1960s Mixed Media

This framed 15.5" x 13.25" mixed media female portrait by artist Jeffrey Kronsnoble features the black and white profile of a women with a circular ...

Sonia Gechtoff Flag Icon, 1963 Pastel, graphite and collage Frame included: elegantly framed in hand made wood frame with UV plexiglass Evocative mixed media mid century modern work...

"The Final Judgment." Illustration for the same-titled story published in The Saturday Evening Post, with their stamp on verso, circa 1960. Signed in image, lower left (disguised as ...

Clarence Holbrook Carter (American, 1904-2000) Rockefeller Center, 1962 Acrylic and sand on scintilla Signed and dated lower left 25 x 20 inches Clarence Holbrook Carter achieved a ...

Peter Passuntino BDSM 1960s Ink, ink wash & chalk on paper 12.25"x10" unframed unsigned Peter Passuntino b. 1936 Peter Passuntino, was born in Chicago, Illinois. At the age of 18, Passuntino was selected to be in a group show at the Carnegie Institute, and at 19 he was selected for a one-man show at the Artist Guild in Chicago. From 1954 to 1958 he attended the School of the Art Institute of Chicago. Then, upon receiving a Fulbright Fellowship in Painting, Passuntino spent time in Paris, from 1963 to 1965. While in Paris he studied art at the Istitut de Arts et Archeologie and exhibited in a solo exhibition entitled “Bad Manners, A Happening at the American Arts Center” (1963). During his time at the School of the Art Institute of Chicago, Passuntino was an organizer of the Exhibition Momentum Group, and he served as the group’s chairman in 1958. The Exhibition Momentum Group was successful in expanding the Chicago-Midwest art community and in bringing emerging and established artists from the East Coast to Chicago as panelists and jurors of the exhibitions. In 1969, The Rhino Horn Group was founded in New York City by a group of artists bound together by their dedication to figurative art and a collective notion that artistic practice should have both a critical and a social function. They critiqued the art-as-business ideology that absorbed fine arts into consumer culture in the United States during the 1960s. The seven founding members were Peter Passuntino (b. 1936), Benny Andrews (1930-2006), Jay Milder (b. 1934), Peter Dean (1934-1993), Ken Bowman (1937-2014), Michael Fauerbach (1942-2011), and Nicholas Sperakis (b. 1943). Between 1969 and 1978, active members also included Bill Barrell (b. 1932), Leonel Góngora (1932-1999), Isser Aronovici (1932-1994), June Leaf...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

Mixed media on canvas applied on wooden panel. Realized in the late 1960s. Very good condition.

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Paper and Adhesive collage by Wayne Timm. Image measures 16 x 18 Framed in a closed corner steel custom frame In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lich...

Robert Mapplethorpe's (1946-1989) place in the canon was earned from his incredible output of images that ranged from beautiful to brutal. Though known for his unrivalled output in...

This Modern abstract painting Stanley Bate is highly textured and features a warm, vibrant palette. Thick layers of red, orange, and blue paint appear to have been scraped back to c...

This refined oil painting was realized by Samuel Joel "Zero" Mostel- the three time Tony Award winning American actor, comedian, and singer- who was equally talented as a painter in ...

Myril Adler "Moonscape" c.1960s Intaglio etching collage, ink on paper 3"x6" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (n...

Clarence Holbrook Carter (American, 1904-2000) Eye of the Desert, 1965 Collage, graphite and gouache on paper Signed and dated lower right 16 x 12 inches 25 x 21 inches, framed A mid-century figural abstract painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Mixed media on paper. Signed lower right "Fautrier 23/4/63". With dedication "C’est pas beau, mais c’est pour mon petit ami Ungà…Milano en Italie". Provenance: Giuseppe Ungaretti Col...

Abstract Surrealist Photo collage with painting. Mixed Media with or about Amos Keinan the Israeli Playwright and journalist. Yigal Tumarkin (also Igael Tumarkin) (born 1933) is an ...

Paper and Adhesive collage by Wayne Timm. Image and mat opening measures 11 3/4 x 12 3/4 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchen...

Gloria Dudfield Tractor at Work 6-10-64 Gouache and Oil Pastel on Paper 36"x32 1/2" Unframed Signed and dated lower right in crayon Very Good Condition - Minor wear consistent with ...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Gloria Dudfield Yellow and Black Abstract Gouache and Oil Pastel on paper 35 x 36 in c. 1960 Framed Size: 38.5 x 39.5 x 1.5 Good Condition - Wear consistent with age and history. Cr...

This original artwork by Mark Tobey is a Monotype with tempera, heightened with tempera on paper. Signed Tobey lower right Signed Mark Tobey with the remark GOOD! on the back. Prove...

Artist: Paul Van Hoeydonck – Belgian (1925 - ) Title: Planete Year: 1961 Medium: Mixed media Size: 48 x 48 inches. Signature: Signed, dated, titled on the reverse Condition: Good This mid century work by Paul Van Hoeydonck is a direct and strong composition, like so many of Van Hoeydonck’s Planete works. It measures 48” x 48” and is a mixed media composition. It is a composition on masonite or a similar material. There is flat black and gloss black paint. Perhaps the gloss is lacquer. The surface is highly textured. The black areas have small finish nails, lying flat, attached to the surface. The other areas have sand or some other particulate in the paint. It is signed, titled and dated on the reverse. The date looks like “1961” but it could be “1969.” Please see pictures. Stylistically, this work looks very much like his work from 1961-1962. The piece is in good condition. There is a faint scratch in the upper left and some very small chips on the edges. Please see pictures. There also might be very, very light surface dirt throughout. Please refer to the artist's website as well as Whitford Gallery for extensive biographies of the artist. Public collections include Galleria Comunale d’Arte Moderna, Rome Israel Museum, Jerusalem Koninklijk Museum voor Schone Kunsten, Antwerp Museum of Modern Art, New York Stedelijk Museum, Ostende Van Abbemuseum, Eindhoven The Solomon R. Guggenheim Museum, New York PAUL VAN HOEYDONCK BIOGRAPHY 1925 Born in Antwerp, Belgium 1945-51 Graduated in History of Art and Archaeology in Antwerp, Belgium. 1952 First solo-exhibition, figurative paintings, Gallery Buyle, Antwerp, Belgium. (OMS) Figurative paintings, Gallery Unicum, Bruges, Belgium.(OMS) Figurative paintings, Au Cheval de Verre, Brussels, Belgium.(OMS) 1953 One-man show figurative paintings, Gallery Unicum, Bruges, Belgium. "Open Air Party", Driekoningen Castle, Beernem, Belgium.(GE) "Salon Quadriennal de Belgique" Liège, Belgium.(GE) 1954 Creates Coloured Geometrical Abstract paintings Gilbert Swimberge and Paul Van Hoeydonck, Galerie Théâtre du Poche, Brussels, Belgium.(GE) "Zomersalon Salon d'été" Gallery Unicum, Bruges, Belgium.(GE) "Salon quadriennal des Beaux-Arts" Ghent, Belgium.(GE) 1955 Gallery Dutilleul, Brussels, Belgium.(OMS) 1956 Co-founder of art group “FORMES” "Lauréats du prix Jeune Peinture Belge", Palais du Beaux-Arts, Brussels, Belgium.(GE) Diamond among the works 'distinguished by the jury' "La peintres du groupe Formes" Cercle Jean Jaurès, Salle de l'Académie de musique, Morlanwelz.(GE) "Défense du petit format", Gallery Saint-LaurentBrussels, Belgium.(GE) Gallery Saint Laurent, Brussels, Belgium.(OMS) 1957 Created first monochrome collages. "Salon national du meuble social moderne" Museum voor Sierkunst, Ghent, Belgium.(GE) "Lauréats du Prix Jeune Peinture" Société Royale des Beaux-Arts, Verviers, Belgium.(GE) Gallery le rouge et le noir, Charleroi, Belgium.(GE) "Groupes" Gallery Accent, Antwerp, Belgium.(GE) "Défense du petit format" Gallery Saint Laurent, Brussels, Belgium.(GE) "Summer Exhibition" Gallery Accent, Antwerp, Belgium.(GE) "Paul Van Hoeydonck" Gallery Saint Laurent, Brussels, Belgium.(OMS) "Peintres belges inspirés par l'Espagne" Gallery Giroux, Brussels, Belgium.(GE) 1958 Creates first monochrome light works with the introduction of small plexiglass structures. "Paul Van Hoeydonck" Gallery Accent, Antwerp, Belgium.(OMS) "Oeuvres graphiques" Gallery Saint-Laurent, Brussels Exhibition G58 with Georges Van Tongerloo at Castle Middelheim Museum, Antwerp Belgium.(GE) Co-founder of the G58 Hessenhuis group in Antwerp. Opening Exhibition G58, Hessenhuis, Antwerp, Belgium.(GE) Participation at the World Exhibition Brussels, Belgium.(GE) "Groupe Art Abstrait" Gallery Hella Neblung, Düsseldorf, Germany.(GE) 1959 Begins showing in exhibitions concerned with monochrome painting and “Zerogroup” "Vision in Motion/Motion in Vision" first international exhibition in G58, Antwerp, Belgium.(GE) "Lauréats du Prix Jeune Peinture Belge1958" Palais des Beaux-Arts, Brussels, Belgium.(GE) "Oeuvres d'art acquises par l'Etat en 1958", Palais des Beaux-Arts, Brussels, Belgium.(GE) 1960 3th group exhibition G58 Hessenhuis, Antwerp, Belgium.(GE) 1961 Introduction of the “Boites A Monocles” as a reaction to the criticism concerning the light works G58 Hessenhuis, Antwerp, Belgium.(OMS) First important one-man show, Brussels, Palace of Fine Arts Iris Clert Gallery, Paris, France.(OMS° Museum of Modern Art, New York, purchases a light work First trip to New York,USA, private show introduced by Harry Torczyner 1962 Robert Elkon Gallery, New York, USA Created first Spacescapes and White Planets (Planetscapes) “Zero 3” exhibition in Dusseldorf, Germany.(OMS) 1963 Exhibits his first environment “Space Control Station” at the Forum exhibition Ghent, Belgium Participates in the Tokyo Biennale, Japan.(GE) "Contemporary painting in Belgium" St-Louis, Denver, L.A., San Francisco, USA (GE) 1964 Creation of a new race “The Mutants” Participation Documenta III, Kassel, Germany.(GE) The Hague, Vienna, Berlin, Otterlo, Bern and Brussels Pierre Restany “baptises” him “archaeologist of the future” Gallery Iris Clert, Paris, France.(OMS) Participated Floating Biennale Iris Clert, Canale Grande, Venice, Italy.(GE) Article in Times Magazine. Participated Iris Clert in Berlin, Germany.(GE) "Nieuw Realisme-Pop Art " City Museum Den Hague, Netherlands.(GE) 1965 Joins the Waddell Gallery, New York, where he presents several one-man shows Svensk-Franska Gallery, Stockholm, Sweden.(OMS) Gallery Theelen, Essen, Germany.(OMS) Gallery Waddell Gallery, New York, USA.(OMS) "Pop-Art/Nouveau Réalisme" PSK/Palais des Beaux-Arts, Brussels, Belgium. (GE) Biënnale Middelheim, Antwerp, Belgium. (GE) "Flemish Art" Gallery Arditti, Paris, France.(GE) "Belgian Drawings since Permeke", Lima, Peru.(GE) "45 years Belgian Art" Rio de Janeiro, Brasil.(GE) "Collection Graindorge" Copenhague, Denmark.(GE) "Sculptures from al directions" Worldhouse Gallery, New York, USA.(GE) "White on White" Lincoln, USA.(GE) "Pop, pop, whence pop" Heckster Museum, Huntington, New York, USA.(GE) "Nouvelles Recherches Flamandes" Palais des Beaux-Arts, Charleroi, Belgium.(GE) "Flemish Art, Svensk Handelsbanken, Stockholm, Sweden.(GE) "Art for collectors" Rhode Island, USA.(GE) 1966 joins the Gallery Bonnier, Lausanne, Geneva and Stockholm Gallery Kirkhaar, Amsterdam, Netherlands.(OMS) Gallery der Spiegel, Köln, Germany.(OMS) Gallery Cogéime, Brussels, Belgium.(OMS) Stadtisches Museum Schloss Moirsbach, Leverkusen, Germany.(GE) "Weis auf Weis" Kunsthalle Bern, Suisse.(GE) "Premio Marzotto" Valdagno, Italy (GE) "L'Espace dans l'Art" Museum of Modern Art, Brussels, Belgium.(GE) Triënale of the Suthern Netherlands, Belgium/Netherlands. 1967 Produces CYBS (Cybernetics) Starts using elements from sawn-up car fenders Waddell Gallery, New York, USA.(OMS) Palais des Beaux Arts, Brussels, Belgium.(OMS) Gallery Foncke, Ghent, Belgium.(OMS) "45 years of Belgium Contemporary Art" National Art Gallery, Budapest, Hungary.(GE) "45 years of Belgium Contemporary Art" Salles d'état Dalles, Buckarest, Romania.(GE) "New Flemish School" City Gallery, Zürich, Suisse. (GE) "Actual Belgium Drawings" Madrid, Sevilla, Barcelona, Spain. (GE) "Collection Stuyvesant" Palais des Beaux-Arts, Brussels, Belgium. (GE) "Superlund" curator Pierre RestanyKunsthall Lund, Sweden. (GE) "Hommage to Bosch, De Moriaan, 's Hertogenbosch, Netherlands.(GE) "Science Fiction", kunsthalle, Bern, Suisse.(GE) 1968 First contact with NASA Gallery Kirkhaar, Amsterdam, Netherlands.(OMS) Gallery Bonhier, Lausanne, Suisse.(OMS) Belgium Haus, Köln, Germany.(OMS) International Monetary Fund, Washington, USA.(OMS) One-man show Gallery Müller, Stuttgart, Germany. "Contrasts 1947-1967, Royal Museum of Fine Arts, Antwerp, Belgium.(GE) "Science Fiction" Musée des Arts Decoratifs, Paris, France.(GE) "Science Fiction" Kunstverein, Düsseldorf,Germany.(GE) "40 ans d'Art Vivant" Hommage à Robert Giron, Palais des Beaux-Arts, Brussels Belgium. (GE) "L'eglise ouverte à l'Art Contemporain" La Biënnale, Centre Notre-Dame, Argenteuil, France.(GE) "Triënale" Hallen Brugge, Belgium.(GE) "The obsessive image 1960-1968", Institute of Contemporary Arts, London, UK.(GE) "Im Reiche des Phantastischen" Kunstverein, Recklinghausen, Germany.(GE) "Destruction Art" at Finch College, New York, USA "Art Vivant" at Vence, France. "Three blind mice" Abbe Museum, Eindhoven, Netherlands. "Three blind mice" Saint-Peter Monnastry, Ghent Lignano Biënale in Italy, Proclaimed as the official laureate. "Contact 68 Kelkheim" Pfarzencentrum Kelkheim, Germany. "Belgium Art" Archeological Museum Teheran, Iran. 1969 Contemporary Art Museum Chicago, USA.(OMS) Contemporary Art Museum Houston, USA.(OMS) Kunstverein Freiburg, Germany.(OMS) Gallery Withofs, Brussels, Belgium.(OMS) Gallery Waddell, New York, USA.(OMS) "Painting and sculpture today" Museum of Art Indianapolis, USA.(GE) "Belgium Art" Museum Bagdad, Iraq.(GE) "Belgium Art" Museum Beirout, Libannon.(GE) "Exposition Internationale de gravure" Museum of Modern Art, Ljubjana, Yugoslavia.(GE) "10 Belgische Maler" Gallery 66 Hofheim, Germany.(GE) "Space Art" Technical High School, Eindhoven, Netherlands.(GE) Gallery Foncke Ghent, Belgium.(OMS) "Apollo Mission of the Moon" National Gallery of Art, Washington, USA.(OMS) "The Jaques Kaplan collection" Finch College Museum New York, USA.(GE) 1970 The Apollo 15 Crew officially placed the statue “Fallen Astronaut” on the moon.(OMS) Creation of the first Astro's Palacio National de Bellas Artes Mexico City, Mexico.(OMS) One-man show Gallery Foncke Bruges and Ghent, Belgium. "Belgian Art 1960-1970" Kunstverein Köln, Germany.(GE) Gallery Bonnier, Genève, Suisse.(OMS) Gallery Engelberts Genève, Suisse.(OMS) "Jeu de blancs" Gallery Withofs, Brussels, Belgium.(GE) Gallery Rive Gauche, Brussels, Belgium.(OMS) "Jewels by Belgian Artists" Belgian Pavillon Osaka, Japan.(GE) "Itirénaires 'blancs' " Musée d'Art Moderne St-Ett-ienne, France.(GE) "Zeitgenossen" Kunsthalle Recklinghausen, Germany. "Second annual internal moonwalk festival" Cape Kennedy, USA. 1971 Gallery Waddell, New York, USA.(OMS) "Die Puppe" Aspekte zum Bild der Frau, Berlin/Leverkusen/Frankfurt, Germany.(GE) "Travelling Exhibition" Playboy Art...

Ray Johnson "Valentine" Double sided collage 6 1/2 x 4 1/4 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous collages...

Myril Adler "Night Magic" c.1960s Intaglio etching collage, ink on paper 3"x6" framed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Be...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Wood mixed media work glued onto a white background. Purple, teal and red color tones. Artist signature in the bottom right corner. Artist Biography: Charles Pebworth is known for ...

Paper and Adhesive collage by Wayne Timm. measures 11 1/2 x 15 3/4 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and many others, ...

Ray Johnson Why Didn't You Tell Me About Your Bicycle, Janurary 1968 Red ink on postcard 3 1/2 x 5 1/2 inches Once described as New York’s “most famous unknown artist,” Ray Johnson...

This Modern abstract painting Stanley Bate features an earthy and warm palette and textured paint application. The painting is signed by artist lower right and is framed in the origi...

La obra va firmada por el artista en la parte inferior Se presenta enmarcada la pintura (el marco presenta algun signo de uso) El estado de la obra es bueno Medidas obra: 58 x 89 ...

William H. Littlefield Abstract Expressionist work on paper, for Norman Carton, 1962 Mixed media oil painting on paper Signed William H. Littlefield, dated 9/16/1962 and inscribed, "...

Sonia Delaunay (1885-1979) - Juste Présent Lithograph from 1961. Dimensions of work: 38 x 28 cm Publisher: Lacourière et Frélaut, Paris. The work is in Excellent condition. Fast...

Watercolor and India ink on paper signed Afro, wooden frame with double glass mis. cm. h.55x28x3

Billy Al Bengston Cockatoo AAA Dracula, 1968 Lithograph , Zinc and Aluminum, in Silver-Violet, Yellow, Two Grays and Orange on uncalendered Rives paper Frame included signed faintly ...

A dynamic and boldly imaginative work by celebrated mid-century Denver artist Edward Marecak, "Witches Entrance" is an original abstract painting dating to the 1960s. Rich in color a...

Mixed media on heavy paper mounted on canvas presumably by the Artist. Signed on top and again on artwork,titled verso. Great condition with strong vibrant colors. American/Canadian printmaker, painter, sculptor, author, and educator Norman Laliberte was born in Worcester, Massachussets, in 1925, to French Canadian parents. He was raised in Montreal, Canada, where he attended l'Ecole du Musee des beaux-arts. After graduation in 1948 he returned to the U.S. to continue his studies at the Institute of Design (BS, 1951) and the Illinois Institute of Technology Chicago (MS in art education, 1956). Additional courses took place at Worcester Museum and the Cranbrook Academy in Michigan, to which he was granted a painting scholarship. He then began an extensive exhibiting career in conjunction with his work as a teacher. He began teaching in 1959, first at Kansas City Art Institute in Missouri from 1959 to 1960. This was followed by positions at St. Mary's College at Notre Dame Univerity, Indiana (1960 - '65); Rhode Island School of Design (1965 - '66); Newton College, Massachusetts (1967); and RISD once again from 1976 - 1977. Additionally, he was a guest lecturer and workshop leader at a variety of schools in both the U.S. and Canada. He received an honorary doctorate from both Notre Dame and McGill University. During his time as a teacher he continued to show in group and solo exhibitions;nhis first solo show took place at the Waddington Galleries in Montreal in 1965. A major feature of Laliberte's early output was banners executed in fabric, inpired by a trip he took to the Italian city of Siena during their summer festivals. This would prove to be a key turn in his career, as he was commissioned to work a consultant at the 1964 New York World's Fair, creating a structure made of 88 banners to represent stained glass walls for the Vatican Pavilion; this job earned him international recognition as both an artist and a designer. His most recent commission was eighteen large panels for the International Terminal at the Logan Airport in Boston. Norman LaLiberté died at his home in Nahant, Massachusetts on September 10, 2021. Selected collections: Aetna Insurance, Hartford, Ct.; Air Canada; Albright-Knox Gallery, Buffalo, NY; Alcan, Montréal; American Airlines; Art Institute of Chicago; Arthur Heaney Memorial, Ottawa; Ashland Oil; Banque Nationale du Canada; Bishop’s University, Lennoxville, Québec; Blankman Investments, Miami; CBS Building, New York; C.Y.R.K., NY; Citicorp, NY; City of Binghampton, NY; Claridge, Montreal Columbia University, School of Architecture, NY; Conseil des Arts du Canada; Coopers and Lybrand, Boston; Corning Community College, Corning, NY; Cotton, New York; Createx, Simsbury, CT; Channel 13...

Tom Holland Untitled (Truck in Hills), 1965 (Mid Century Modern Art) Tempera, Wood with PVC finish. Hand signed, dated and titled on the back Framed with Charles Cowles Gallery labe...

Dynamic late 1960's mixed media abstract geometric collage, with mulberry paper cut into curved and angular shapes and adhered in layers, in a unique color palette of navy blue, dark...

Bernard Buffet (1928-1999) - Lila Bouquet Lithograph from 1968. Dimensions of work: 31 x 24 cm Publisher: André Sauret, Monte Carlo. Printed by: Fernand Mourlot, Paris The work ...

American/Canadian printmaker, painter, sculptor, author, and educator Norman Laliberte was born in Worcester, Massachussets, in 1925, to French Canadian parents. He was raised in Montreal, Canada, where he attended l'Ecole du Musee des beaux-arts. After graduation in 1948 he returned to the U.S. to continue his studies at the Institute of Design (BS, 1951) and the Illinois Institute of Technology Chicago (MS in art education, 1956). Additional courses took place at Worcester Museum and the Cranbrook Academy in Michigan, to which he was granted a painting scholarship. He then began an extensive exhibiting career in conjunction with his work as a teacher.He began teaching in 1959, first at Kansas City Art Institute in Missouri from 1959 to 1960. This was followed by positions at St. Mary's College at Notre Dame Univerity, Indiana (1960 - '65); Rhode Island School of Design (1965 - '66); Newton College, Massachusetts (1967); and RISD once again from 1976 - 1977. Additionally, he was a guest lecturer and workshop leader at a variety of schools in both the U.S. and Canada. He received an honorary doctorate from both Notre Dame and McGill University. During his time as a teacher he continued to show in group and solo exhibitions;nhis first solo show took place at the Waddington Galleries in Montreal in 1965.A major feature of Laliberte's early output was banners executed in fabric, inpired by a trip he took to the Italian city of Siena during their summer festivals. This would prove to be a key turn in his career, as he was commissioned to work a consultant at the 1964 New York World's Fair, creating a structure made of 88 banners to represent stained glass walls for the Vatican Pavilion; this job earned him international recognition as both an artist and a designer. His most recent commission was eighteen large panels for the International Terminal at the Logan Airport in Boston. Norman LaLiberté died at his home in Nahant, Massachusetts on September 10, 2021.Selected collections:Aetna Insurance, Hartford, Ct.; Air Canada; Albright-Knox Gallery, Buffalo, NY; Alcan, Montréal; American Airlines; Art Institute of Chicago; Arthur Heaney Memorial, Ottawa; Ashland Oil; Banque Nationale du Canada; Bishop’s University, Lennoxville, Québec; Blankman Investments, Miami; CBS Building, New York; C.Y.R.K., NY; Citicorp, NY; City of Binghampton, NY; Claridge, Montreal Columbia University, School of Architecture, NY; Conseil des Arts du Canada; Coopers and Lybrand, Boston; Corning Community College, Corning, NY; Cotton, New York; Createx, Simsbury, CT; Channel...

American/Canadian printmaker, painter, sculptor, author, and educator Norman Laliberte was born in Worcester, Massachussets, in 1925, to French Canadian parents. He was raised in Montreal, Canada, where he attended l'Ecole du Musee des beaux-arts. After graduation in 1948 he returned to the U.S. to continue his studies at the Institute of Design (BS, 1951) and the Illinois Institute of Technology Chicago (MS in art education, 1956). Additional courses took place at Worcester Museum and the Cranbrook Academy in Michigan, to which he was granted a painting scholarship. He then began an extensive exhibiting career in conjunction with his work as a teacher.He began teaching in 1959, first at Kansas City Art Institute in Missouri from 1959 to 1960. This was followed by positions at St. Mary's College at Notre Dame Univerity, Indiana (1960 - '65); Rhode Island School of Design (1965 - '66); Newton College, Massachusetts (1967); and RISD once again from 1976 - 1977. Additionally, he was a guest lecturer and workshop leader at a variety of schools in both the U.S. and Canada. He received an honorary doctorate from both Notre Dame and McGill University. During his time as a teacher he continued to show in group and solo exhibitions;nhis first solo show took place at the Waddington Galleries in Montreal in 1965.A major feature of Laliberte's early output was banners executed in fabric, inpired by a trip he took to the Italian city of Siena during their summer festivals. This would prove to be a key turn in his career, as he was commissioned to work a consultant at the 1964 New York World's Fair, creating a structure made of 88 banners to represent stained glass walls for the Vatican Pavilion; this job earned him international recognition as both an artist and a designer. His most recent commission was eighteen large panels for the International Terminal at the Logan Airport in Boston. Norman LaLiberté died at his home in Nahant, Massachusetts on September 10, 2021.Selected collections:Aetna Insurance, Hartford, Ct.; Air Canada; Albright-Knox Gallery, Buffalo, NY; Alcan, Montréal; American Airlines; Art Institute of Chicago; Arthur Heaney Memorial, Ottawa; Ashland Oil; Banque Nationale du Canada; Bishop’s University, Lennoxville, Québec; Blankman Investments, Miami; CBS Building, New York; C.Y.R.K., NY; Citicorp, NY; City of Binghampton, NY; Claridge, Montreal Columbia University, School of Architecture, NY; Conseil des Arts du Canada; Coopers and Lybrand, Boston; Corning Community College, Corning, NY; Cotton, New York; Createx, Simsbury, CT; Channel...

Elfi Schuselka (Austrian, b. 1940), Abstract Figural Composition, Mixed Media on Paper, circa 1965, apparently unsigned, wood frame. Image: 7" H x 10.75; frame: 8.25" H x 11.75" D x ...

From the visual collaborative series between Bernie Taupin CBE and Terry O'Neill CBE, titled 'Two Sides of the 60s; Limited Edition of 199 Hand Signed by Bernie Taupin

Diana Kurz Small Green Pale, circa 1960-61 Collage and mixed media on board 12 1/2 x 10 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's fa...

Composition is an original painting in mixed media on paper signed "Rodge", realized in 1960s. Hand-signed on the lower right. Good conditions except for folding and some stains. ...

The cop admires the car while the viewer admires the drawing of the car. The enduring legacy of Ben Denison may not be that he was an early cartoonist for Playboy, but for his style...

Bernard Buffet (1928-1999) - Frontispiece Lithograph from 1968. Dimensions of work: 31 x 24 cm Publisher: André Sauret, Monte Carlo. Printed by: Fernand Mourlot, Paris The work ...

Ray Johnson Venice Signed lower right Collage 6 x 4 1/2 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous collages an...

Dennis Hopper, (American, 1936-2010) Mixed media sculpture "Outmolding Older Concepts (Wilhold Up the Mirror)", 1961, photo and assemblage, Ace gallery and Easy Rider Production labels verso 27"h x 40"w x 5"d. There is broken mirror glued into the wooden collage box with the ceramic head that is attached to the front. I assume that is how it was made. Provenance: Estate of Pentti Kouri, NYC; Ace Gallery, Los Angeles; Exhibited MOCA, Los Angeles, 2010 From a 1997 interview with Hopper where he references this piece "Right now it's very intense. I had a show that travelled Germany, about 15 different museums. Sunday we go to Denmark; I'm showing the early assemblage I did in 1961 which was the signal for conceptual art. I'm just two days there, then I'm going to Venice to meet Julian Schnabel - Count Volpe's given us a place to paint in Giudecca. Then I'm going to Documenta in Germany to hang another show, then I go back to LA on the 21st and start a film on the 23rd." Notes/Literature: Dr. Pentti Kouri(1949-2009) was a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. He was a member of the Board of Trustees of Dia Art Foundation, and on the boards of Tate, London and the Guggenheim Museum, New York. In addition, a portion of his collection forms the core of the Kiasma Museum of Contemporary Art in Helsinki, Finland Hopper made his film debut alongside James Dean in 1955's Rebel Without a Cause. Both lost souls from dysfunctional households, they gravitated to each other, smoked dope and took joy rides. When Dean died, Hopper saw himself as the natural inheritor of his rebellious mantle and, revelling in his nickname of "Dennis the Menace", gave it to Hollywood with both barrels; so they dropped him. Dennis didn't make another Hollywood movie for seven years. Frustrated by the deliberate stifling of his film career, Dennis turned to art and photography for creative stimulus, beginning with abstract subjects such as landscapes. His cutting-edge conceptual art became established round the world, with exhibitions in major cities. At home in the dining room stood one particularly interesting work, a white plastic box, eight feet long, that had an aluminium shaft sticking out of it, and two very large balls. It was called The Perpetual Erection Machine. Before Tracy Emin and Damien Hirst, there was Dennis. In 1961, Hopper took part in an international photography competition in Australia with a contribution of five abstract photos, which he called Pieces. He won first place. Soon after, Hopper married Hayward, daughter of the film producer Leland Hayward, whose credits include The Sound of Music and South Pacific. The wedding party of Hopper and Hayward was held in August at the apartment of actress Jane Fonda, a childhood friend of Hayward, who introduced Hopper to her younger brother Peter Fonda. Their daughter Marin was born in 1961, and they moved to Bel Air, California. Soon afterward the famous Bel Air fire destroyed their home, including approximately three-hundred Abstract Expressionist works and hundreds of pages of poetry that Hopper had begun in the mid-1950s. Hopper and his actor friends Dean Stockwell and Russ Tamblyn were close to many artists in California, especially assemblage artists Edward Kienholz...

Untitled is an artwork by Mark Tobey. Monotype with tempera, heightened with tempera on Japan paper. Hand signed and dated lower right: Tobey 69. Provenance: Henze Ketterer Gallery B...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x1.75" site unframed Signed in ink lower right Myril Adler, was born on September 22, 1920 in Vitebsk, Russi...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3"x6" mahogany wood gallery frame 8.25"x11.25" Estate stamp lower right Myril Adler, was born on September 22, 1...

Diana Kurz June Watercolor and pastels on board 17 x 23 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, Diana Kurz's family fled Austria, first to Engl...

Pat Adams Extended Alike, 1969 Gouache on Paper Mounted to Canvas (Zabriskie Gallery 25th Anniversary & Contemporary Arts Center, Ohio Exhibition Labels) Signed 'Pat Adams 12.69' upper left front In vintage period frame This unique, hand signed gouache on paper, mounted to canvas by renowned artist and longtime member of the Bennington College art department and National Academician Pat Adams, bears labels verso from the following exhibitions: 'Pat Adams Paintings', The Contemporary Arts Center, Cincinnati Ohio, Dec. 7-Jan. 20th. Adams at Zabriskie '(25th Anniversary Exhibition) Zabriskie Gallery, New York, NY, Dec. 5, 1978-Jan. 6, 1979, Cat. no. 41 and' Zabriskie Gallery, New York, Jan. 6-Jan 24, 1970 Measurements: Framed: 19 1/2" H x 13 1/4" W Artwork: 18" H x 11 1/2" W; Excellent condition, held in a vintage frame PAT ADAMS BIOGRAPHY: Pat Adams Biography: Pat Adams (American, b. 1928) was raised in Stockton, California, and began painting at the age of ten. She studied painting at UC Berkeley from 1945–49, where she first encountered the ideas of Hans Hofmann as she studied under his former students—Worth Ryder and Margaret Peterson O’Hagan, who had arranged for Hofmann’s migration to the States in 1932, among them. During her summers at Berkeley she pursued programs at the California College of Arts and Crafts (1945), the College of the Pacific (1946), and the Art Institute of Chicago (1948). In 1950, following her graduation from Berkeley the previous year, she attended a summer session at Brooklyn Museum Art School, remaining in the city after its completion. She received her first solo exhibition in 1954 at the Korman Gallery—later to be renamed the Zabriskie Gallery, which would continue to represent her through 2018. Her work was greatly motivated by her international travel during the 1950s: in Italy in 1951, after her first husband, painter and printmaker Vincent Longo was awarded a Fulbright scholarship, and in France in 1956, after she received her own Fulbright scholarship. In the fall of 1964 she was invited by professor Paul Feeley to teach at Bennington college, where she joined the social circle of the famous “Green Mountain Boys,” including Kenneth Noland and Jules Olitski. In 1972 she married fellow Bennington professor R. Arnold Ricks, and they set off with her two sons on a four month journey through Egypt, Iran, Turkey, and all of Europe, which impacted her work significantly. She continued teaching at Bennington through 1993. Her lengthy career has also included many teaching appointments at Yale, as both a visiting professor and artist, as well as the Rhode Island School of Design, among numerous other institutions across the country. She has received notable awards from the National Endowment for the Arts, the Academy of Arts and Letters, the National Academy of Design, and the College Art Association. In 1995 she was awarded the Vermont Governor’s Award for Excellence in the Arts. Her work has been the subject of over fifty solo exhibitions. She lives in Bennington, Vermont. -Courtesy of Alexandre Gallery

Signed Tschacbasov top right

Anthony Caro (1924-2013) was an influential and innovative British sculptor. Caro played a pivotal role in the development of twentieth-century sculpture introducing abstraction thro...

Myril Adler "Magic Journeys" c.1960s Intaglio etching collage, ink on paper 6"x3" mahogany wood gallery frame 11.25"x8.25" Signed and titled in ink Myril Adler, was born on Septemb...

William Horace Littlefield: 1902-1969. Well listed American Modernist. He studied under Hans Hoffman and is known for these abstract mixed medium paintings. He has auction result high over $14000. This fabulous piece has vivid pink and blue colors . It is monogramed and dated on front, and signed and titled and dated on back. Painting measures approximately 14 1/2 inches high by 11 1/4 wide The frame measures 20 1/2 inches high by 16 1/2 wide. Sorry about the flash, but that was the best pics I...

Myril Adler "Brightscape" c.1960s Intaglio etching collage, ink on paper 5.75"x2.5" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Ru...