1960s Mixed Media

"Picador" 1966 Experimental Surrealist Composition Intriguing mixed-media piece by prominent California artist Morris Broderson (b. 1928 d. 2011.) A picador sits upon his horse, hol...

This Modern abstract painting Stanley Bate is highly textured and features a warm, vibrant palette. Thick layers of red, orange, and blue paint appear to have been scraped back to c...

Myril Adler "Moonscape" c.1960s Intaglio etching collage, ink on paper 3"x6" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (n...

Myril Adler "Night Magic" c.1960s Intaglio etching collage, ink on paper 3"x6" framed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Be...

Stunning mid century mixed media collage of Roman travel items and photos by James A. Couglin, a Berkeley Abstract Expressionist (American, 1929-1979), c.1966. Painted during his Par...

"Calligraphy" is an original mid-20th-century abstract painting by celebrated Denver artist Edward Marecak (1919–1993). Executed in mixed media on paper, the composition features dyn...

Ann Graves Tanksley, Untitled (Mother and Child), mixed media on Japan paper, c. 1960s. Signed 'A. Tanksley' in gold in the image, lower right. Linoleum cut in black ink on Japanese paper, with blue and gold brushed ink; cloth batik collage, and metallic gold star laid onto black construction paper. Created as a seasonal greeting. Inscribed on the inside panel is 'Merry Christmas and a Happy New Year. Love, John & Ann.' Archivally matted to museum standards. Unique. Image size 7 3/8 x 4 7/16 inches (187 x 113 mm); front panel size 8 11/16 x 5 3/4 inches (221 x 146 mm). ABOUT THE ARTIST “Her work reflects the influence of her travels, the residential colors, the simple work habits, the loneliness, and the love and devotion to one’s spiritual beliefs. There is a oneness of artist and concept. Her love of life, despite social barriers and frustrations, is promoted in her work for audiences to witness and accept... Her paintings evoke a spiritual awakening. One is drawn to the intensity of color that prevails and identifies the moods of feasts and celebrations. ...Life is full of anticipation and dedication, of acceptance and hope, of faith and survival. These are all present in the works of Ann Tanksley.” —Robert Henke, The Art of Black American Women: Works of Twenty-Four Artists of the Century, McFarland & Company, Inc., 1993. Ann Graves was born in 1934 and raised in the Homewood community in Pittsburgh, Pennsylvania. Drawn to art at an early age, Tanksley graduated from Carnegie Institute of Technology (now Carnegie Mellon University) in 1956 with a Bachelor of Fine Arts degree. Following graduation from college, she married fellow Homewood native John Tanksley, and the couple moved to Brooklyn, New York. He worked as a photo retoucher in the advertising industry. Tanksley devoted herself to raising her daughters while working as an art instructor before fully pursuing her artistic pursuits. She was an art instructor at Queens Youth Center for the Arts from 1959-62, the Arts Center of Northern New Jersey in 1963, and a substitute art instructor at Malvern Public Schools in 1971. She also served as an adjunct art instructor at Suffolk County Community College from 1973-1975. Tanksley continued her art education with studies at the Arts League of New York, The New School, the Paulette Singer Workshop in Great Neck, and the Robert Blackburn Printmaking Workshop, where she learned monotype printmaking. In addition to Blackburn and Singer, Tanksley studied with several renowned artists throughout her career, including Norman Lewis (artist), Balcomb Greene, and Samuel Rosenberg (artist). Tanksley was one of the first members of Where We At: Black Women Artists, Inc., a New York-based women’s art collective founded by artists Kay...

An important Spanish portrait painting by the celebrated artist Jose Vela Zanetti (1913-1999), signed & dated 1962. This painting by one of Spain's most celebrated muralists, who als...

Anne Youkeles Gemini, ca. 1969 Three-dimensional mixed media silkscreen on folded sheets of thin card Hand-signed by artist in pencil, titled and annotated Artist's Proof I from the ...

Bernard Buffet (1928-1999) - Frontispiece Lithograph from 1968. Dimensions of work: 31 x 24 cm Publisher: André Sauret, Monte Carlo. Printed by: Fernand Mourlot, Paris The work ...

Richard Anuszkiewicz Metallic Water, 1964 Painting with Liquitex on canvas. (1964 Art Institute of Chicago Exhibition and J.L. Hudson Gallery) Signed boldly and dated 1964 on the ver...

“Untitled, 1966” by Carolee Schneemann (American, 1939-2019) A rare, early collage by Carolee Schneemann composed of ribbons, film, and gift-wrapping paper. The piece is an explosio...

The most significant example of Cremona’s work to come to market in recent memory, this sweeping 1968 abstraction captures the haunting lyricism that defined his mature work. The com...

This Modern abstract figurative painting by Stanley Bate features abstracted figures in motion, placed in front of a geometric background with white, maroon, and blue squares tiled n...

Emerson Woelffer Untitled Abstract Collage, 1989 Mixed media collage on paper Dimensions: 32 x 26 inches (framed) Signed and dated lower right A striking example of Emerson Woelffer...

Salvador Dali (1904-1989) - Homme baisant la chaussure Etching from 1969. 109/145 on Japan paper. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Graphik Europa Anstalt....

Limoges porcelain in "Bleu de Sèvres" and gold. Artist: Salvador Dali Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968. "Faust" drawn by Salvador Dalí. Print signed. Plate Signed in the back of the plate Dimensions: Diameter: 26 cm Edited by Salins Earthenware Sold in its original box The company "Raynaud-Limoges" specialized in the production of porcelain products in small runs, among the company's customers - crowned people and representatives of the old aristocratic families of Europe. Dali - the Prodigy Child without an Exam. Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press. Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him. In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness. By 1929 Dali had found his personal style that should make him famous the world of the unconscious that is recalled during our dreams. The surrealist theory is based on the theories of the psychologist Dr. Sigmund Freud. Recurring images of burning giraffes and melting watches became the artist's surrealist trademarks. His great craftsmanship allowed him to execute his paintings in a nearly photo-realistic style. No wonder that the artist was a great admirer of the Italian Renaissance painter Raphael. Salvador Dali and Gala. Meeting Gala was the most important event in the artist's life and decisive for his future career. She was a Russian immigrant and ten years older than Dali. When he met her, she was married to Paul Eluard. Gala decided to stay with Dali. She became his companion, his muse, his sexual partner, his model in numerous art works and his business manager. For him she was everything. Most of all Gala was a stabilizing factor in his life. And she managed his success in the 1930s with exhibitions in Europe and the United States. Gala was legally divorced from her husband in 1932. In 1934 Dali and Gala were married in a civil ceremony...

In this Modern abstract painting by Stanley Bate, a bold palette is married with imperfect shapes and large brush strokes. Sandy beige rectangles blend with yellow and deep blue, on ...

hand watercolored drypoint etching on extremely fine Japanese paper, edited in 1969 limited edition of 145 copies water-colored , numbered in lower left corner ea ( artist proof ) signed in pencil by artist in lower right corner paper size: 38.5 x 28.5 cm framed size: 65 x 55 cm very good conditions Bibliography: Salvador Dalí Catalogue Raisoneé of etchings and mixed media prints Ref 369 pag 178 Fast and Tracked shipping with express currier DHL . We offer professional packaging and tracked shipping with DHL Express courier ( shipping time: 24 hours for European countries and 4 to 6 days for America and other non-eu countries...

Stanley Boxer Bathers, 1967 Mixed Media watercolor & ink wash drawing Hand signed by the artist on lower right hand corner on the front 8 1/2 × 11 1/4 inches Unframed This is a uniqu...

This Modern abstract painting by Stanley Bate features a warm, deep palette of red, yellow, orange, and burnt umber. Thick strokes of paint are layered beneath light white overlappin...

Signed in the plate Benn, born Bencjon Rabinowicz, (1905–1989) was a painter associated with the School of Paris, Ecole de Paris His early work was mostly figurative; much of his lat...

Artist: Paul Van Hoeydonck – Belgian (1925 - ) Title: Planete Year: 1961 Medium: Mixed media Size: 48 x 48 inches. Signature: Signed, dated, titled on the reverse Condition: Good This mid century work by Paul Van Hoeydonck is a direct and strong composition, like so many of Van Hoeydonck’s Planete works. It measures 48” x 48” and is a mixed media composition. It is a composition on masonite or a similar material. There is flat black and gloss black paint. Perhaps the gloss is lacquer. The surface is highly textured. The black areas have small finish nails, lying flat, attached to the surface. The other areas have sand or some other particulate in the paint. It is signed, titled and dated on the reverse. The date looks like “1961” but it could be “1969.” Please see pictures. Stylistically, this work looks very much like his work from 1961-1962. The piece is in good condition. There is a faint scratch in the upper left and some very small chips on the edges. Please see pictures. There also might be very, very light surface dirt throughout. Please refer to the artist's website as well as Whitford Gallery for extensive biographies of the artist. Public collections include Galleria Comunale d’Arte Moderna, Rome Israel Museum, Jerusalem Koninklijk Museum voor Schone Kunsten, Antwerp Museum of Modern Art, New York Stedelijk Museum, Ostende Van Abbemuseum, Eindhoven The Solomon R. Guggenheim Museum, New York PAUL VAN HOEYDONCK BIOGRAPHY 1925 Born in Antwerp, Belgium 1945-51 Graduated in History of Art and Archaeology in Antwerp, Belgium. 1952 First solo-exhibition, figurative paintings, Gallery Buyle, Antwerp, Belgium. (OMS) Figurative paintings, Gallery Unicum, Bruges, Belgium.(OMS) Figurative paintings, Au Cheval de Verre, Brussels, Belgium.(OMS) 1953 One-man show figurative paintings, Gallery Unicum, Bruges, Belgium. "Open Air Party", Driekoningen Castle, Beernem, Belgium.(GE) "Salon Quadriennal de Belgique" Liège, Belgium.(GE) 1954 Creates Coloured Geometrical Abstract paintings Gilbert Swimberge and Paul Van Hoeydonck, Galerie Théâtre du Poche, Brussels, Belgium.(GE) "Zomersalon Salon d'été" Gallery Unicum, Bruges, Belgium.(GE) "Salon quadriennal des Beaux-Arts" Ghent, Belgium.(GE) 1955 Gallery Dutilleul, Brussels, Belgium.(OMS) 1956 Co-founder of art group “FORMES” "Lauréats du prix Jeune Peinture Belge", Palais du Beaux-Arts, Brussels, Belgium.(GE) Diamond among the works 'distinguished by the jury' "La peintres du groupe Formes" Cercle Jean Jaurès, Salle de l'Académie de musique, Morlanwelz.(GE) "Défense du petit format", Gallery Saint-LaurentBrussels, Belgium.(GE) Gallery Saint Laurent, Brussels, Belgium.(OMS) 1957 Created first monochrome collages. "Salon national du meuble social moderne" Museum voor Sierkunst, Ghent, Belgium.(GE) "Lauréats du Prix Jeune Peinture" Société Royale des Beaux-Arts, Verviers, Belgium.(GE) Gallery le rouge et le noir, Charleroi, Belgium.(GE) "Groupes" Gallery Accent, Antwerp, Belgium.(GE) "Défense du petit format" Gallery Saint Laurent, Brussels, Belgium.(GE) "Summer Exhibition" Gallery Accent, Antwerp, Belgium.(GE) "Paul Van Hoeydonck" Gallery Saint Laurent, Brussels, Belgium.(OMS) "Peintres belges inspirés par l'Espagne" Gallery Giroux, Brussels, Belgium.(GE) 1958 Creates first monochrome light works with the introduction of small plexiglass structures. "Paul Van Hoeydonck" Gallery Accent, Antwerp, Belgium.(OMS) "Oeuvres graphiques" Gallery Saint-Laurent, Brussels Exhibition G58 with Georges Van Tongerloo at Castle Middelheim Museum, Antwerp Belgium.(GE) Co-founder of the G58 Hessenhuis group in Antwerp. Opening Exhibition G58, Hessenhuis, Antwerp, Belgium.(GE) Participation at the World Exhibition Brussels, Belgium.(GE) "Groupe Art Abstrait" Gallery Hella Neblung, Düsseldorf, Germany.(GE) 1959 Begins showing in exhibitions concerned with monochrome painting and “Zerogroup” "Vision in Motion/Motion in Vision" first international exhibition in G58, Antwerp, Belgium.(GE) "Lauréats du Prix Jeune Peinture Belge1958" Palais des Beaux-Arts, Brussels, Belgium.(GE) "Oeuvres d'art acquises par l'Etat en 1958", Palais des Beaux-Arts, Brussels, Belgium.(GE) 1960 3th group exhibition G58 Hessenhuis, Antwerp, Belgium.(GE) 1961 Introduction of the “Boites A Monocles” as a reaction to the criticism concerning the light works G58 Hessenhuis, Antwerp, Belgium.(OMS) First important one-man show, Brussels, Palace of Fine Arts Iris Clert Gallery, Paris, France.(OMS° Museum of Modern Art, New York, purchases a light work First trip to New York,USA, private show introduced by Harry Torczyner 1962 Robert Elkon Gallery, New York, USA Created first Spacescapes and White Planets (Planetscapes) “Zero 3” exhibition in Dusseldorf, Germany.(OMS) 1963 Exhibits his first environment “Space Control Station” at the Forum exhibition Ghent, Belgium Participates in the Tokyo Biennale, Japan.(GE) "Contemporary painting in Belgium" St-Louis, Denver, L.A., San Francisco, USA (GE) 1964 Creation of a new race “The Mutants” Participation Documenta III, Kassel, Germany.(GE) The Hague, Vienna, Berlin, Otterlo, Bern and Brussels Pierre Restany “baptises” him “archaeologist of the future” Gallery Iris Clert, Paris, France.(OMS) Participated Floating Biennale Iris Clert, Canale Grande, Venice, Italy.(GE) Article in Times Magazine. Participated Iris Clert in Berlin, Germany.(GE) "Nieuw Realisme-Pop Art " City Museum Den Hague, Netherlands.(GE) 1965 Joins the Waddell Gallery, New York, where he presents several one-man shows Svensk-Franska Gallery, Stockholm, Sweden.(OMS) Gallery Theelen, Essen, Germany.(OMS) Gallery Waddell Gallery, New York, USA.(OMS) "Pop-Art/Nouveau Réalisme" PSK/Palais des Beaux-Arts, Brussels, Belgium. (GE) Biënnale Middelheim, Antwerp, Belgium. (GE) "Flemish Art" Gallery Arditti, Paris, France.(GE) "Belgian Drawings since Permeke", Lima, Peru.(GE) "45 years Belgian Art" Rio de Janeiro, Brasil.(GE) "Collection Graindorge" Copenhague, Denmark.(GE) "Sculptures from al directions" Worldhouse Gallery, New York, USA.(GE) "White on White" Lincoln, USA.(GE) "Pop, pop, whence pop" Heckster Museum, Huntington, New York, USA.(GE) "Nouvelles Recherches Flamandes" Palais des Beaux-Arts, Charleroi, Belgium.(GE) "Flemish Art, Svensk Handelsbanken, Stockholm, Sweden.(GE) "Art for collectors" Rhode Island, USA.(GE) 1966 joins the Gallery Bonnier, Lausanne, Geneva and Stockholm Gallery Kirkhaar, Amsterdam, Netherlands.(OMS) Gallery der Spiegel, Köln, Germany.(OMS) Gallery Cogéime, Brussels, Belgium.(OMS) Stadtisches Museum Schloss Moirsbach, Leverkusen, Germany.(GE) "Weis auf Weis" Kunsthalle Bern, Suisse.(GE) "Premio Marzotto" Valdagno, Italy (GE) "L'Espace dans l'Art" Museum of Modern Art, Brussels, Belgium.(GE) Triënale of the Suthern Netherlands, Belgium/Netherlands. 1967 Produces CYBS (Cybernetics) Starts using elements from sawn-up car fenders Waddell Gallery, New York, USA.(OMS) Palais des Beaux Arts, Brussels, Belgium.(OMS) Gallery Foncke, Ghent, Belgium.(OMS) "45 years of Belgium Contemporary Art" National Art Gallery, Budapest, Hungary.(GE) "45 years of Belgium Contemporary Art" Salles d'état Dalles, Buckarest, Romania.(GE) "New Flemish School" City Gallery, Zürich, Suisse. (GE) "Actual Belgium Drawings" Madrid, Sevilla, Barcelona, Spain. (GE) "Collection Stuyvesant" Palais des Beaux-Arts, Brussels, Belgium. (GE) "Superlund" curator Pierre RestanyKunsthall Lund, Sweden. (GE) "Hommage to Bosch, De Moriaan, 's Hertogenbosch, Netherlands.(GE) "Science Fiction", kunsthalle, Bern, Suisse.(GE) 1968 First contact with NASA Gallery Kirkhaar, Amsterdam, Netherlands.(OMS) Gallery Bonhier, Lausanne, Suisse.(OMS) Belgium Haus, Köln, Germany.(OMS) International Monetary Fund, Washington, USA.(OMS) One-man show Gallery Müller, Stuttgart, Germany. "Contrasts 1947-1967, Royal Museum of Fine Arts, Antwerp, Belgium.(GE) "Science Fiction" Musée des Arts Decoratifs, Paris, France.(GE) "Science Fiction" Kunstverein, Düsseldorf,Germany.(GE) "40 ans d'Art Vivant" Hommage à Robert Giron, Palais des Beaux-Arts, Brussels Belgium. (GE) "L'eglise ouverte à l'Art Contemporain" La Biënnale, Centre Notre-Dame, Argenteuil, France.(GE) "Triënale" Hallen Brugge, Belgium.(GE) "The obsessive image 1960-1968", Institute of Contemporary Arts, London, UK.(GE) "Im Reiche des Phantastischen" Kunstverein, Recklinghausen, Germany.(GE) "Destruction Art" at Finch College, New York, USA "Art Vivant" at Vence, France. "Three blind mice" Abbe Museum, Eindhoven, Netherlands. "Three blind mice" Saint-Peter Monnastry, Ghent Lignano Biënale in Italy, Proclaimed as the official laureate. "Contact 68 Kelkheim" Pfarzencentrum Kelkheim, Germany. "Belgium Art" Archeological Museum Teheran, Iran. 1969 Contemporary Art Museum Chicago, USA.(OMS) Contemporary Art Museum Houston, USA.(OMS) Kunstverein Freiburg, Germany.(OMS) Gallery Withofs, Brussels, Belgium.(OMS) Gallery Waddell, New York, USA.(OMS) "Painting and sculpture today" Museum of Art Indianapolis, USA.(GE) "Belgium Art" Museum Bagdad, Iraq.(GE) "Belgium Art" Museum Beirout, Libannon.(GE) "Exposition Internationale de gravure" Museum of Modern Art, Ljubjana, Yugoslavia.(GE) "10 Belgische Maler" Gallery 66 Hofheim, Germany.(GE) "Space Art" Technical High School, Eindhoven, Netherlands.(GE) Gallery Foncke Ghent, Belgium.(OMS) "Apollo Mission of the Moon" National Gallery of Art, Washington, USA.(OMS) "The Jaques Kaplan collection" Finch College Museum New York, USA.(GE) 1970 The Apollo 15 Crew officially placed the statue “Fallen Astronaut” on the moon.(OMS) Creation of the first Astro's Palacio National de Bellas Artes Mexico City, Mexico.(OMS) One-man show Gallery Foncke Bruges and Ghent, Belgium. "Belgian Art 1960-1970" Kunstverein Köln, Germany.(GE) Gallery Bonnier, Genève, Suisse.(OMS) Gallery Engelberts Genève, Suisse.(OMS) "Jeu de blancs" Gallery Withofs, Brussels, Belgium.(GE) Gallery Rive Gauche, Brussels, Belgium.(OMS) "Jewels by Belgian Artists" Belgian Pavillon Osaka, Japan.(GE) "Itirénaires 'blancs' " Musée d'Art Moderne St-Ett-ienne, France.(GE) "Zeitgenossen" Kunsthalle Recklinghausen, Germany. "Second annual internal moonwalk festival" Cape Kennedy, USA. 1971 Gallery Waddell, New York, USA.(OMS) "Die Puppe" Aspekte zum Bild der Frau, Berlin/Leverkusen/Frankfurt, Germany.(GE) "Travelling Exhibition" Playboy Art...

This Modern Abstract Expressionist painting by Stanley Bate features a vibrant and unique palette. Made with oil paint on canvas, the painting is modeled after the famed painting by ...

A commanding piece of Mid-Century abstraction, this painting composition by American artist Canthi—signed and dated 1961—exudes raw, architectural energy layered over a vivid color f...

Myril Adler "Magic Journeys" c.1960s Intaglio etching collage, ink on paper 6"x3" mahogany wood gallery frame 11.25"x8.25" Signed and titled in ink Myril Adler, was born on Septemb...

A wonderful work by the elusive Salvadoran Mauricio Aguilar which is sculptural as well as pictorial. As I hope the video will show, the artwork offers new perpectives when viewed fr...

This textured, Modern Abstract Expressionist painting Stanley Bate features a neutral palette with both warm and cool undertones. Muted blues and reds seem to be incorporated into a ...

Mixed media on canvas realized by Fernando Porfili (Porfirius) in 1961. Hand signed and dated. Includes a coeval wooden frame. Very good condition.

Gloria Dudfield Yellow and Black Abstract Gouache and Oil Pastel on paper 35 x 36 in c. 1960 Framed Size: 38.5 x 39.5 x 1.5 Good Condition - Wear consistent with age and history. Cr...

Peter Phillips Tiger-Tiger, 1968 3-D Relief made of impact-resistant polystyrene, deep-drawn, silkscreened in 8 colors, rear wall made of styrofoam and vacuum form plastic 28 7/10 × ...

Composition is an original painting in mixed media on paper signed "Rodge", realized in 1960s. Hand-signed on the lower right. Good conditions except for folding and some stains. ...

Shimmering Pond in the Woods - Surrealist Abstract 1960s Highly textured abstract composition by Rose Herzog (American, mid-20th Century). A multicolored pond is shown in the middle...

Myril Adler "Flare" c.1960s Intaglio etching collage, ink on paper 4.75"x2.75" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia ...

In 1962 Andy Warhol debuted his (soon to be infamous) Soup Can paintings as the Ferus Gallery in Los Angeles. While initially it was a commercial flop, in a short period of time the ...

Mixed media assemblage sculpture/painting. Hand signed and dated recto and verso. Provenance: Galerie Alphonse Chave, bears their label verso Michel, Fernand (1913-1999) Born in 1913 in Neuviller-lès-Badonviller in the Vosges, Fernand Michel began working at the age of twelve in a Landes pottery factory. When his mother died, he went to live in Alsace with an aunt and became an art bookbinder. A lover of poetry, he bonded with Jean Vodaine, Jean Dubuffet and Alphonse Chave (Alphonse Chave was an art lover, dealer and collector. On November 15, 1947 in Vence, under the name Les Mages, he opened a contemporary art gallery which would also become a high place of art brut and unique art . The gallery took its final name - Galerie Alphonse Chave - in 1960. He exhibited Dado, Philippe Dereux, Jean Dubuffet, Max Ernst, Henri michaux, Louis Pons, Man Ray, Dorothea Tanning, Zao Wou-ki as well as other creators.) Around 1962, he began carving zinc after finding a plaque in a landfill. From this period, he made numerous assemblies, most often of large dimensions, which he called "zinc works" where buxom bathers, Venus callipyges, nuns and holy nitouches rub shoulders. The corroded and battered material over the years, used as is, gives his works a certain harshness, however softened by more ornamental pieces. Fernand Michel lived in Montpellier. He died in 1999. His work is present in the collection of La Fabuloserie in Dicy. Publications Revue "Création Franche" N ° 16, November 1998 Catalog "Donation Claude Massé", March 1999 Catalog "Collection Création Franche - 1989-2010", September 2010 Revue "Création Franche" N ° 38, June 2013 Franche Creation, Special Issue N ° 2, April 2015 His son Patrick Michel's collection is housed in Montpellier in the Musee d’arts brut, singulier and autres. "I used to accompany my father to his exhibitions since he was exhibited every year at the Galerie Chave in Vence. I still remember that Alphonse Chave once offered me a little toy (a car!) from his shop. I therefore met the artists Philippe Dereux, Armand Avril, François Ozenda, Pascal Verbena, Louis Pons, Jean Vodaine, Henri Comby, Fred Deux and Eugène Gabritschevsky- I took the decision to create the museum in order to save (and protect) my father’s work- my father was often classified under the ‘Art Brut’ label but in fact he belonged to the ‘Singular Art’ label... The term Art Brut exists since Jean Dubuffet gave it to us in 1945, covering self-taught and marginalised artists..The terms Outsider Art and Art Brut are fine with me- I place Nek Chand before Le Facteur Cheval. I also like the Art Brut artists Augustin Lesage...

Oil pastel and watercolor on cardboard, realized by Sirio Pellegrini in 1960s. Hand signed lower left. Includes a beautiful wooden frame realized by the Artist cm. 75x54.5. Sirio ...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil on canvas. The top portion of the painting is an earthy gold color, while the space beneath it is a textu...

This original 1960 abstract painting by Hilaire Hiler (1898–1966) exemplifies his distinctive structuralist style and modernist vision. Created during his influential period in New Mexico, the artwork features soothing, harmonious tones of pink and blue, expertly layered to evoke a sense of calm and balance. Signed in the lower right corner, this mid-century modern piece measures 15 ½ x 18 ¾ inches framed, with an image size of 14 x 17 ½ inches. Hilaire Hiler’s work stands out for its intellectual rigor and visual harmony, blending abstraction with a structuralist approach that explores color, form, and rhythm. About the Artist: Born in St. Paul, Minnesota, and raised in Providence, Rhode Island, Hiler received extensive art training at the Rhode Island School of Design, Pennsylvania Academy of the Fine Arts, and the University of Paris. Between 1919 and 1934, he lived in Paris, working as a jazz pianist while engaging deeply with the European avant-garde. After returning to the U.S., Hiler painted WPA murals for San Francisco’s Aquatic Park...

Dynamic late 1960's mixed media abstract geometric collage, with mulberry paper cut into curved and angular shapes and adhered in layers, in a unique color palette of navy blue, dark...

This abstract painting by Modernist artist Stanley Bate combines deep, textured red with creme and dark blue and grey. Geometric shapes throughout the painting are softened by the en...

HOWARD MEHRING Study for Spring Sweep, 1964 Oil, oil stick, charcoal, gouache painting on paper Hand signed, dated and annotated with the names of the colors in graphite pencil on the front This is a unique work Frame included: elegantly matted and framed in a museum quality dark blue wood frame with UV plexiglass This 1964 hard edge painting on paper...

Adrian HEATH (1920-1992) Untitled Composition Mixed media Signed and dated '64 Image 11.25" x 9"

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Artist: Ruben Poblano – Mexican (20th century ) Title: Astronomo Year: 1968 Medium: Mixed Media on canvas Canvas size: 31.5 x 47.5 inches. Framed size: ...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

This Modern abstract piece by Stanley Bate is a wood panel sculpture that has been painted white. Three-dimensional that are reminiscent of architectural pieces are tightly stacked w...

Witches Banner is an original mid-century abstract painting by celebrated Denver modernist Edward Marecak (1919–1993), created circa 1960s. This bold, expressionistic work features r...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

This original artwork by Mark Tobey is a Monotype with tempera, heightened with tempera on paper. Signed Tobey lower right Signed Mark Tobey with the remark GOOD! on the back. Prove...

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...

Yaacov Agam Tactile Bleu, 1964 Oil on board with springs and 40 painted metal discs 55.9 x 78.7 x 2.5 cm 22 x 31 x 1 in

Judith Yellin Ginat is one of the most prominent artists working in Israel today. She was born in Jerusalem and is a fifth generation Israeli. Her work has a naive, folk art quality...

Original gouache and ink painting on paper. Hand signed and dated by Alexander Calder. Executed in 1969, this work is registered in the archives of the Calder Foundation, New York,...

Judith Yellin Ginat is one of the most prominent artists working in Israel today. She was born in Jerusalem and is a fifth generation Israeli. Her work has a naive, folk art quality to it. 1941-43 Graduate of Bezalel Academy of Art, Jerusalem Studied under Mordecai Ardon and Isidor Aschheim 1946-49 Graduate of the Central School of Arts & Crafts, London. Studied under R.R. Tomlinson, W. Johnstone, J. Minton. 1966 Member of the Israel Painters & Sculptors Association. 1971 Studied etching under Stanley William Hayter, Atelier 17, Paris. 1965-75 Collages chosen for UNICEF greeting cards. 1944-70 Illustrated a few children’s books. 1967-85 “Kishut” (Decoration), “Ani Mekashet” (I Decorate), “Ma’aseh Yadai” (The Work of My Hands) – text books on teaching arts and crafts, written and illustrated. Ministry of Education recommendation. 1970-01 Series of art posters, lithographs and serigraphs, reproduced in Israel from collages, world-wide distribution.Teacher of arts and crafts in teachers’ colleges. School of Occupational Therapy, Senior lecturer at the David Yellin Teachers’ College, Jerusalem. Prizes 1946 Collages of “Types of Israel,” exhibition of Bezalel National Museum, Jerusalem 1949 Winner of “Queen’s Scholarship.” Central School of Arts & Crafts, London. 1968 Design award for the book “Kishut.” She was included in the important exhibition New Bezalel Artists' House, Jerusalem Tel Aviv Museum, Tel Aviv Artists: Ludwig Wolpert, Yossi Stern...

This Modern abstract painting Stanley Bate features an earthy and warm palette and textured paint application. The painting is signed by artist lower right and is framed in the origi...

This Modern Abstract Expressionist painting Stanley Bate features a deep, but colorful palette. Smaller organic shapes and layers of thick blue, black, red, and yellow paint combine ...

This powerful mid-century mosaic panel presents a Navajo-style Thunderbird figure rendered in richly textured mixed media, combining ceramic tile, colored glass, and sand. The compos...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...