Perry Vàsquez

Contemporary Conceptual Collage, "Drunken Style Palm Tree"

This is a conceptual oil painting by local San Diego artist, Perry Vàsquez. Its dimensions are 26.5 x 88.5. It comes in a wooden neutral frame. This painting depicts a palm tree against a blue sky background. The palm tree is ornate with fine details from the artist in the leaves and the tree trunk. The artist has employed bright colors like green, brown, and blue. Vàsquez focuses primarily on his exploration of various iterations of palm trees. Ubiquitous in Southern California, and historically viewed as a provider of nourishment, shelter, and bounty, the trees in Vásquez’s paintings are instead framed in peculiar or dire scenarios. Many of the trees in his work are ablaze, or are actually cell towers...

This is a one of a kind original conceptual paper collage by Southern California artist, May-Ling Martinez. It is framed as pictured. Its dimensions are 20"x27.5". A certificate of a...

This is a one of a kind original mixed media (Ink, paper, plexiglass) abstract work depicting beautiful gold leaves against a vibrant blue background by California artist and educato...

This is a one of a kind original conceptual paper collage by Southern California artist, May-Ling Martinez. It is framed as pictured. Its dimensions are 20"x27.5". A certificate of a...

The pieces presented by Daniel Berman attract by the power of the pictorial gesture materialized in the line, the form, and the color. For Daniel, each p...

Bill Claps FOREST PALM mixed media on canvas 23.00 X 30.00 in My work has traditionally been characterized by immediacy and gesture, executed combining elements of both painting and...

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that see...

The Palms #2 (Abstract painting) Charcoal on paper - Unframed. Baribeau constructs his paintings layer upon layer, building color, form and texture into viscous, impasto compositions, on supports that are themselves often thick, and even sculptural. He scratches and scrawls across his surfaces, infusing visceral emotion and energy into the work. His imagery is so layered and dimensional that even his works on paper convey a sense of texture and depth. Critics have connected Baribeau to a range of aesthetic positions, including everything from Abstract Expressionism and Pop Art to the 19th century Hudson River School, and compared him variously to the likes of Robert Rauschenberg, Joan Mitchell, Cy Twombly, and Willem de Kooning. In truth, Baribeau employs a distinctive aesthetic voice that is personal and instantly recognizable, despite its multiplicity. His visual world is one where primordial, organic nature collides with the geometric, manufactured world, and where certain signature visual cues, such as black and white stripes, checkerboards, dots, and flashes of neon color appear and disappear. His work is included in several institutional collections, including those of the Neuberger Museum, Purchase, NY; Morgan Stanley...