Abstract Mixed Media

An elegant abstract expressionism painting with gold, silver, brass, and copper, as well as black and hints of white. Over a silver spray-painted background, these metallic hues with...

The painting is being offered with a work and authenticity certificate

Vivid oranges, violets, blue and golden yellow tones are created through Joanne Ungar's unique poured wax process in this multi-panel wall installation. 48"x59"x 1" pigmented wax, board, photograph, installed on welded metal backing brace (included) signed on reverse by artist, with a COA. This wall piece is composed of 24 cast wax panels, created in high quality archival materials. The abstracted image imbedded in the work is the open and unfolded form of a Johnnie Walker...

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint is applied to the surface. The pie...

Adrian HEATH (1920-1992) Untitled Composition Mixed media Signed and dated '64 Image 11.25" x 9"

Abstract American Modernism Mid-Century WPA Era Drawing Woodstock 20th Century, Sight size is 16 x 12 inches. The drawing is currently at the framers. A photo will be posted asap. A...

Red and blue abstract contemporary collage sculpture that incorporates wrapping paper, cardboard, wood, acrylic paint, and wood glue. The organic, amorphous form features a primarily white surface with accents of bright reds, blues, and pinks. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent Fogt...

Layers of acrylic, oil, and spray paint, on canvas. Signed 36" x 47" 2022

"Art is transformation" Art is the purpose of art as love is the purpose of love.« Heinrich Heine Ines Hildur starts her paintings intuitively, without any preconceived programme. From the subconscious things occur, which she cannot predetermine. The artist does not convert these inner pictures to specific things. With a special feeling for rhythm and through subtile color sounds she tells about free, associative picture stories. The works exude tranquillity, clarity and sensuality. The visible aesthetic sensitivity has a suggestive power, which captivates the observer. If you get involved in these pictures – in the colored moods, the symbolic, fragile lines, symbols – they appear to be the beginning of a story, which the observer can continue in his imagination. At the trans-lation into the terms of language, however, something mysterious remains, which cannot be translated. The painter apparently leaves the processes for the creation of the painting: color layers overlay each other, lines are covered and released again, used papers are stuck onto the work. The artist describes her way of painting like this: » violations at places of change are connected, sewed, covered in a varnishing way, shine through like under a wax layer or can still haptically be realised. Special importance is attached to the picture passages, which appear to be particularly successful, they support their environment – are significant for fringe areas, however, can also lose their function again during the working process and have to be given up – sometimes this is quite painful like the loss of a good friend.« She discovers special beauty in apparently everyday things. This can be a crumbling wall, moss between concrete slabs, traces of transience. Due to this special talent of perception the artist converts her impressions to compact pictures, which sometimes remind me of releasing layers, preserving a certain state, which could quickly disappear: also the forms of cocoon are ambiguous, a cocoon for wrapping something up, giving protection and security – or are they projectiles reaching new shores? In an environment of over-stimulation the artist wants to train our ability of perception to see things in a new way. For several years she has been communicating the interrelation between painting and seeing at the private art school Wameling Richon in Baden near Zurich. The painter and architect Ines Hildur – this is her pseudonym – belongs to the cross-border artists, to whom one attributes a special open view due to the different fields of activity. Since 1991 she has intensively been occupying herself with painting. By encountering the Berlin film-maker and painter Jürgen Böttcher Alias Strawalde, the Vienna painter Gunter Damisch and the artist couple Nancy Spero and Leon Golub at the renowned Summer Academy of Fine Arts in Salzburg she received particularly lasting ideas and stimuli. In the meantime the artist, who presently lives in Leipzig, shows her individual and group presentations in Germany, Austria, Switzerland and France. The paintings of Ines Hildur appear to be very open, they invite to discuss about them. Perhaps it will be a dialogue between her expectations and those aspects you can find here. You can take up this trace if you want to come closer to the secret behind the obvious things, which works of art always have for us. Andrea Richter-Mahlo I Art Historian I Leipzig. Ines Hildur is born in Freiberg / Saxonia in Germany She studied architecture at the University Dresden from 1977 to 1982. In 1991 she study Arts in the Arts School of Fine Arts & Design and in the International Summer Academies of Fine Arts Saarbrücken Living and working in Leipzig as an Artist Painter she still working as an Architect and Interior Designer in Dresden, Saarbrücken, Salzburg and Leipzig since 1982 and Temporarily in Saint Paul De Vence - Cote d'Azur Teaching free painting at serval academies of Fine arts since 2002 . Selected Solo Exhibitions 1994 Galerie Filmhaus Saarbrücken 1995 Atelier Studio Silke Wagler Leipzig Galerie Mittelsächsisches Theater Freiberg 1996 Galerie Alcatraz Hallein/Austria 1997 Galerie Hofhaus Saarlouis Galerie Pro Arte Hallein/Austria 1998 Galerie Schubert Neunkirchen Mdr-Galerie Leipzig 1999 City Managment/Galerie Spandow Berlin Galerie Kunst + Objekte Leipzig 2000 Regierungspräsidium Dresden Galerie Hanstein Saarbrücken 2001 Galerie Spandow Berlin 2002 Galerie Wameling Richon, Baden/Suisse 2003 Kunstverein Die Treidler, Frankenthal Galerie Ferry, Paris 2004 Drive - Die Medienagentur, Hannover 2005 Galerie Ferry Paris Galerie Wameling Richon Baden/Suisse Galerie Victoria Wittek Schwalmtal/Rainrod/D 2006 Kunstverein Ebersberg 2007 Nexolab München 2010 Art und Ambiente Leipzig Kunst und Justiz Karlsruhe 2013 Helmaxx Salzburg 2014 Werkschau Salzburg 2015 2018 Galerie Schöllerbank Salzburg Galerie Katapult Basel Galerie Mikhail Nefedov Nizza Galerie der Havilandbank Monte Carlo Selected Group Exhibitions 1994 Galerie Filmhaus Saarbrücken 1996 Galerie am Damm, Dresden Galerie Hanstein, Saarbrücken Galerie Pro Arte Hallein/Austria 1997 Landeskunstaustellung Saar, St. Ingbert 1999 Passages - House of Artists, Saarbrücken Art in the Box - House of Artists, Saarbrücken 2001 Galerie Hanstein, Saarbrücken House of Artists, Saarbrücken 2002 Galerie Hanstein, Saarbrücken Galerie Pro Arte Hallein/Austria 2003 Galerie Hanstein, Saarbrücken Galerie Ferry, Paris 2004 Galerie Wameling Richon, Baden/Suisse Grosse Kunstausstellung, Wasserburg/Inn Galerie Nicole...

Unstretched Mixed media on canvas 39 x 39 in

Pyre XII 2017 stainless steel pieces and charred birch plywood 32" x 24" x 1.25" Pyre XII is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...

Pyre VII 2017 India ink and acrylic paint on charred birch plywood 32" x 24" x 1.25" Pyre VII is part of a series of charred panels Watson completed in 2017 at the Arts, Letters and Numbers Residency in Averill Park, NY. The pieces incorporate local materials, rice, and fire to create charred photographic images on plywood that explore themes related to being, substance and imperceptibility. The imagery references the practice of cremation on a funerary pyre in which the corpse is prepared and burned over a construction of combustible materials. Within the work, rather than destroying the body, the fire produces an afterimage that remains indefinitely. Each day Watson would scavenge the site collecting natural objects, such as sticks, small rocks, and other detritus. He laid these objects on the surface of the plywood with raw rice. The surface was then charred using a propane torch. After the objects and rice were removed an image of them remained, like a photogram. In some panels, He incorporated a homemade black rice ink or various paints to tint the surface before and after burning. Rice is a recurring theme in Watson’s work. It alludes to an uncontained body in the process of decay, returning to the earth to become a source of sustenance for new life. It also imagines the soul extending beyond its fleshly container. The act of burning attempts to capture the space between life, death, and rebirth— freezing it in a state of transformation. The sticks, stones, and rice become remnants of life and markers of space and time. They are more than mere grains and detritus. They become the body as a trace of what was and a reflection of what will be. Michael Watson...

The painting is being offered with a work and authenticity certificate

Nevelson’s compositions explore the relational possibilities of sculpture and space, summing up the objectification of the external world into a personal landscape. Although her prac...

Mixed media painting on the cradled wooden panel. Painting is10"x8". The sides are 1.5" . Bold, Brave, Unapologetically Expressive! I can combine shipping. :: Mixed Media :: Abs...

Illusion I. Wood based painting is stained and painted with acrylic. Separate LED box light. 24H x 24Wx 3D This series of artwork evokes a novel effect. Light becomes intertwined in...

The title refers to the title of a poem by Vernon Watkins, the welsh metaphysical poet who lived on the Gower Coast. A celebration and dance of colour and space.

DEBORAH T COLTER All Who Wander • acrylic/mixed media panel/canvas 40.00w x 40.00h x 3.00d in $4,800.00

Progression is read from left to right. The white conceals/reveals the meeting of two opposing forces, red and blue, that want to find resolution; white heals and binds the conflict. The aim being to arrive at an abstract expression of of an ideal or stasis. Peter Rossiter was born in Cambridge, UK in 1950 and studied at York University & The Courtauld Institute, London. Peter's background is rooted in the global art world; his Grandfather was the German born British painter, Martin Bloch...

Colorful blue and orange abstract contemporary collage sculpture that incorporates collage, cardboard, wood, acrylic paint, and wood glue. The organic, amorphous form features spiked spires that resemble a rock formation. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent...

This poured wax painting by Joanne Ungar, is composed with the geometric forms of recycled packaging, layered and infused with pigmented wax. The pink, brown and green in this pigmen...

OLD SEED 2017 New York, New York A geometric diamond pattern is scratched over phrases such as “old seed” and “you are a ground level house fire,” among others which are illegible. ...

“Iris Crystals” is a rich blue colored wall sculpture made out of solid koa wood and then painted and sealed with a UV matte sealer. The geometric facets are hand carved and add intr...

Burnished crayon and acrylic on paper by Edward Marecak (1919-1993) titled The Garden. 1960s abstract mixed media painting in shades of yellow, pink, and blue. Presented in a custom ...

Gestural abstract expressionist style encaustic painting on panel Encaustic on panel 8 x 15.5 inches, ready to hang as is This contemporary abstract painting on panel was made by Rh...

Artist Commentary: Limited edition lenticular LED wall art held in a rectangular frame. Created with constantly fluctuating patterns and color palettes. L...

A burst of zesty, high-energy color and ΓÇ£text-ishΓÇ¥ meets a dreamscape filled with textures and spontaneous shapes and markings. I look for high contrast, a bit of mystery and the...

This artwork titled "Soho #48" c.1990 is mixed media, acrylic paint and collage on museum board paper by noted American artist Robert Inman, 1927-2016. It...

Size: 4ft x 8ft Mixed Media: oil, saw dust and foam on wooden panel. Steven is now one of the top emerging artists in the U.S. His works are ground breaking, bold and imbued with u...

DEBORAH T COLTER Forgotten Secrets • acrylic mixed media with collage elements 30.00w x 30.00h x 3.00d in $3,000.00

PWW-777 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has utilized Zerox copies adhered by a matte medium to create graphic imagery of electronics from the 90s, small bits of a map of various places in Germany, and vinyl records. Mack paints on top of a torn canvas, and on the edges you can see the frayed, painted canvas mounted to the white backing of the frame. The work is finished with glass that shows minimum reflection as well as a customized 2 inch, white frame. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Abstract on Canvas.

Oil on plaster and resin, circa 1994

Pastel on heavy duty archival paper with architectural photographs mounted. Size given is image size. Comes in a traveling frame for shipping purposes - can be re-framed if desired. ...

Pastel on heavy duty archival paper with architectural photographs mounted. Size given is image size. Comes in a traveling frame for shipping purposes - can be re-framed if desired. ...

Acrylic painting on canvas and gesso prepared for limited edition c-prints on Canson Infinity Rag, 100% cotton museum grade white Fine Art paper or similar. :: Mixed Media :: Abstr...

8 color ultra chrome HD archival digital ink on archival paper. Editions of 25 Print to Order INQUIRE ABOUT FRAMING About the Artist: Eric Ernst (grandson of Max Ernst, son of Jimmy Ernst) was born in Norwalk, Connecticut in 1956 into a family of some notoriety in the art world. Originally intent on avoiding any direct involvement in the arts himself, he graduated from George Washington University with a B.A. in Japanese Studies followed by an all-but-completed M.A. in the same subject from the University of Michigan (to this day he insists the actual writing of the master’s thesis should just be considered a minor formality). In between these academic respites, he lived in Japan working as an apprentice to a Japanese woodblock artist, studied Zen meditation, and was employed as a disc jockey...

Illusion I. Wood based painting is stained and painted with acrylic. Separate LED box light. 24H x 24Wx 3D This series of artwork evokes a novel effect. Light becomes intertwined in...

Pastel on heavy duty archival paper with architectural photographs mounted. Size given is image size. Comes in a traveling frame for shipping purposes - can be re-framed if desired. ...

KIM FONDER Collage Risorse Naturali 1A • mixed media 30.00w x 40.00h x 2.00d in $2,300.00

West Industrial, 2018, by Liberty Blake. 48 x 46 inches (wood cradle, no frame), assemblage and mixed media. Artist Statement: I would describe myself as an abstract collage artis...

Contemporary abstract mixed media on paper by Belgian artist Francis Besson, signed bottom right. Francis was born in Dundee (Scotland) in 1943 however...

Straec #24 (Abstract Print) UltraChrome HD Ink on Hahnemühle paper. Unframed. A vector is a mathematical quantity that communicates a trajectory toward a point in three-dimensiona...

Straec #4 (Abstract Print) UltraChrome HD Ink on Hahnemühle paper. Unframed. A vector is a mathematical quantity that communicates a trajectory toward a point in three-dimensional...

Large Scale Shaped Collage Assemblage created with Archival Papers and 3/4" plywood. Artwork is mounted to wall with Included metal Hardware with a...

Huis Clos Exit Here (Abstract photography) Photography and paint on wood - Unframed. Artwork exclusive to IdeelArt. Artworks are of the highest archival standards. Wood supports a...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments ...

Abstract expressionist painting and collage by Bay Area artist Michael Pauker (American, b.1957). Titled and dated "Brescia 2014" on verso. Unsigned. From a collection of his work. F...

Wolfgang Hutter - "The garden and the burning house". Giclée print. Hand signed and numberd. A beautiful artwork that looks good in every room and e...

Contemporary Art, Metal Brushed brass on wood 60x60cm Signed and dated on the back

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

Large-scale abstract assemblage by Bay Area artist Michael Pauker (American, b.1957). Lively assemblage with various items: Paintings, small mirrors, biological illustrations of bird...