Watercolor Mixed Media

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Brown...

ROBERT MARS "Cinemascope" • watercolor paper 300gsm cold press 19.00w x 25.00h x 1.00d in Robert Mars stands as a vanguard in the contemporary art world, his work a vibrant homage t...

22’’ x 30" mixed media collage: ink, watercolor, origami paper, gold foil, pattern-making paper on paper, framing options available. Linda Ganjian's artwork captivates with its or...

Ethel Merman "Annie Get Your Gun" original Mid Century Broadway theatre drawing Ethel Merman in the pre-Broadway tour of ANNIE GET YOUR GUN, 18 ½ ...

Xiao Wen Xu's artistic practice is deeply influenced by her profound appreciation for the natural world. This artwork is part of her "Rainbowland Land" ser...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

Patty deGrandpre’s “Stacked and Arranged” is a 14 x 11 inch unique mixed media contemporary print depicting 4 iterations of the classic children’s stacking toy presented in a square ...

Elizabeth Jordan is an artist working primarily in sculpture and whose work uses multiple materials to produce unique, organic forms. In addition to a solo and group shows at Ivy Bro...

Original mixed media composed of graphite, watercolor, gouache and acrylic paint on hardboard by the well known American artist, Thornton Utz. Signed lower left and dated 1992. Con...

This piece titled "The Extra Mile"is an original piece by Danielle Clough, as part of her recent solo exhibition "Crewel Intentions", featuring highly textured and embroidered portra...

12"x9" mixed media collage: acrylic, metallic watercolor and papers, ink, collage dressmaking patterns, framing options available. Linda Ganjian's artwork captivates with its ornat...

Meander (Female Figure in Quilted Dress with Collage Lake Landscape) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 24 x 18 inches Olan Quattro's subtle and sophis...

"Marsh Rising" is a work on paper that features hues of green, blue, gold, pink, yellow and orange. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina ...

JAKE CHAPMAN - TO LIVE AND THINK PIGS (41/50) Date of creation: 2022 Medium: Hand watercolour on digital print Edition number: 41/50 Size: 18.3 x 24.2 cm Condition: In mint condition...

Desmond Mclean (1929-2015). Untitled, ca. 1960. Mixed media on paper. Sheet measuring 12.5 x 19 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; America...

"Interstellar I" is a work on paper that features hues of green, violet, blue, gold and yellow. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Gros...

Watercolors, oxides and shellac on wood. Cristina Salusti - Born in Cambridge, MA in 1952 BFA: Manhattanville College, Purchase, NY 1974 MA: Teachers College at Columbia University...

Alexandra Alexandrovna Exter Colour Dynamic, 1918 Russian avant-garde watercolor and gouache on paper Signed on the front Collection of Solomon Shuster, Leningrad (with collection la...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "The Buble", Peña takes a more traditional approach to representing a house in the phase of construction with bold and vivid colors and contrasts the image with cut Sintra board slowly pulsating downward from underneath the house. The light blue of the sky contrasts with a deep orange hue for the house. The work is framed with a 1 inch white border. Nick Peña...

JAKE CHAPMAN - TO LIVE AND THINK PIGS (48/50) Date of creation: 2022 Medium: Hand watercolour on digital print Edition number: 48/50 Size: 18.3 x 24.2 cm Condition: In mint condition...

22’’ x 30" mixed media collage: ink, watercolor, origami paper, gold foil, pattern-making paper on paper, framing options available. Linda Ganjian's artwork captivates with its orna...

LeRoy Neiman Original Mixed media on paper; including tempera, acrylic, pastel, watercolor, and conti crayon Dated 1966 9 1/2″ x 9 1/4″ viewabl...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 21 x 19.25 inches. Artwork size 13.75 x 12 inch...

Artist commentary: The underwater world became a major inspiration to me when I learned how to dive. The plants and animals of the sea are surreal and beautiful-like nothing we see ...

Soft watercolor accents add to the beauty of this cyanotype and watercolor landscape of forest trees, titled "Floating Shadows", by Cheryl Trotter (American, 20th century), c. 1980's...

Artist: Peter Max Title: Cosmic Flyer (Green) Medium: Mixed Media On Paper Edition: Original Size: 12"x13.5" inches Hand signed by the artist Frame size 22.25"x18.25" inches Conditio...

Original gouache and ink painting on paper. Hand signed and dated by Alexander Calder. Executed in 1969, this work is registered in the archives of the Calder Foundation, New York,...

"I've Already Left Home" Satirical Bond Paperwork Collage Elaborate collage by Mickey "Kano" Kane (American, 20th century). This piece is a satirical collage that mimics the ornate ...

Xiao Wen Xu's artistic practice is deeply influenced by her profound appreciation for the natural world. This artwork is part of her "Rainbowland Land" ser...

John Piper (British, 1903 – 1992) Warning to travellers, number 18 from India Love Poems’ Signed ‘John Piper’ (lower right) Mixed media pencil and watercolour and gouache 16 x 11.3/8...

"how far can you stretch the ego?" Collage with Social Commentary Elaborate mixed media collage by Mickey "Kano" Kane (American, 20th century). A large biomorphic form, evocative of...

Xiao Wen Xu's artistic practice is deeply influenced by her profound appreciation for the natural world. This artwork is part of her "Rainbowland Land" ser...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 17 x 21 inches. Artwork size 11 x 15 inches. Artwork is in excellent condition....

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

Desmond Mclean (1929-2015). Untitled, ca. 1960. Mixed media on paper. Sheet measuring 13 x 16.25 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Americ...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Medium: Pastel, Gouache, and Black Crayon on Paperboard Sight Size 22.88" x 17.50", Framed 31.75" x 26.50" Signature: Signed EVERETT SHINN and Dated Vanity Fair Cover...

Evolve * Develop * Learn From Past Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / Abstra...

Artist: Peter Max Title: Sailboat Sunrise Medium: Mixed Media On Paper Edition: Original Size: 13.5"x11.75" inches Hand signed by the artist Frame size 22.25"x18.25" inches Condition...

Roberta Allen German Lesson, 1981 Two separate mixed media works framed together: watercolor, gouache, ink, wash, laid paper collage (each signed by hand) Signed twice: each of the s...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 20 x 18 inches. Artwork size 13.75 x 12 inches. Artwork is in excellent conditi...

Artist: Peter Max (1937) Title: Angel with Spread Wings Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 15 x 11 inches Inscription: Signed in ink Notes: Publishe...

Desmond Mclean (1929-2015). Untitled, ca. 1960 Mixed media onpaper. Sheet measuring 12.25 x 16.5 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Am...

In this expressive gouache study, Carl Oscar Borg captures the dramatic sweep of the Arizona highlands, where storm clouds gather over layered mesas and valleys bathed in shifting li...

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the nat...

Jacquelyn Strycker One Day Tomorrow Will be Yesterday, 2024 collage of risographs and screenprints on Japanese and handmade fibers papers with sewing and acrylic gouache 57 x 76 in. ...

Gloria Dudfield Tractor at Work 6-10-64 Gouache and Oil Pastel on Paper 36"x32 1/2" Unframed Signed and dated lower right in crayon Very Good Condition - Minor wear consistent with ...

Work : Original Drawing, Handmade Artwork, Unique Work ready to Hang. Medium : Watercolour, Charcoal and Pastel on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject ...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 28 x 22 inches Inscription: Signed in ink Notes: Published, printed,...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

Flow is the ability of liquids to continually move from one place to another. Also, It means accepting each situation as it is. The movement of the liquid comes from life, it is natu...

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the nat...

Float (Whimsical Landscape Collage of Swans and Figure Against Blue Sky) by Olan Quattro 2024, gouache, paper, and acrylic on wood panel, 24 x 36 inches Olan Quattro's subtle and so...

Nesting Season (Whimsical Collage of Female Figure and Birds in the Forest) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 16 x 12 inches Olan Quattro's subtle and...

Brood (Collage Landscape of Chicken Farm and Reclining Female Figure) by Olan Quattro 2024, gouache, paper, and acrylic on wood panel, 18 x 24 inches Olan Quattro's subtle and sophi...

Marilla Palmer Ecstasy of the Sun, 2025 watercolor, gold leaf, embroidery, millinery foliage, pressed flowers, Durabright prints on Arches paper 29.5 x 41 in. (pal256) Marilla Palm...

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the nat...

Lovers is an original drawing in mixed media on ivory paper realized in 1940 ca. by an Anonymous artist of the XX century. In very good conditions, except for some folding and very ...