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Deluxe edition of only 23 copies including 40 original etchings by L. Marcoussis, including the title and a portrait of Apollinaire. One of the 20 copies on vélin d'Arches numbered i...

This unique Autograph Correspondence by Paul Valery to the Countess Pecci Blunt is composed of 4 items, realized at the end of 1930's. In excellent condit...

Furball and Sneezer the Sneezing Ghost MEDIUM: ​Original Production Cel on Printed Background with Matching Drawing IMAGE SIZE: 10.5" x 9.5" PRODUCTION: Tiny Toon Adventures, Night ...

Furball and Sneezer the Sneezing Ghost MEDIUM: ​Original Production Cel on Printed Background with Matching Drawing IMAGE SIZE: 10.5" x 9" PRODUCTION: Tiny Toon Adventures, Night Gh...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 16.5" x 13.5" PRODUCTION: Looney Tunes, Carrotblanca SIGNED: Darrell Van Citters SKU: IFA6939 ABOUT THE IMAGE: Lo...

Girth Plotz (Parody of Darth Vader), Sgt. Major Nurse and Stormtroopers MEDIUM: ​Original Production Cel on Original Background IMAGE SIZE: 12 Field PRODUCTION: Pinky and the Brain,...

Substantial vase with Roy Lichtenstein-esque pop art figurative of Bill and Hillary Clinton and the scandal that lead to his impeachment. By ceramic ar...

S. written by Sandro Volta, editor-in-chief of the weekly "Oggi", addressed to Mino Maccari. Rome, April 27th XVII. 1p 21x29cm, on “Oggi. Direction and editorial staff ". Perfect state. Request for collaboration for the new publication. Having placed the seals on Leo Longanesi's Omnibus, because it was a magazine not aligned with the regime, the publisher Angelo Rizzoli devises a way not to waste the intelligence and wealth of professionalism that had made the newspaper a new way of doing journalism. He founded a new newspaper that looked at news, literature and history, namely the "Oggi", with the format and setting of the Omnibus, at the direction of which there were two new recruits: Arrigo Benedetti and Mario Pannunzio, who will become the most celebrated couple of Italian journalism. On June 3, 1939, the first issue of Oggi was published, a newspaper that will launch young writers who will reach international fame such as Elio Vittorini, Tommaso Landolfi, Ennio Flaiano, Elsa Morante...

Colonna Rivista - A.L.S. is a Autograph Letter Signed by Alberto Savinio to the Countess A.L Pecci-Blunt. Milan, April 14th 1934. In Italian. One page, single-sided, on letterhead p...

Frank Stella; An Illustrated Biography (Hand signed and dated by Frank Stella), 1995 Hardback monograph (hand signed and inscribed on the title page) Hand signed and dated by Frank Stella on the title page 12 1/4 × 9 1/2 × 1 inches Unframed This lavish First Edition 1995 hardback monograph is hand signed and dated by Frank Stella on the title page. Makes an excellent gift. Publisher's Blurb: A friend and colleague of Frank Stella's for forty years, Sidney Guberman presents a unique view of this seminal figure of contemporary American art...

Autograph Poscard Signed by Mario Praz to the Countess Pecci Blunt. Rome, January 31st 1936. In Italian and English. Perfectly readable, very good condition except for minor aging signs. From Udine, the Italian critic of art and literature, Mario Praz sends this postcard to the Countess Pecci-Blunt, the patron of arts and the closed-friend of artists and intellectuals, reporting the title of the recommended book. "The Renessaince of Architecture in Southern Italy, a Study of Frederick II...

Susan Fateh Sol Posto III Mixed Media Year: 1992 Signed, dated and titled by hand Unique Size: 19.0×12.2in COA provided Ref.: 924802-1173 Susan Fateh (1958) is a Scottish/Iranian co...

Autograph Letter Signed by Carlo Carrà to the Countess Anna Laetitia Pecci-Blunt. Milan, Avril 4th 1938. In Italian. In 8°. On ivory colored paper. In perf...

This is a Business Card by Guido Piovene with Autograph notes in black ink. Venice, July 15th 1935. On a cardboard business card (cm 6.2 x 8.5). Excellent condition, perfecly readable, including the original envelope (cm 10.3 x 16.8). It is curious to note that the young journalist , Guido Piovene (Vicenza, 1907 - London, 1974), cancels the title of Count on this business card he sends to the Countess Pecci-Blunt. And Piovene adds heartfelt thanks and greetings by hand. The background: Four year before this correspondence, in 1931 Piovene published his first short stories in The Merry Widow, printed by the Buratti brothers. It took ten years for Piovene to publish his second work, Letters from a novice. But the Italian writer and journalist will be always remembered for his travel reportages: like "Viaggio in Italia" (1957), the most famous literary guide of the Bel Paese...

Collect this unique Autograph Letter Signed by the Countess Pecci Blunt to Bruno Barilli “International Rapprochements”, written in Italian at the middle o...

Anish Kapoor Anish Kapoor (Hand signed and inscribed to Nadine by Anish Kapoor), 1998 Hardback monograph (Hand signed and inscribed to Nadine by Anish Kapoor) Hand signed and inscri...

“Untitled” ceramic, is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. This piece is signed on the bottom and can be found on page 92, plate #125 in “John Glick: A Legacy in Clay.” John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery...

Anthony Caro Bronze Belt Buckle, 1993 Bronze sculpted belt buckle. Stamped on the verso 3 × 4 1/2 inches Unframed The present art work is an original bron...

L.T.S. addressed to Countess Pecci Blunt, on letterhead Reform Club, Pall Mall. August 23, 1937. In English. Excited to meet his future patron, Belloc co...

Damien Hirst "I want to spend the rest of my life everywhere with everyone," 1997 Hardback monograph with hand signed ink inscription Fine provenance: Hand signed and inscribed to a...

Gesänge Gegen Bar is an original modern rare book written by Günther Schwenn (Berlin, 1903 - Geneva, 1991) and engraved by George Grosz (Berlin, 1823 - 1959, Berlin) in 1931. Publis...

Über alles die Liebe is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1930. Original First Edition. Published by Bruno Cassirer, Berlin. Format: in 4°. The book includes 119 pages with Sixty full page reproductions of drawings. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

Fletcher Benton Large hardback monograph (hand signed twice by Fletcher Benton), 1990 Hardback monograph with cloth boards and dust jacket (hand signed twice and inscribed to Ernie) ...

Plum Blossom Plate is an original decorative limited edition porcelain plate realized in the 1990s. This charming and very rare plate was produced for H...

Edition of 154 copies published on the occasion of the tenth anniversary of the “Cent Une Femmes Bibliophile” association. Copy number 81, printed for Countess Pecci-Blunt. Includes ...

Teal and tan woven fiber art tapestry by Texas artist Romeo Reyna. The piece features a central diamond shape with copper accents and painted wooden st...

Tom Otterness Gold-Plated Earrings, ca. 1995 Pair of gold-plated earrings Anatomically correct (man and woman) with penny Signed with incised signature TOM OTTERNESS on the verso of the circular penny shape. 1 3/4 × 1 1/4 × 1/4 inches Unframed An irrepressible and unforgettable gift. These anatomically correct, signed vintage gold plated earrings of figures dangling from a replica of a U.S. penny by public sculptor Tom Otterness are real collectors items. Although the edition is unnumbered, the artist has stated that approx 200 were created. The artist has also confirmed to us that these earrings were originally made as gifts to close personal friends and associates, so he did not sell them on the open market and did not make them again after the initial group. They are quite rare and desirable. In 2013, these works sold at Phillips auction house for US  $2,750. Wonderful, racy conversation pieces. Wearable art which would also look terrific framed hanging in a small shadow box. About Tom Otterness: Tom Otterness was born in Wichita, Kansas in 1952. He came to New York City in 1970 to study at the Arts Students League, and in 1973 took part in the Whitney Independent Study Program. In 1977 he became a member of Collaborative Projects, a pioneering community of independent artists, and took a leading role in organizing Colab’s 1980 Times Square Show, which was called “the first avant-garde art show of the ‘80s” by the Village Voice. Otterness is one of a handful of contemporary artists invited to design a balloon for the Macy’s Thanksgiving Day Parade, for which he devised a tumbling Humpty-Dumpty in 2005. Otterness lives and works in New York. Otterness may well be “the world’s best public sculptor,” as the art critic Ken Johnson opined in the New York Times in 2002. Public art is his focus, and Otterness has had major outdoor exhibitions of his sculptures on the Park Avenue Mall in New York (2003), in more than a dozen sites in downtown Indianapolis (2005), on the grounds of the Beverly Hills city hall (2005-06) and throughout Grand Rapids, Michigan (2006). His first solo exhibition, held at Brooke Alexander Gallery in New York in 1983, featured elements of The New World (1991), a white plaster frieze of 250 nude “Ur-people,” as essayist Hayden Herrera called them, eventually destined for the plaza of the Edward R. Roybal Federal Building in Los Angeles, a General Services Administration commission. In the U.S., Otterness has completed at least three dozen public commissions, including Life Underground (2004), his celebrated multi-figural bronze sculpture installation for the New York Metropolitan Transportation Agency at the 14th Street station on the Eighth Avenue subway lines. His international commissions include public plazas in Münster, Germany (1993), Toronto, Canada (2007), and Seoul, South Korea (2010), and a large public park in Scheveningen, the Netherlands (2004). In 2013, Creation Myth, a gateway park for the Memorial Art Gallery in Rochester, N.Y., was dedicated. Otterness has exhibited his work at John Berggruen Gallery in San Francisco, and other important contemporary art galleries. His most recent exhibition, Metal on Paper: Silverpoint, Copperpoint & Steelpoint Drawings, opened at Marlborough in September 2015. Works by Otterness are included in the collections of the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim Museum, the Eli Broad Family Foundation, the Brooklyn Museum, the San Francisco Museum of Modern Art, the Carnegie Museum, the Museo Tamayo in Mexico City, the Israel Museum in Jerusalem, and others. He was elected a member of the National Academy in 1994. Most recently, Otterness has installed The Tables from the collection of the Whitney and 50 new sculptures in niches at the Cathedral of Saint John the Divine, as part of the group exhibition, The Value of Food. On a personal note, Otterness has practiced Tai Chi, martial arts, and boxing in the school of William C. C. Chen since the 1970s, and his studio features a boxing bag...

Edition of 1700 copies including lithographs by Mathurin Méheut. Lightly damage on cover, perfect internal conditions. Very rare volume on Japon Imperial.

Bengt Lindström (1925-2008) - L'homme et son chien Lithograph from 1990. Edition of 100. Dimensions of work: 56 x 76 cm. Hand signed. The work is in Excellent condition.

Georges Braque (1882-1963) - Cubist Portrait Lithograph from 1939. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure ...

Léon Paul Fargue, Les Ludions de Léon Paul Fargue illustrés par Marie Monnier, Paris, Éditions J.O. Fourcade, 1930. Vol. in 4°, cm 31.5 x 1.5 x 21.5, pp. n....

"Il Selvaggio, no.5 - 1932", "Annual supporter subscription - Una copia 40 Cent - Weekly Newspaper letters arts and sciences", with original woodcuts by the artist Mino Maccari. 4 pa...

Henri Matisse (1869-1954) - La Femme Lithograph from 1939. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

André Masson (1896 - 1987) - The Sun Lithograph from 1939. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

The paintings of Roberto Melli is a vintage Catalogue issued by Galleria della Cometa for the painter's third year of exposure at the Galleria della Come...

Haren Das - Knife Grinder Colour Wood cut on Paper 8.1 x 6.4 inches 1995 ( Unframed & Delivered ) Born in Dinajpur in present day Bangladesh on 1 February 1921, Das took a diploma i...

A whimsical pastel featuring a Mother with her Child on her lap that just pulled a goldfish from it's bowl. A charming large work that is exquisitely framed. Peggy Dodds Williams ...

Jean-Michel Basquiat, Works on Paper: rare vintage catalog to the 1997 exhibit at the Museu Nacional de Bellas Artes, Buenos Aires, Argentina. Illustrat...

Flipping through a few pages of " Il Selvaggio, no.3-4- 1936 ", "Annual supporter subscription - Una copia 40 Cent - Fortnightly Newspaper letters arts and sciences", we find, in the...

Ex libris - Nagy József  Könyve is an Artwork realized in 1930 s., by the Artist Kálmán Gáborjáni Szabó (1897-1955), from Hungary.  Woodcut B./W. print on  paper. The work is glued ...

Birth of Venus. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós e...

This set is composed of 2 items, around 1929/30: An Authograph Diaghilev Commemorative Card written and signed by Boris Kochno, Signed by Serge Lifar to...

School 1994, paper, ink, 15,2x19 cm Illustrated in the magazine "School and Family" in 1994.

Original editorial softcover, binding unglued, excellent conditions inside.Luciano Folgore was an Italian poet. He adhered to Futurism in 1909 after he met Filippo Tommaso Marinetti.

Edition of 2111 copies. Copy on Imponderable Sorel-Moussel paper. Original paperback cover. First edition. Beautiful copy of the relevant experimental work by Breton and Eluard. Very...

Hand signed dedication by the author on frontispiece to Paola Masino (Pisa 1908 - Roma 1989), famous italian writer. Original editorial soft cover. Excellent conditions and partially...

Edition of 1010 copies. Copy on Alfa paper. Language: french. Superb copy in perfect conditions, as new. Uncut.

This Setof Autographs by Fausto Pirandello is addressed to the Countess Pecci-Blunt and to Silvio Perina, Written in Italian, from 1938 to 1957, is composed of 9 items, perfectly r...

From the Artist’s Website: The first design's process spanned from 1975 to 1979 and included more than 30 prototypes. A puzzle to assemble, the seat rear outer tabs need to be positi...

Youth is a book written by Francesco De Sanctis.  Autobiographical fragment entirely redone and annotated by Nino Cortese. Printed in Naples in the S.A. Graphic Workshops. ALberto ...

The modern Sculpture " Pregnant woman ” is a limited edition piece, created by David Marshall in 1999, cast in , brass, lost wax technique, in our foundry, handcrafted by the Arti...

Autograph Letter Signed by Arturo Martini to Gaetano Chiurazzi Milan, December 16th 1935 XII. One page, single-sided. In Italian. Excellent condition, with minor aging signs. This...

Prokash Karmakar Untitled ( Mother & Child ) Acrylic on Paper 28 x 20 inches 71.1 x 50.8 cm 1990 ( Framed & Delivered ) Karmakar is best known for his landscapes and nudes, which...

"Il Selvaggio, no. 1- 1934", "Annual supporter subscription - Una copia 40 Cent - Fortnightly Newspaper letters arts and sciences", including original engravings by the artist Mino ...

Rare Original Edition of “Deux Fragments Inédits”, Booklet by G. de Chirico, Paris, Parisot, 1938. Paperback publishing. Later binding in Real brown leather withauthor, titleand orna...

Alfredo Casella Autograph Letter is an original manuscript by Alfredo Casella (25 July 1883 – 5 March 1947) an Italian composer, pianist and conductor...

Edition of 221 copies including 29 original etchings by Auguste Brouet. One of the 160 copies on Vélin d'Arches, with the definitive state of etching. Original editorial soft cover o...

Edition of 450 copies including original etchings by Simeon. Copy on velin de Rivés. Very good conditions and partially uncut.