Watercolor Mixed Media

XVII From The Red Series Cotton wicks, watercolour pencil and acrylic on paper Image size: 11.7 in H x 8.3 in W Certificate of authenticity The red series are drawings in vermillion...

XVI From The Red Series Cotton wicks, watercolour pencil and acrylic on paper Image size: 11.7 in H x 8.3 in W Certificate of authenticity The red series are drawings in vermillion ...

ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...

24" x 20.25" Framed Original - 2 PLY 100% Cotton Museum Board, Metallic Pigment Gouache Paint Framing: Glass with Shadow Box Frame

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the...

Paula Valenzuela Spiral of Energy, 2025 Watercolor, alcohol ink and crayon on paper 14 x 10 inches This one-of-a-kind work on paper comes unframed and ships in a tube. Paula Valenz...

This piece titled "this way 2" is an original artwork made from pencil, marker, watercolor, acrylic gouache on paper by Miriam Singer. This piece measures 19"...

Sitting Woman Irene Rice Pereira, American (1902-1971) circa 1966 Watercolor, acrylic, pencil and pastel on rice paper, signed in watercolor 24 x 18.75 in. (60.96 x 47.63 cm)

Vivid color aquatint with hand coloring in watercolor by Howard Hodgkin, from a limited edition of 50. Initialed by Hodgkin, dated and numbered in pencil. Printed by Andrew's Print...

Signed Lower Right by Artist PROVENANCE: Private collection, Berkshire, NY Sotheby's, New York- The Illustration Art Collection of Kendra and Allan Daniel, April 11, 2011- Lot 84 ...

Martin Eder was a Swedish drawing teacher, artist and ceramicist. Martin was born on the island of Gotland and spent a lot of time there, he also lived in Sala. Martin was a curious ...

Set of 6 artworks. From The Red Series Cotton wicks, watercolour pencil and acrylic on paper Overall size: Image size: 11.7 in H x 49.8 in W Frame size: 12.5 in H x 57 in W x 1.5 in ...

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

JAY MILDER Untitled, ca. 1987 Gouache on Paper hand signed in pencil, lower left. Image is 9 square inches; framed it's 16 square inches Frame included: held in the original vintag...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

"Rouen" is a watercolor by Frank- Will , it is extremely large in size and from an important place in the history of France. This is where the tower of Joan of Arc is located and wh...

From the covid diaries series Watercolour on paper mix media Overall size: 16 in H x 24 in W Individual size: 16 in H x 12 in W Set of 2: - AhamBrahmasi: Not this, Not that - When t...

From the covid diaries series Watercolour on paper mix media Overall size: 16 in H x 24 in W Individual size: 16 in H x 12 in W *The coloured squares on the paper are watercolour ta...

These new small-scale paintings were created using gouache on handmade paper. Alexandra Rutsch Brock then “drew” with a sewing machine using various colored threads. Using the thread as a painted line, playing with the marks and motifs the machine allows that creates contrast in both surface and color. They are sewn directly with no preliminary sketches, just instinctive gesture, sometimes in a similar color to enhance a texture, other times contrasting as a new element. The entangled threads that dangle down emphasize the materiality. Working so closely to the surface, she is aware of the senses of seeing, breathing, touching and feeling……………escaping into these new surfaces. Alexandra Rutsch Brock has exhibited in solo and group shows most recently at The Keck School at USC, CA, The Painting Center, NY, Village West Gallery, NJ and Misericordia University, PA. Her work has been featured in Studio Visit Magazine SV Vol44. Her recent co-curations include “HyperAccumulators” with Elizabeth Saperstein at Pelham Art Center, NY and “Among Friends” project with artists Patricia Fabricant and Beth Dary...

From the covid diaries series Watercolour on paper mix media Overall size: 16 in H x 24 in W Individual size: 16 in H x 12 in W Set of 2: - Tradition and the individual Talent - Wa...

Judy Pfaff Untitled 1997 Signed and numbered Etching with wax and watercolor (Edition of 50) 9 x 12 inches

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...

Natural Flow Series n5, 2023 by Rosario Briones From the series Natural Flow Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 160 H X 120 W cm....

Gouache, Crayon, Pencil, Film on Paper, not framed Cover Atlantic Monthly Magazine August 1994

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

Katherine Porter Geometric Abstraction, 1971 Watercolor and graphite on graph paper Signed and dated "Katherine Porter 1971" in pencil on the front Held in original vintage 1970s met...

Set of 2 From The Red Series Cotton wicks, watercolour pencil and acrylic on paper Overall size: Image size: 11.7 in H x 16.6 in W Individual size: Image size: 11.7 in H x 8.3 in W ...

Knight and Girl is an original painting realized by an anonymous artist in the 1950s. Painting in tempera, watercolor, and China ink on paper. Included a Passepartout: 41 x 51 cm. ...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

Provenance: Corporate Art Collection Nell Blaine, painter of still lifes and landscapes in brilliant colors, created abstract work that gives the appearance of being done in a carefree, totally lighthearted manner but in fact is the result of years of disciplined study. It is also an effect achieved after rehabilitation from polio, which nearly took her life. Suffering a paralyzed right hand, she taught herself to paint with her left hand, and she devoted much time to applying colors, some times as many as fifty varieties. She attributed her fascination with color with its discovery when she was two years old and corrective eye surgery allowed her to see color for the first time. Blaine was raised in the Richmond, Virginia, where she grew to hate the prevalent racial discrimination and left home at an early age. In high school, she was skilled enough to begin selling her artwork, which was mostly posters and portraits. She attended the Richmond School of Art, now Virginia Commonwealth University, between 1939 and 1942 but left its classical realist curriculum when one of the instructors introduced her to modern art. She used money she had earned from commercial art and went to New York and studied with Hans Hofmann, teacher of Abstract Expressionism. Shortly after, she married a jazz musician and immersed herself in the world of jazz, beating drums and improvising expressive dances, and associating with Charlie Parker, Dizzie Gillespie, and Beat Generation writer Jack Kerouac. Her paintings of that time reflect her strong developing sense of relationship between jazz and abstract art. In 1944 at age twenty two, she became the youngest member of the American Abstract Artists and exhibited hard-edged geometric paintings, mostly black and white with accents of bright colors. She joined a cooperative of abstract artists and worked so hard at organizing shows that some referred to it as the Blaine Street Gallery. She was a strong personality who had special influence on Larry Rivers and Jane Freilicher and appeared to thrive in the New York art scene of the 1940s. However, she decided that her lifestyle was unhealthy, and she left the city, had a period of seclusion, and then went to France where she admired the work of Gustave Courbet, Jean Antoine Watteau, Eugene Delacroix, and Nicholas Poussin and took up figurative art in an abstract style. She became known as a "painterly realist," and added landscapes and interiors to her subject matter. She earned fellowships to Yaddo and the MacDowell Colony and began spending at least half the year in Gloucester, Massachusetts. She also traveled in Mexico. In 1959 on the island of Mykonos, Greece, she had polio. Her New York art friends in an exhibition of seventy-one artists raised money for extensive treatment at Mount Sinai Hospital. After recovery, she settled in a studio on Riverside Drive, spent her summers in Gloucester, and painted from her wheelchair. She died in 1996. Source: Charlotte Streifer Rubinstein, American Women Artists Biography from Hess Fine Art & Auctions Nell Blaine is sometimes called a "painterly realist. This term belies her beginnings in abstract expressionism. She studied with Hans Hofmann in the mid-1940s and was fascinated by the geometric painting of Mondrian. By the late 1950s she turned towards representation. This change was reinforced when she met the French painter Jean Helion. He too had returned to representation. There is French flavor to Blaine's work in the Fauve-like use of pure color. Her typical subject matter is still life, landscapes and gardens. In some of her still life Matisse is brought to mind, but her style could not be mistaken for French. It has the unmistakable free brushstroke of the action painters, imbued with awe for the beauty of nature. Her preference is the use of pure color, cobalt violet being her favorite, and she reportedly said she "enjoy(s) color more than words". She respects the traditions of composition and structure, and is influenced by French Impressionism in terms of light and subject matter. Nell Blaine, painter of still lifes and landscapes in brilliant colors, created abstract work that not only is the result of years of disciplined study but was achieved after rehabilitation from polio. She taught herself to paint with her left hand because she suffered a paralyzed right hand. She devoted much time to applying colors, some times as many as fifty varieties. She attributed her fascination with color with its discovery to corrective eye surgery she had when she was two years old. This operation allowed her to see color for the first time. Nell Blaine was raised in Richmond, Virginia. In high school, she was skilled enough to begin selling her artwork, which consisted mostly of posters and portraits. She attended the Richmond School of Art, now Virginia Commonwealth University, between 1939 and 1942 but left when introduced to modern art. She used money she had earned and went to New York and studied with Hans Hofmann. Six months after she arrived in New York, Blaine married Bill Bass...

From the covid diaries series Watercolour on paper mix media Overall size: 16 in H x 24 in W Individual size: 16 in H x 12 in W Unframed 1. While the onions pierce, Bougainvillea a...

This piece titled "learning to see" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, watercolor. ...

Katherine S. Dreier, 'Variation 5, Vol. I' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

Original mixed media composed of graphite, watercolor, gouache and acrylic paint on hardboard by the well known American artist, Thornton Utz. Signed lower left and dated 1992. Con...

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the intricate dynamics between their inner thoughts and outward expressions. By creating layered mixed media paintings, Niederhauser breathes new life into carefully selected papers, transforming them into enchanting works of art using gouache, acrylic, and oil paint on canvas. She seeks to share her large figurative works as a “diary written in colors” with communicative forms and conjunctive lines, expressing her personal experiences and the world she inhabits. This unique 63-inch high by 47-inch wide original mixed media artwork...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

Jungle fantasy Scene, Ink, Colored ink and color watercolor surreal fantasy scene, birds, giraffes, alligators, snakes, turtles, storks, unicorn and maiden in a tepee, lions and elephants. Laurence L. Donovan Jr. (1927-2001) was a poet, artist, and English professor at the University of Miami, best known for his poetry, much of which was inspired by Florida’s natural beauty. Donovan grew up in southern Florida. His parents were Ruth and Laurence Donovan...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunit...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as...

Signed and dated by artist on back. Andrew W. Young (American) is an artist who lives in Manhattan and has life-long and abiding associations Downeast (Maine) and Down Cape (Cod). H...

Set of 2 From The Red Series Cotton wicks, watercolour pencil and acrylic on paper Overall size: Image size: 11.7 in H x 16.6 in W Frame size: 12.5 in H x 19 in W x 1.5 in D Individu...

In his early years Colin Kent studied and worked as an architect. He was elected a member of the Royal Institute of Painters in Watercolours in 1971 and then became a full time painter. His landscapes and interiors are painted from his memories, feelings, and impressions, displaying the romantic elements and the spirit of places filtered through his own vision and artistic sensibilities. He transforms the ordinary view into an extraordinary vision through his use of tonal contrasts, texture, and light and shade, creating works which have vitality, spontaneity and a sense of timelessness. Colin experiments continuously using a variety of water based media and collage. This mixture of media often takes over during the painting process dictating the shape and flow of the work. He has exhibited at the Mall Galleries London, receiving the Linda Blackstone Award at the RI exhibition, and also the Buzzacott Award amongst others. Colin has also exhibited at the Royal Academy London, The Royal West of England Academy, the Guildhall and many of the best fine art galleries. His works are in collections in the UK, U.S.A, France, Germany, Finland, and Japan. Pink Cloud...

Man on Wire - Abstract Expressionism A vibrant abstract painting in intense poppy-red depicting a man dressed in black tie walking a tightrope with an umbrella, by California-based artist, Ricardo de Silva...

From the covid diaries series Watercolour on paper mix media Size: 16 in H x 12 in W Unframed *The coloured squares on the paper are watercolour tablets therefore not mentioned as ...

Sewing on Korean paper 23 9/10 × 19 7/10 in 60.6 × 50 cm This is a unique work. This work includes a Certificate of Authenticity. The patchwork of Ro, Shin Kyoung Weaving the networ...

Mixed Media, Gouache, Watercolor & Ink on Canson 140lb Cold-pressed paper, Framed Denver, Colorado based contemporary artist Julia Rymer asks "what if art gave you the same experien...

Mixed Media, Gouache, Watercolor & Ink on Canson 140lb Cold-pressed paper, Framed Denver, Colorado based contemporary artist Julia Rymer asks "what if art gave you the same experien...

This piece titled "something better" is an original artwork made from pencil, marker, watercolor, acrylic gouache on paper by Miriam Singer. This piece measures 13"h x 10"w framed.

This piece titled "the sacredness unfolds" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, water...

Hilding Werner (1880-1944) Sweden Hulda in a Room at Ruds Säteri mixed media on paper unframed 27 x 22.5 cm (10.63 x 8.86 inches) framed 38 x 33.5 cm (14.96 x 13.19 inches) Prov...

Soft watercolor accents add to the beauty of this cyanotype and watercolor landscape of forest trees, titled "Floating Shadows", by Cheryl Trotter (American, 20th century), c. 1980's...

Original drawing of a woman heading to market by the well known American artist, Everett Shinn. Mixed media work created with charcoal, pastel and gouache. Signed with the artist’s initials lower right and dated 1916. Condition is very good. Under glass. Matted and in a period gold frame with restorations. Overall framed measurements are 23.5 by 17.25 inches. Provenance: A New York City estate. Everett Shinn (1876 – 1953) Everett Shinn, a realist artist associated with the Ashcan School and member of “The Eight” was born in New Jersey in 1876. After showing an aptitude for the arts as a child, at age 15, Shinn was enrolled at the Spring Garden Institute in Philadelphia. He quickly moved on to classes at the Pennsylvania Academy of the Fine Arts and by the age of 17, he was working as a staff artist for the Philadelphia Press. While working at the Press, Shinn befriended fellow artists William J. Glackens, George Luks, and John Sloan. This group, with Robert Henri and Joseph Laub, established the Charcoal Club, a social and intellectual sort of alternative art school. In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the...

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the...

White Series n2, 2023 by Rosario Briones From the White series Mixed media: natural pigments, Indian ink, watercolor on canvas. Dimensions: 160 H x 10...