1980s Mixed Media

This colorful abstract paper and fabric collage was created by American artist Jean Olds. Olds is known for her work with collages and flat mixed-media sculptures. This work in her t...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

This colorful abstract paper and fabric collage was created by American artist Jean Olds. Olds is known for her work with collages and flat mixed-media sculptures. This work in her t...

Original mixed media on paper. Hand signed and dated on front by Peter Max. Frame size approx 22 x 28.5 inches. Artwork size 11.6 x 18.4 inches. Artwork is in excellent condition...

Nino Longobardi (b. 1953): Untitled, 1983 Mixed media on paper. 19 x 14 in. (image), 26 x 21 in. (frame). Provenance: Cowles Gallery Born in Naples in 1953, he is one of the leading figures of Italian painting in the last two decades. Nino Longobardi did not attend schools or academies of art, rather he trained on-the-job: in art galleries, with artists such as Carlo Alfano...

The painting is being offered with a work and authenticity certificate

Genre: Latin American Subject: Abstract Medium: Mixed Media, Collage Country: Mexico Dimensions w/Frame: 16.75 x 16.5 Feliciano Béjar Ruíz (1920 – February 1, 2007) was a Mexican artist and artisan, best known for a style of sculpture called “magiscopios” which involved various materials along with crystals and/or lenses to play with light or create distorted visions. He was born in rural central Mexico and was completely self-taught as an artist. He was creative as a young child, drawing and creating his first sculpture like pieces from papier-mâché. His art career began in New York, where he had travelled and lived for a time in Hell’s Kitchen. His drawing the attention of Arthur Ewart and Frances Coleman, with the latter helping him have his first exhibition and whose husband helped sponsor his time in Europe. In his later life, Béjar withdrew from the art world for about sixteen years, disillusioned with it and retreating to his ranch in the State of Mexico. He returned in 1998, with a retrospective of his work in Mexico City and continued to show his work until shortly before his death. He worked as an assistant to a carpenter, sweeping out the shop in exchange for wood scraps. He used these to create toys and even large imaginary cities. When he was fifteen, he began to teach himself art using various scrap materials. At this time muralist José Clemente Orozco was in his town to paint scenes of the Mexican Revolution on the town library. Bejar brought him some drawings to show, he did not want to see them. Later in life he stated that he did not think well of the muralists and considered them false and frauds. He said that their work was supposedly for the people but they could not be understood without interpretation and the main ones (Rivera, Siqueiros and Orozco) shut out other artists. When he got to New York in the 1940s, he was disappointed and thought it ugly. He wanted to return but had no money so he had to work menial jobs and live in Hell’s Kitchen. During this time in New York, he was put in touch with English painter Arthur Ewart who encouraged him to get back to art, particularly painting. He also met socialite Frances Colman, while copying paintings...

Thelonius Monk- Little Rootie Tootie Collage, 1989 Signed and dated lower right: "Longstreet 89" Titled by artist lower left Excellent, with usual imperfections associated with the collage medium Image/Sheet size: 17 1/8 x 23 1/16 inches Provenance: Acquired directly from the artist Joseph M. Erdelac, Cleveland Noted art collector and friend and aptron of Longstreet. Stephen Longstreet (1907-2002) At the website, the artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...

Framed in a shadow box. size includes frame. Paul Sarkisian (1928-) is an American artist who made significant contributions during the growth of contemporary art in Los Angeles, th...

Artist: Jim Jacobs, American (1945 - ) Title: Kansas Year: 1983 Medium: Oil on Aluminum Laid Board, signed and dated verso Size: 60 in. x 48 in. x 1 in. (152.4 cm x 121.92 cm x 2.54 cm)

In this holographic collage the artist, and inventor Thomas Cvetkovich uses a method of recording an object image of a first hologram as a second hologram is provided. This holographic method is known as compact holographic human interface, and was invented by him. Reconstructed images of holograms, in this case a fish, a banyan leaf and flora and fauna abstract forms, generally become visible when illuminated by a source of light having an angle of reconstruction. Thse are created with laser and computer technology. An artile in Life magazine was all it took it took to influence Tom Cvetkovich's career path, one that has brought his Youngstown company, Chromagem, an international clientele. It focused on new technology that linked the use of lasers in producing holograms, three-dimensional and free-standing images. Reminiscing on Chromagem's past work, Cvetkovich said, One of the things we're most proud of is a series of U.S. postage stamps, achievement in space. We did three stamps for that. We've done postage stamps for Canada, the German government. We've also done work for Moet & Chandon, the champagne; Estee Lauder; and the cover of the 'Star Trek Generations' box set. Over the past two Christmases, Chromagem created a special variety of Reynolds Wrap that features snowflake holograms stamped on the entire roll. Cvetkovich created his first hologram when he was a student at Kent State University in 1974. He took science and art classes to gain the knowledge on how to make the creations running through his head and onto a sketchpad into a fully realized form. "I'm coming at it, primarily, from an art background, but with some science background." He continued his studies at Lake Forest College. It was the first place in the world to offer a workshop in holography. I was there for their third year. Combining art, science Next, he earned a master's degree from the Art Institute of Chicago. The Art Institute was just starting a holography lab. Actually, I had to build my own because theirs wasn't ready. When I was going to college, I would do a math class and then make art. I could tell I was using different parts of my brain. Over the years, Cvetkovich has developed a mental truce between the creative and scientific sides of his brain. At this point, it's more of a craft, he said. I don't rely on a lot of math or science at all. I try to keep abreast at what's being invented, what new...

Keith Haring Party of Life 1986 (Keith Haring birthday invite 1986): 
Rare original invitation silkscreened on shorts to Keith Haring’s third annual Party of Life/1986 birthday, held at New York’s, The Palladium nightclub, May 21 1986 (see below for history). A historic 1980s Keith Haring collectible that makes for a nice addition to any 1980s Keith Haring collection. A rare, unused example in very nice condition. Silkscreened shorts. Size: adult extra small; approximately 14x21.5 inches. Very good overall vintage condition; appears unused for the most part; minor staining in a few areas (visible from upfront only). Difficult to find as such. Unsigned from an edition of unknown. Further Background: Keith Haring held a birthday party each year from 1984 to 1986 called ‘Party of Life’. Filmmaker Courtney Harmel captured the inaugural event, which was held on 16 May at the Paradise Garage nightclub on King Street, New York. The party was co-hosted by Larry Levan, resident DJ at the club from 1976 to 1987. Levan developed a cult following and is credited with introducing dub into dance music. The party featured performances by Madonna and performance artist John Sex. Madonna, wearing a pink suit covered in an elaborate web of black lines painted by Haring and LA II, sang ‘Dress You Up’ and ‘Like a Virgin’, which she released later that year. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. Haring moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories: Keith Haring. Keith Haring invitation...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

Keith Haring Crawling Baby & Three Eyed Smiling Face stickers circa early/ mid 80s. Originally produced by Haring for his first solo gallery exhibition in 1982, then later sold/give...

Keith Haring Crawling Baby & Three Eyed Smiling Face stickers circa early/ mid 80s. Set of 2. Originally produced by Haring for his first solo gallery exhibition in 1982, then later sold/given out at Haring's New York Pop Shop throughout the 1980s. Iconic vintage original 1980s Haring collectibles that work well in any collection. Medium: Vintage self-adhesive stickers featuring original design by Keith Haring; offset printed. Approximately 3 inches square in size. Very Good overall vintage condition. Keith Haring Pop Shop History: In 1986, New York artist Keith Haring opened the Pop Shop in downtown Manhattan. Haring saw the Pop Shop as an extension of his work, a fun boutique where his art could be accessible to everyone. For nearly twenty years, the shop continued to be a downtown attraction with floor-to-ceiling murals...

Here we have for sale is a rare and fresh to the market Addie Herder (1920 - 2009) A 1988 Constructionist Collage with Davis and Langdale gallery label verso Addie Herder Dated 1988 Titled: Equivocal No. Approx 8x10 inches Overall good condition with toning Collage/mixed media on paper From private collection Gallery label verso Signed lower right in front Trained at the Tyler School in Philadelphia during the late 1930s, Addie Herder moved to New York in 1946 with her then-husband Milton Herder. The two opened a successful commercial design business in a large studio in the Sherwood building, where Herder also met and befriended fellow artists Sari Dienes and Stella Snead...

Abstract surrealist watercolor painting by Korean artist Dae-Duck Cha. The work features realistic water droplets set against a blended blue and red gr...

Large geometric mixed media collage painting by Texas artist John Pavlicek. The piece features layers of red, yellow, and green paint and paper to create depth. Signed by artist in f...

This intriguing mixed media painting and collage is signed illegibly in the lower right. Dated 1982 with the words "Who is that Masked Woman" scratched into the lower left.

This piece is an original black and white photograph by George Hurrell with an original mat design by Erté. The photograph, which was shot in 1984, depicts cabaret artist and costum...

Robert Petersen Giotto, 1989 Mixed Media: Silkscreen with Watercolor and Acrylic on paper Hand signed, numbered and dated on front A.P 2/3 (Unique variant - each example unique with ...

a sculpture made by cut paper foils painted with gouache and posed in overlay to give the impression of a grill. Oscari Nivese is a french artist living in Cote d'Azur.

Keith Haring handwritten letter 1989: A rare 1989 handwritten letter by Keith Haring executed on the artist's personal stationary. An endearing personal response by Haring to a young...

Backyard House Wren by Leo E. Osborne Abstract Nature Wall Relief, Unique Carved Mixed Media, primarily wood. 30x16x10" wren with copper leaves on wood ...

Linda Stein, Complaisance 138 - Mixed Media Assemblage Contemporary Art Wall Sculpture Complaisance 138 is from artist Linda Stein's Brush Assemblage series, where she combines foun...

Black Rock Creek by Leo E. Osborne Abstract Nature Wall Relief, Unique Carved Mixed Media (primarily wood) 20x36x6" nuthatch on wood carved to appear like g...

D. Tongen Pink, Blue, Mint, Black 1980s 12.75"x9.75" Soft pastel and pencil on paper Initialed in pencil lower right

D. Tongen "Orange and Blue" 1980s 11.75"x9.75" Soft pastel and pencil on paper Initialed and dated in pencil lower right

Hannelore Baron Untitled (C82-142), 1982 Signed and dated on the reverse Mixed media collage Sheet 12 1/4 x 10 1/2 inches Provenance: Manny Silverman ...

Girl with green eyes. Portrait mixed media, watercolor, collage, pencil on paper, signed ZaZa New York about 1980s

Composition is a contemporary artwork realized by Patrick Lavaud in 1982. Mixed media. Monogram of the artist and date on the lower margin. Hand signed on the back. Includes frame.

The Big Door 3 is a Contemporary artwork realized in 1986 by the italian Contemporary artist Leo Guida (1992 - 2017). Hand carved relief in mahogany woo...

Composition is an original contemporary artwork realized by Patrice Lavaud in 1983. Mixed media. Monogram of the artist and date on the lower margin. Hand signed on the back. Inc...

Oval is an original artwork realized by Andrea Nurcis in 1987. Mixed media (oil, embossing and mixed media) Hand signed and dated on the back Includes frame.

Friedel Dzubas (1915-1994) was a Berlin-born American abstract painter. He was associated with both the New York School and the Color Field movement. Dzubas studied art in Germany ...

The Buildings in the night is an original mixed media, realized by Bernadette Kelly in about 1980 s. Is not signed The artist depicts the night city, where the buildings rise into t...

The Female Figure sleeping is an original mixed media drawing, realized by Bernadette Kelly in 1980s. Is not signed. The artist depicts a sensual figure of a woman lying down, whil...

Still Life is an original mixed media, realized by Bernadette Kelly in about 1980 s. Hand signed on the lower right margin The artist depicts an intimate still life scene. Few elem...

Urban Landscape with Clouds is an original mixed media, realized by Bernadette Kelly in about 1980 s. The artwork is not signed. The artist depicts the night city, where there are h...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

Drowsiness is an original contemporary artwork realized by Andrea Nurcis in 1987. Metal on panel. Hand signed and dated on the back. The painting represents an abstract compositio...

Elfi Schuselka (Austrian, b. 1940), "Triangle in Square #4", Acrylic on Tarlatan with foamcore elements, 1981-83, signed, titled, and dated with descriptive label to the verso. 43.25...

Elfi Schuselka (Austrian, b. 1940), Mixed Media on Tarlatan and dried paint, with foamcore elements, 1981-83, signed and dated to verso. 42.25" H x 44.25" W. Provenance: From the Col...

Linda Stein, Brushes at Ease 119 - Mixed Media Assemblage Contemporary Art Wall Sculpture Brushes at Ease 119 is from artist Linda Stein's Brush Assemblage series, where she combine...

Elfi Schuselka (Austrian, b. 1940), "Pekabu II", Mixed Media on Mesh with Collage Foamcore Elements, 1983, signed, dated, and titled to verso, unframed. 43" H x 44.5" W. Provenance: ...

Composition is an original drawing in mixed media (ink, pastel, pencil and watercolor) on paper realized by Marilu Eustachio. Hand-signed and dated on the rear, 84. The state of p...

Born October 12, 1951 Jefferson County, Alabama Charlie Lucas exhibited overflowing creative and mechanical ability since he was a young child. When he ...

Lone Star is an original collage artwork, realized by Sergio Barletta in 1987. Hand-signed on the lower right, and titled on the lower center in Italian" Lone Star: Ritratto con l'a...

Women is an original collage artwork, realized by Sergio Barletta in 1975. Hand-signed and dated on the lower right, and titled on the lower center. From the series of " La Mappa de...

Mr. Ophelia is an original collage and tempera artwork, realized by Sergio Barletta in 1986. Hand-signed on the lower right, dated on the lower left and titled on the lower center"M...

Keith Haring Party of Life 1986 (Keith Haring birthday invite 1986): 
Rare original silkscreened t-shirt invitation to Keith Haring’s third ...

Linda Stein, Measured Expansion 69 - Mixed Media Assemblage Contemporary Art Wall Sculpture Measured Expansion 69 is from artist Linda Stein's Brush Assemblage series, where she com...

Linda Stein, Intimate Duo 134 - Mixed Media Assemblage Contemporary Art Wall Sculpture Intimate Duo 134 is from artist Linda Stein's Brush Assemblage series, where she combines foun...

Original acrylic painting on canvas. Hand-signed in acrylic on front by Peter Max. Canvas is stretched. Peter Max studio catalog number and year on verso. Artwork is in excellent condition. Gallery Art issued Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Peter Max (American, born 1937) is a German artist known for his unique brand of rainbow-hued prints and paintings, which he has created since the early 1960s. Employing painterly strokes, his illustrations incorporate a wide spectrum of colors and patterns as seen in his Umbrella Man series. “I'm just wowed by the universe. I'm just glad to do something I love...

Hand signed, numbered, and dated by the artist. Hand embellished. Limited edition of 150. Each embellished print is unique. Artwork is in excellent condition. Certificate of authenti...

Gesso and paper mixed media composition by Dick Crispo (American, b. 1945). Titled "ASTM Lightfastness Rating" at the bottom. Signed and dated "D. Crispo 87" in the upper right corner. Presented in a cream mat with foamcore backing. No frame. Paper size: 7"H x 5"W Dick Crispo, born in New York City on January 13, 1945, has resided on the Monterey Peninsula since 1955. An award winning artist, Crispo has studied at the Carmel Art Institute under John Cunningham and Sam Colburn...

Mixed media composition featuring various historical and modern figures with smiles on their faces by Dick Crispo (American, b. 1945). Titled "A Brief History of Smileing" (sic) along the bottom edge. Signed and dated "D. Crispo 87" in the lower right corner. Presented in a cream mat with foamcore backing. No frame. Paper size: 10"H x 13.5"W Dick Crispo, born in New York City on January 13, 1945, has resided on the Monterey Peninsula since 1955. An award winning artist, Crispo has studied at the Carmel Art Institute under John Cunningham and Sam Colburn...

Unique hand embellished with acrylic paint and marker on serigraph. Hand signed and dated by Ronnie Cutrone. Custom framed as pictured. Black color. Frame to fit style. Artwo...

Collaboration between Huck Snyder and Jane Bauman This work is offered by ClampArt in New York City.

Signed and titled in pencil, verso Spray paint on cardstock stencil This work is offered by ClampArt in New York City.