1980s Mixed Media

Nancy Graves New York State Governor's Arts Award, 1988 Bronze, polychrome patina and baked enamel on base with Award plaque 10 1/4 × 7 × 10 1/4 inches Ha...

Aaron Fink (American, b. 1955) Coffee Cup Signed and dated "Aaron Fink 84" lower right. framed. Provenance: From an important Massachusetts corporate collection. Floated against a foam core backing so that the edges of the sheet are visible. The two tiny tears are probably at site of old tack holes, where the tacks pulled through the paper due to the weight. Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John...

Aharon Gluska (b. 1951) Pigment and oil paint, mixed media painting on archival paper. Dimensions (H, W, D): 22.5"h, 13"w image; 32"H, 24"w frame Provenance: Siegel Collection, Florida. The Siegels' collection was acquired under the guidance of Lawrence Salander of Salander-O'Reilly Gallery in New York in the late 1980s. Aharon Gluska (born 1951) is an Israeli–American painter. Gluska was born in 1951 in Hadera, Israel. He studied at the Académie des Beaux-Arts in Paris and Avni Institute of Fine Arts in Tel Aviv. Grants Gluska received grants from the National Endowment for the Arts and the Jackson Pollock- Lee Krasner Foundation. Awards Gluska was one of two winners along with Moshe Kupferman, of the 1996 Zussman Prize for artists dealing with the Holocaust, from the Yad Vashem museum, for his paintings of prisoners at Auschwitz based on photographs of them taken by their Nazi guards. Exhibitions: Bertha Urdang Gallery, NY, USA 1983 Aharon Gluska: Painting and Drawings 1985-1986 Bertha Urdang Gallery, NY, USA 1986 Group Exhibitions The Disciplined Spirit, Exit Art, New York, USA Artists: Nahum Tevet, Micha Ullman, Aaron Gluska, Jacob El Hanani, Moshe Kupferman, Gilad Ophir, Joshua Neustein, Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...

Rare Keith Haring “Life is Fresh! Crack Is Wack!” 1987 sealed/unopened in its original shrink wrapping: A highly sought-after 1980s record album featurin...

'Second Mesa (Hopi Pueblo, Arizona)' is a watercolor, ink, and charcoal on paper by Bert Van Bork (1928-2014). Signed by the artist in the lower right co...

Original painting on canvas. Hand signed, titled and dated on verso by Paul Jenkins. Artwork is in excellent condition. Acquired by our gallery from a private collector. Gallery i...

Anthony Benjamin, 'Intitled', acrylic and gouache on gold leaf board, image size 8" x 10", 1999. Artist Estate Stamp on verso Provenance: From the Artist Estate A Gallery Certificat...

“Wrongrong” publication [Based on “Un Cadaver” by André Breton, 1924] 1987 Newsprint publication 15 x 12.5 inches This work is offered by CLAMP in New York City.

The Big Door (La Grande Porta) is an original Contemporary artwork realized in 1986 by the italian Contemporary artist Leo Guida (1992 - 2017). Relief ...

One-Person Exhibitions 2022 Coming From the Earth, curated by Peter Doroshenko, Dallas Contemporary, Dallas, TX The Growth of Communication, Edel Assanti Gallery, London, UK 2021 The Influence of Images, Elizabeth Leach Gallery, Portland, OR Tangled Up in de Kooning’s Fence, South Etna, Montauk, NY Everything That Wasn’t White, Parrish Art Museum, Water Mill, NY 2019 Somewhere in a Dream I Got Lost, Southeastern Center for Contemporary Art, Winston-Salem, NC 2017 The Weight of Everything, James Fuentes, New York, NY I Snuck Off the Slave Ship, Atlanta Contemporary, Atlanta, GA Which Do We Drop First, the Baby or the Bomb?, James Fuentes, New York, NY 2015 Something to Take My Place, Halsey Institute of Contemporary Art, Charleston, SC Supported by the Power, John Hope Franklin Center, Duke University, Durham...

Composition is an original contemporary artwork realized by Patrice Lavaud in 1983. Mixed media. Monogram of the artist and date on the lower margin. Hand signed on the back. Inc...

Loren Munk (American, b. 1951), mixed media painting signed "Munk '89", 13" x 19" inches sheet, framed 20.25" x 26" inches. This one is African American kids in a park at the water fountain. Titled "Squart" (squirt) The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese at LACE, Los Angeles Cal. "It's All Good" curated by Richard Timperio at Side Show Gallery Brooklyn. 2010 "Wall to Wall" Daniel Weinberg Gallery Los Angeles California. Artists: Richard Artschwager, Lynda Benglis, Robert Bechtle, Billy Al Bengston, Tony Berlant...

1984 Unique artwork Charcoal, cardboard, collage on paper Signed, dated and titled lower right Registered under the inventory number bv84d5 at Bernar Venet Studio 70.5 x 113.5 cm   ...

Interior with night vision is an original mixed media, realized by Bernadette Kelly in about 1980 s. Hand signed on the lower right margin The artist depicts a scene of an interior...

The Big Door 3 is a Contemporary artwork realized in 1986 by the italian Contemporary artist Leo Guida (1992 - 2017). Hand carved relief in mahogany woo...

Original media media of watercolor, gouache and oil pastel on archival paper by the master pastel artist, Frank Frederico. Circa 1980. Signed by the artist top left. Condition is excellent. The subject is a children’s dance class with rich, vibrant colors. The artwork is housed in a thin brass toned metal frame with linen liner. UV clear plexiglass protects the artwork. Overall framed measurements are 26.25 by 38.25 inches. Provenance: Sarasota, Florida estate. Frank Federico ” I believe that art is as capricious as nature’s own whims. It is as permanent as the endless striving for universal harmony, but In a constant flux. My technique is varied with mood and empathy for the subject matter or motif. Nature provides the catalyst — human or otherwise — with this constant flux of rhythms, shapes and boundless energy. Each painting speaks for itself and has a life of its own. I am the stoker of energy, the catalyzer.” Artists Awards 2002: 2nd Prize, Louisiana Watercolor Society Annual National Exhibition; The Great American Art Works Fantastic Award, Pastel Society of North Florida Annual; 2001: Jack Richeson Award, Pastel Society of Painters on Cape Cod International Exhibit; Daler Rowney Gift Certificate, CPS Eighth Annual National Renaissance in Pastel; President’s Solo Exhibit Award, Kent Art Association. 2000: J. R. Reeves Award, CPS Renaissance in Pastels Annual Exhibit; 2nd Prize New England Pastel Society Annual; 1st Prize Watercolor, Artists Academic 50th Annual Exhibition; James G. Saunders Memorial Award, North Shore Art Association Open Juried Show 2000; Hahnemuhle Pastel Paper Award, PSA 28th Annual Open 2000; 2nd Prize, New England Watercolor Society Open Juried Show 2000; Best in Watercolor, Academic Artists Open Juried Show 2000, 1st Prize Watercolor, Academic Artists National, Springfield, MA; Portrait Award Pastel Journal 100 annual, Albuquerque, New Mexico 1999: Best in Show CT Pastel Society Annual Renaissance in Pastels; Honored as Master Pastellist by Pastel Society of America; National Renaissance in Pastel Award; inner Catalog Cover Contest for the IAPS 1999 Convention in Albuquerque, NM; Grumbacher Gold Medal Award, CA Watercolor Assoc 31st National; First prize pastels 199 SCAN Juried Art Show; Kemper Association Architects Award for Design, 1999 West Hartford league Open Juried Show. 1998: Pastel Society of American – 26th Annual Pastel Exhibition – Uschi Grueterich Memorial Award; Kent Art Association – Kent Fall Show – Best in Show (Pastel); National Watercolor Society – 8th Annual – Daler Rowney Merchandise Award (also elected signature member); Piedmont Hall Art Exhibit (Somers, CT ) 1st Prize Watercolor; Louisiana Watercolor Society Award – Edward Dupont Award; Society of Creative Artists of Newtown (SCAN) 1st Prize Watercolor; Rockport Art Association – Marguerite Pearson Gold Medal Award in painting, graphics or sculpture 1997: Society of Pastel Painters on Cape Cod – Landscape Award; Connecticut Pastel Society – B & S Publications Award Prior to 1997 Mr. Federico has received many outstanding awards including the Bronze, Silver and Gold Grumbacher medals. Selected Exhibitions International / National The National Gallery – Tokyo, Japan National Society of Painters in Casein & Acrylic Gallery Vallhall – Stockholm, Sweden Allied Artists of America Salmagundi Club Pastel Society of America New England Watercolor Society National Watercolor Society Regional PS Gallery – Litchfield, CT Copley Art Society – Boston, MA John Slade Ely House – New Haven, CT Greene Art Gallery – Guilford, CT . Current Teaching Affiliations West Hartford Art League – West Hartford, CT Greenville Arms – Greenville, NY Rockport Art Association – Rockport, MA North Shore Art League – Gloucester, MA Selected Articles Publications Plein Air Painting with a Fauvist Touch, Pastel Society of America Newsletter (April 2000) A Colorist Approach to Pastel, The Pastel Journal (Nov/Dec 1999) A Workshop Experience, The Pastel Journal (Nov/Dec 1999) Odyssey of a Mural’ by Frank Federico Litchfield Living – Profile of an Artist, September 1994 (cover story) Forman School 1991-1992 Annual Report Waterbury Republican-American – Mural Reflects Diversity of UConn Campus – May 1992 The Hartford Courant – UConn Mural Marks Change – June 1992 Gallery Affiliations Soho Gallery – Branchville, CT Elaine Beckwith Gallery – Jamaica, VT PS Gallery – Litchfield, CT The Gallery – Burlingame, CA Collections Selected Corporate Private IBM – New Orleans, LA Edward G. Robinson Gulf Oil – Houston, TX Natalie Wood Hart Development Corp Dick Ebersol & Susan St. James Brunei M/M Chris Berman Jack Eckerd Corp. – FL Dr. William Taylor CT School of Broadcasting Murals University of CT – Storrs Gorton Seafood Co – Rockport, MA YMCA – New Orleans, LA Detail fromSnow Scene . Street Scene Selected Signature Memberships 2002: Signature Member Status, North Shore Arts Association, Gloucester, MA National Society of Painters in Casein & Acrylic Connecticut Watercolor Society Connecticut Pastel Society Pastel Society of America Allied Artists of America, Kent Art Association Degas Pastel...

Dawn is a wonderful mixed media on canvas realized by Mario Sinisca (Naples, 1929), an Italian post-war master that cannot be labeled in any artistic movement. Signed on the lower r...

Born October 12, 1951 Jefferson County, Alabama Charlie Lucas exhibited overflowing creative and mechanical ability since he was a young child. When he ...

Sanguine Drawing on Canvas Adja Yunkers b. 1900, Riga, Russia; d. 1983, New York Adja Yunkers was born Adolf Junkers on July 15, 1900, in Riga, Russ...

Mixed media collage on paper Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compos...

Black composition is an original contemporary artwork realized by Andrea Nurcis in 1987. Metal on panel. Hand signed and dated on the back. The painting represents an abstract com...

The window in the night is an original mixed media drawing, realized by Bernadette Kelly in 1980s. Hand signed on the lower right margin The artist depicts a sensual figure of a wo...

Joseph Glasco (American, 1925-1996) Untitled 1978-81 Acrylic on canvas collage initialed verso and dated ‘81 48 x 51 inches Joseph Glasco was born in Paul’s Valley, Oklahoma and gre...

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features a rounded fish shape with the words "It's Time" on...

Vintage Keith Haring Record Cover Art: Set of 4: 1982 & 1987. Haring illustrations appear on front and back of each of the 4 record covers, as well as 2 inserts (see last 2 images). ...

The Buildings in the night is an original mixed media, realized by Bernadette Kelly in about 1980 s. Is not signed The artist depicts the night city, where the buildings rise into t...

Mixed media collage on paper Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compos...

Female Figure with black cat is an original mixed media drawing, realized by Bernadette Kelly in 1980s. Is not signed. The artist depicts a sensual figure of a woman. In the foreg...

Jean-Michel Basquiat (untitled), 'MAN MADE Sweatshirt', c. 1979: Basquiat produced this rare original hand-painted sweatshirt (among others, with only few known to have survived) for the purposes of selling these on his own and through the historic downtown fashion boutique, Patricia Field’s. Basquiat was captured wearing a similar example in the well publicized 1979 photo, 'Basquiat Dancing at The Mudd Club' by Nicholas Taylor of Gray. This double-sided work notably features Basquiat’s ‘MANMADE’ tag - Basquiat’s alias after he took to the streets to declare “SAMO is Dead”. The work is further highlighted by Basquiat’s ‘BAD’ motif - uniquely paralleling his consideration to naming his band, ‘Bad Fools’ prior to Gray. In trademark Basquiat style, we also find the vertically spaced ‘E’ on both sides of the piece, as well as dashed lines which would appear in many of the artist’s Anti-Product cards, early drawings and more. The work emanates directly from the collection of world renowned author Lucy Sante (formerly Luc Sante). As it is well publicized, Basquiat worked with Sante in 1979/80 on the downtown-art scene publication, ‘Stranded’ (New York, 1980). Medium: Acrylic on cotton sweatshirt (double-sided artwork). Executed circa 1979/1980. Dimensions: 16.5 x 22 inches (outstretched cuff to cuff: 50 inches & sleeve length: 18 inches). Condition: In good overall vintage condition. Bright well-preserved colors; some minor discoloration in several areas due to normal age related wear and use; scattered stains located on the hem, inner arm area(s) and cuffs; scattered minor pilling; loose thread on the reverse of hem. Basquiat's artwork throughout remains fully intact. Unique. One of a kind. Signed ‘MANMADE’ and numbered 5/100 on the reverse. Provenance: Gifted by Basquiat to Lucy Sante; obtained directly from the former. Sante's relationship to Basquiat is well documented in three publications (see below literature/references for more). Accompanied by a letter of provenance from Sante. Literature/References: -'Boom for Real: The Late Teenage Years of Jean-Michel Basquiat,' by Sarah Driver - this 2018 documentary features an in-depth section devoted to Basquiat's 'Man Made' clothing, featuring an interview with designer Patricia Field & artist Kenny Scharf. - 'Basquiat Before Basquiat' (MCA Denver; see Sante, p.40-43 ). - 'Stranded' issue four index (Spring 1980). Basquiat's identity is confirmed as 'Man-Made' midway on page. - 'Zeitgeist: The Art Scene of Teenage Basquiat' (Howl Arts 2018; essay: 'Stranded' by Lucy Sante). - 'An Intimate Look at Jean-Michel Basquiat's Early Days' by Lucy Sante (Village Voice 2/8/17). -'Man Made by Basquiat' (MinnieMuse) May 2019. -'Exploring Jean-Michel Basquiat's 1970's Clothing Collection, 'Man Made.'' Vice Magazine, May 2019. - ‘The Jean-Michel Basquiat Reader’ (Moore pg. 334) discusses Basquiat’s Man Made painted clothing. - 'Basquiat Dancing at The Mudd Club' photograph by Nicholas Taylor of Gray (Basquiat wears a similarly painted sweatshirt). Basquiat’s use of ’MAN MADE', see: - Glenn O'Brien "Graffiti '80;" High Times, June 1980 (p. 53-54); "Jean-Michel Basquiat who is known to many as SAMO, had changed his alias to Man Made". - Jean-Michel Basquiat: 1981, the Studio of the Street (Diego Cortez; 2007 p. 80). - The Last Time I Saw Basquiat (NYR Daily 9/3/16; essay by Lucy Sante). - Basquiat: Boom For Real (Barbican; Nairne, Buchhart & Johnson p.26). - Sotheby's S2 Catalog & Sale, "Man Made" (May 2013). Intertextual References: Basquiat's 'BAD' motif further appears in the following 1979 works: - "Stupid Games, Bad Ideas" (color xerox; see Basquiat: Boom For Real pg. 108). - Basquiat (untitled) "Test Pattern" (original drawing and xerox; see Basquiat: Boom For Real pg. 147). - Basquiat (untitled) "Gumby Is Bad" t-shirt (worn on camera by the artist at Canal Zone...

Interior with night vision is an original mixed media drawing, realized by Bernadette Kelly in about 1980 s. Not signed The artist depicts a scene of an interior of an apartment wi...

Theater Show is an original mixed media drawing, realized by Bernadette Kelly in about 1980s. Hand signed on the lower right margin. The artwork represents the interior of a theatre...

Modern abstract fish sculpture made of copper by Houston, TX artist Frank Dolejska. The work features an elongated fish shape with the words "hot lips" ...

The Swan Song is an original mixed media drawing, realized by Bernadette Kelly in 1980s. Not signed. The artist depicts a woman sitting watching the swan. Good conditions. Bernad...

Canvas collage, acrylic and crayon on canvas by 20th Century artist Margo Hoff (1910-2008) titled 'Lighted Street' depicting and abstract image of a street at night with glowing stre...

Keith Haring Original Album Cover Art: a set of 15+ works (1983-1988): A rare collection of 16 individual 1980s Keith Haring illustrated record c...

Untitled is an original contemporary artwork realized by Domenico Bianchi in the 1980s. Beautiful mixed media painting on cardboard created by Domenico Bianchi. Includes frame. In...

Untitled III XII Charcoal, ink and paper collage, 1987 Initialed "R. C." and dated '87 verso in pencil From: Libor II Mono Logo Provenance: Janie C. Lee Master Drawings, New York (partial label) From: Libor II Mono Logo Exhibited: Collages and Drawings by Roberto Caracciolo and Chuck Dugan...

Urban Landscape with Clouds is an original mixed media, realized by Bernadette Kelly in about 1980 s. The artwork is not signed. The artist depicts the night city, where there are h...

Still Life is an original mixed media, realized by Bernadette Kelly in about 1980 s. Hand signed on the lower right margin The artist depicts an intimate still life scene. Few elem...

The Buildings in the night is an original mixed media, realized by Bernadette Kelly in about 1980 s. Hand signed on the lower right margin. The artist depicts the night city, where ...

Oval is an original artwork realized by Andrea Nurcis in 1987. Mixed media (oil, embossing and mixed media) Hand signed and dated on the back Includes frame.

Composition is an original contemporary artwork realized by Patrice Lavaud in 1983. Mixed media. Monogram of the artist and date on the lower margin. Hand signed on the back. Inc...

Collage originale su carta degli anni Ottanta di Giuseppe Chiari. Con certificazione di autenticità rilasciata dall'Archivio ufficiale Giuseppe Chiari ...

Keith Haring drawing Japan 1982: Keith Haring executed this rare double drawing during his key breakout year of 1982 on behalf of the historic Japanese pop cultural publication: Popeye. The work emanates from the personal collection of a Popeye magazine editor, with the final versions published in the January 10, 1983 edition of the magazine (to be provided to the buyer of this work). Corresponding to such, are a series of hand-written publishing instructions by Haring & a bold well-preserved signature dated November 1982 along the right folded margin(s). This visually rich 1982 drawing is defined by Haring dancing figures, lizards, televisions, a three-eyed face - visual elements at the core of what would define Keith Haring’s style for years to come. Further details as follows: Medium: Felt-tip pen and ink on wove paper, 1982. Dimensions: 14x17 inches. Good overall vintage condition; contains two folded flaps outside drawings; softened vertical creases in flaps; minor signs of handling; minor edge wear at top; pale toning and scattered spotting with some scattered, small mild staining; adhesive/tape residue on the verso. Signed, titled and dated: "82 Nov. 12" in felt-tip pen and ink, right edge recto, with notes in ball-point pen and ink, lower right recto. Handwritten instructions on the right are that of Keith Haring. Provenance: Popeye magazine editor, Tokyo; gifted to a private collection, Tokyo; Swann Auction galleries, New York. Accompanied by a letter of provenance. Literature/References: Published in the January 10, 1983 edition of Popeye: issue number 142, pages 75 & 97, respectively (see last 3 listing images). *This publication is included with the drawing. “Drawing is making a mark and cutting into space and just finding something that didn’t exist before. It’s pure creation in its simplest form.” — Keith Haring Related Categories: Keith Haring drawings. Keith Haring 1983. Basquiat. Andy Warhol. Keith Haring three eyed face. Keith Haring Japan...

Harry Koursaros (1928-1986) Peaceable Kingdom, the Ram, 1983 Framed 34 X 45. sheet 25.5 X 37 Hand Signed Provenance: Bank of Boston corporate collection. bears label verso. Harry Koursaros, Artist, painter, printmaker and filmmaker Student at Albright College class of 1950. In 1964 he came to Albright College as professor to establish an Art Department, and gained national recognition. He started as a modernist realist, later moving to Abstract Expressionism and eventually into Pattern & Decoration. He painted with metallic and iridescent pigments. In the late 1960s he began a program of "underground" films at the college. Many of these were avant-garde works from New York that included works by Andy Warhol. One of Koursaros students, Jerry Tartaglia, founded in 1974 the Berks Filmmakers, a group of cutting-edge movie makers who acquired an international reputation. He was included in numerous shows: "Discovering Color": Two Decades of Abstraction, paintings, works on paper, and prints from three pivotal art movements in America during the sixties and seventies: Abstract Expressionism, Color Field Painting, and Minimalism. Artists include Edward Avedisian, Walter Darby Bannard, Dan Christensen, John Grillo, Lee Krasner, and more. “Drawn From the Collection” paintings, limited edition prints and photos by such notables, among others, as Mark Tobey, Alice Baber, Rufino Tamayo and a photograph by Gordon Parks. "20/20": The Visionary Legacy of Doris Chanin Freedman. Works by Nicholas Africano, Ida Applebroog, William Baziotes, Bernd and Hilla Becher, Joseph Beuys, Jime Dine, Gunther Forg, Leon Golub, April Gornik, Hans Haacke, Keith Haring, Jenny Holzer, Komar and Melamid, Harry Koursaros, Lee Krasner, Robert Mapplethorpe, Ana...

Signed lower right, 'L. Curtis' for Lynn Curtis (American, 20th century) and painted circa 1985. Exhibited: Lodi Art Center, 11th Annual Art Exhibition (from accompanying label). Framed dimensions: 38.25 H x 60.5 W x 1.75 D Inches. A very substantial, oil and mixed media Modernist work showing a profusion of spring wild-flowers bursting through panels of wind-billowed canvas. A dynamic expression of spring's power of growth overcoming all physical restraint. Lynn Curtis holds a Bachelor’s Degree from Dartmouth College and a Masters in painting and drawing from The University of Iowa. She received a postgraduate certificate in printmaking from London's Slade School...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the artists intentions. Stanley Boxer (1926-May 8, 2000) was an American abstract expressionist artist best known for thickly painted abstract works of art. He was also an accomplished sculptor and printmaker. He received awards from the Guggenheim Fellowship and the National Endowment for the Arts. Boxer was born in New York City, and began his formal education after World War II, when he left the Navy and studied at the Art Students League of New York. He drew, painted, made prints, and sculpted. His work was recognized by art critic Clement Greenberg, who categorized him as a color field painter, A group that included Barnett Newman, Clyfford Still, and Mark Rothko and was a form of Abstract Expressionism and later included Helen Frankenthaler, Ad Reinhardt, Kenneth Noland, Gene Davis, Jules Olitski, Raymond Parker and Morris Louis. Boxer himself was adamant in rejecting this stylistic label. Over the years, he remained loyal to the materially dense abstract mode on which his reputation rested.. Art critic Grace Glueck wrote "Never part of a movement or trend, though obviously steeped in the language of Modernism, the abstract painter Stanley Boxer was a superb manipulator of surfaces, intensely bonding texture and color." In 1953 Boxer had his first solo exhibition of paintings in New York City, and showed regularly thereafter until his death. His paintings and sculpture were represented in New York City during the late 1960s through 1974 by the Tibor de Nagy Gallery, then by the André Emmerich Gallery from 1975 until 1993, and finally by Salander-O'Reilly Galleries until its demise in 2007. Richard Waller...

Kevin Larmon, (American, b. 1955), 1985-1986, oil on canvas; hand signed, titled, and dated on the reverse Provenance: bear a Curt Marcos Gallery label verso This is one of a pair we are offering for sale Kevin Larmon (1955-) is an American artist and was assistant monitor of painting at Syracuse University. Kevin Larmon was born in Syracuse, New York in 1955. He grew up on a small horse farm. Larmon's mother was a school secretary while his father was a construction worker. He graduated from Binghamton University with a Bachelor of Fine Arts degree and moved to New York City as an undergraduate senior, where he finished his schooling at the New York Studio School. In the late 1970s, Larmon played guitar for Mudmen, a three piece band in the East Village of New York City with Craig Gillis playing bass, Mike Caffes playing drums, and percussionist Jill Burkhart. Mudmen played in venues such as CBGB, Danceteria, A7 (bar), Pyramid Club, Mudd Club, and The Limelight. Larmon started making still life paintings in 1979. He has also worked with atmospheric drawings and paintings since 1989, many of which are made on canvas or wood. In 2009, he began to paint his cell paintings. Larmon's paintings are built up through layers of collage and paint. Most famously, Larmon's work includes collages of gay male pornography that have been painted over with images that exist somewhere in between abstraction and form. These images are often anatomical. Conceptually, Larmon's work deals with issues such as the male body image and fascist culture. Similarly, Larmon's drawings on wood deal with ambiguously anatomical and abstracted forms. His work has been associated with the post-conceptualism and neo-conceptual art movements, which were prominent aspects of exhibitions at Gallery Nature Morte and with Tricia Collins and Richard Milazzo shaping the nature of painting after the rise of conceptual art. Larmon was also associated with Feature Inc., a gallery that was first established in Chicago in 1984. In August 1988, the gallery's director, known as Hudson, moved Feature Inc. to New York City. Larmon's first exhibition with Feature Inc. occurred in 1987 in Chicago, Illinois. Over the years, Hudson and Larmon would work together on many exhibitions. As a young artist, Larmon spent his Thursdays working to sustain Gallery Nature Morte together with the gallery owners, Alan Becher and Peter Nagy, when the gallery existed in New York City. Larmon was heavily influenced by his contemporaries at Gallery Nature Morte such as Robin Weglinski, Joel Otterson, and Steven Parrino. Other influential artists include Oliver Wasow, Robert Gober, Nancy Shaver, Carter Hodgkin, and Steven Wolfe. Larmon also drew inspiration from Rembrandt, Giorgio Morandi, Jackson Pollock, and Agnes Martin. During his time as a professor at Syracuse University, Larmon made an impact on many emerging artists including Deborah Roberts and Paul Weiner. Larmon participated in Aperto 86 at the 1986 Venice Biennale in Venice, Italy, where his paintings were exhibited at the Corderie at the Arsenal. From 1983–2013, Larmon was invited to exhibit in the Metropolitan Museum of Art, New York, New York; Feature Inc, New York, New York; Phoenix Art Museum, Phoenix, Arizona; the University Art Museum at the University of California, Berkeley; the Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Weatherspoon Art Museum at the University of North Carolina, Chapel Hill, North Carolina; Visual Arts Museum, New York, New York; the Morris Museum, Morristown, New Jersey; Cleveland Center for Contemporary Art, now the Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney, Robert Rauschenberg, and Sebastião Salgado. Exhibitions curated by Tricia Collins and Richard Milazzo Still Life With Transaction: Former Objects, New Moral Arrangements, and the History of Surfaces took place at International with Monument in New York from March 28 – April 21, 1984. Larmon was accompanied by artists Alice Albert, Ericka Beckman, Alan Belcher, Ross Bleckner, Barry Bridgwood, Sarah Charlesworth, Wendy Galavitz, Judy Geib, Jim Jacobs, Stephen Lack, Andrew Masullo, Peter McCaffrey, Jan Mohlman, Peter Nadin, Peter Nagy, Joel Otterson, Richard Prince, Steven Parrino, Tyler Turkle, and Laurie Simmons. Natural Genre: From the Neutral Subject to the Hypothesis of World Objects took place at Florida State University Gallery & Museum in Tallahassee, Florida from Aug. 31-Sept. 30, 1984. Larmon was accompanied by artists Jane Bauman, Ericka Beckman, Alan Belcher, Gretchen Bender, Ross Bleckner, Tom Brazleton, Barry Bridgwood, Sarah Charlesworth, Carroll Dunham, Robert Garratt, Mark Innerst, Louise Lawler, Allan McCollum, Peter Nadin, Peter Nagy, Joseph Nechvatal, Steven Parrino, Louis Renzoni, Meyer Vaisman, Oliver Wasow, James Welling, David Wojnarowicz, Michael Zwack...

Late Afternoon is an original modern artwork realized in 1985 by Mario Surbone. Colored mixed media on paper. Hand signed by the artist on the lower m...

Saint Clair Cemin (Brazilian-American) Double Sculpture, 1987 Graphite and watercolor on paper Hand signed, dated and titled on the back of the sheet ...

Loren Munk (American, b. 1951), mixed media photograph collage painting signed Loren dated 1989. 13" x 19" inches sheet, framed 20.25" x 26" inches. This one has a drawing of 2 African American kids in a park at the water fountain. Titled "Squirt" (squirt) along with 2 photos of a white boy playing with the water fountain and the details of how the artwork came about. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese at LACE, Los Angeles Cal. "It's All Good" curated by Richard Timperio at Side Show Gallery Brooklyn. 2010 "Wall to Wall" Daniel Weinberg Gallery Los Angeles California. Artists: Richard Artschwager, Lynda Benglis, Robert Bechtle, Billy Al Bengston, Tony Berlant...

Loren Munk (American, b. 1951), mixed media painting "Romulus & Remus", signed "Munk '89", 13" x 19" inches sheet, framed 20.25" x 26" inches. This one is African American kids in a park at the water fountain. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese at LACE, Los Angeles Cal. "It's All Good" curated by Richard Timperio at Side Show Gallery Brooklyn. 2010 "Wall to Wall" Daniel Weinberg Gallery Los Angeles California. Artists: Richard Artschwager, Lynda Benglis, Robert Bechtle, Billy Al Bengston, Tony Berlant...

Hachiya Persimmons & Fan, Modern Still Life with Red-Orange and Blue Lovely modern still-life of a fan and persimmons by Santa Cruz, California artist Anita Heckman (American, b.20th Century). This 1987 mixed media work on paper depicts three vivid Hachiya persimmons on a windowsill beside an elegant paper fan with a tassel. A decorative window drape...

Frogire is an original Contemporary artwork ink and collage on cardboard, realized by Sergio Barletta in the 1980s. Hand-signed in pencil on the lower right: Sergio Barletta. Titled...

Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...

Title: Steal 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered from edition of 20. The piece below is one of a series...

"Framed and Draped: Material Collection", acrylic on abaca, dyes on rayon; woven, 63" x 38", 1989. This contemporary abstract mixed media tapestry was done by California-based Ameri...

"#24-80D Color Climb" is an exemplary work of Paul E. Maxwell's "stencil casting" works. This abstract but grid-like work employs a thickly textured and layered surface that has also...