique palate and textures, really evoke an essence of Morroco and how she perceives it.
Category
1990s Archival Paper Mixed Media
Materials
Gesso, Oil, Archival Paper
Diana vs Grace
Located in New York, NY
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Plexiglass, Archival Ink, Mixed Media, Archival Paper, Archival Pigment
JFK vs Jackie & Jackie vs JFK
Located in New York, NY
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Plexiglass, Archival Ink, Oil, Archival Paper, Archival Pigment
Untitled
Located in Saint Louis, MO
Ross Bleckner
Untitled, 1989
Mixed media on paper
28 x 22 inches (71.1 x 55.9 cm)
Category
1980s Abstract Archival Paper Mixed Media
Materials
Mixed Media, Archival Paper
Nest Builder
Located in Kansas City, MO
Aster da Fonseca
Nest Builder
Acrylic on Tape on Paper
Year: 2022
Size: 12x9in
Signed by hand
COA provided
Ref.: 924802-1374
collage acrylic paint ta...
Category
2010s Modern Archival Paper Mixed Media
Materials
Tape, Acrylic, Archival Paper
Cardinal's Nest
Located in Kansas City, MO
Aster da Fonseca
Cardinal's Nest
Acrylic on Tape on Paper
Year: 2022
Size: 12x9in
Signed by hand
COA provided
Ref.: Ref.: 924802-1372
collage acrylic...
Category
2010s Modern Archival Paper Mixed Media
Materials
Tape, Acrylic, Archival Paper
Feeding Time
Located in Kansas City, MO
Aster da Fonseca
Feeding Time
Acrylic on Tape on Paper
Year: 2022
Size: 14x17in
Signed by hand
COA provided
Ref.: 924802-1370
collage acrylic paint tape nature landscape bird tree b...
Category
2010s Modern Archival Paper Mixed Media
Materials
Tape, Acrylic, Archival Paper
Parakeet
Located in Kansas City, MO
Aster da Fonseca
Parakeet
Acrylic on Tape on Paper
Year: 2022
Size: 19x24in
Signed by hand
COA provided
Ref.: 924802-1365
collage acrylic paint tape nature landscape bird tree beaut...
Category
2010s Modern Archival Paper Mixed Media
Materials
Tape, Acrylic, Archival Paper
Subzero
By Nemo Jantzen
Located in Singapore, SG
Handmade resin pieces on board. Content behind the resin: Surfing, summer living, snorkeling, good vibrations, etc
Born and raised in The Hague in 1970, Nemo Jantzen then studied art, design and photography at the RTO in Rotterdam and moved to Antwerp to work as a creative director and billboard artist, while further developing his technique and style as a fine artist.
Over the past 15 years, he has been exhibiting worldwide in art galleries, art fairs, and solo exhibitions to high acclaim. His work can be found in numerous private and public collections around the world.
COLLECTIONS & SPECIAL COMMISSIONS
GEM Museum , Netherland
Museum POPA, Switzerland
Museum Diocesa, Spain
Mandarin Oriental Hotel, New York
Presidential Suite, Mandalay Bay Resort, Las Vegas
Shannon Sedgwick Davis, Head of Bridgeway Foundation.
Fundraising auction against human trafficking.
Peru Contemporary Art Museum, Peru
Billy Frist, Photography Collector, DREAM Hotel Owner, TN
Robert Griffin III, NFL American Football Player
Alcazar Financial Group, Dubai
Wheelock Properties, Singapore
Dylan Farrell...
Category
2010s Pop Art Archival Paper Mixed Media
Materials
Epoxy Resin, Photographic Film, Archival Paper
Soaked
By Nemo Jantzen
Located in Singapore, SG
Handmade resin pieces on board. Content behind the resin: Art, Museums, Auctions, Emblematic Artists, Art movements, Andy Warhol, Pop Art, Chaggal, Rothko, Kaws, among others
Born a...
Category
2010s Pop Art Archival Paper Mixed Media
Materials
Epoxy Resin, Archival Paper, Photographic Paper
Off the Rack
By Nemo Jantzen
Located in Singapore, SG
Mixed media by Nemo Jantzen. Handmade resin domes on board. Content: Fashion, Catwalks, Fashion photography, Fashion Brands, Haute Couture, etc.
Born and raised in The Hague in 1970...
Category
2010s Pop Art Archival Paper Mixed Media
Materials
Epoxy Resin, Archival Paper
Hello
By Nemo Jantzen
Located in Singapore, SG
Mixed media by Nemo Jantzen. Handmade resin domes and archival paper on board. Content: Black and White Photography, Fashion, music and Design.
Nemo Jantzen, born 1970 in The Haque...
Category
2010s Pop Art Archival Paper Mixed Media
Materials
Epoxy Resin, Archival Paper
Boom
By Nemo Jantzen
Located in Singapore, SG
Mixed media by Nemo Jantzen. Handmade resin domes on archival paper on board. Content: Cartoons, Vintage comics, Super Heroes, Marvell, Storyboards, Po...
Category
2010s Pop Art Archival Paper Mixed Media
Materials
Epoxy Resin, Acrylic, Archival Paper
Bottoms Up
By Nemo Jantzen
Located in Singapore, SG
Handmade resin domes on board with unparalleled craftsmanship by Nemo Jantzen. Every inch of this piece is crafted by hand, with careful attention to detail. "Bottom's Up" is a stunn...
Category
2010s Pop Art Archival Paper Mixed Media
Materials
Epoxy Resin, Archival Paper
Desert Sands, 2022, beadwork on paper, bead art, landscape, cactus, cacti, sky
Located in Jersey City, NJ
Pop and Contemporary Pop / Figurative Art / Use of Common Materials
Desert Sands, 2022, beadwork on paper, bead art, landscape, cactus, cacti, sky, skyscape, mountainscape, plant life, desert scape
Delightful beadwork by Molly Craig...
Category
2010s Contemporary Archival Paper Mixed Media
Materials
Glass, Archival Paper
Little House 4
Located in New York, NY
Newpaper on canvas 3D-collage set in An Acrylic Box
In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhoo...
Category
2010s Other Art Style Archival Paper Mixed Media
Materials
Canvas, Archival Paper, Magazine Paper, Newsprint, Papier Mâché
Little House 2
Located in New York, NY
Newpaper on canvas 3D-collage set in An Acrylic Box
In the hands of Yeji Moon, ordinary materials are transformed into beautiful and complex collages that powerfully recall childhoo...
Category
2010s Other Art Style Archival Paper Mixed Media
Materials
Canvas, Archival Paper, Magazine Paper, Newsprint, Papier Mâché
Archival Paper mixed media for sale on 1stDibs.
Find a wide variety of authentic Archival Paper mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Hiro Yokose, Jessica Houston, Kim Frohsin, and Audrey Anastasi. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Archival Paper mixed media, so small editions measuring 0.1 inches across are also available
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