Andy Warhol

Warhol John Lennon Vinyl Record Art

1986

Ryan McGinley Vinyl Record Art 2007: Ryan McGinley (American, b. 1977) is a photographer living in New York City. Longtime friends with fellow artists Dan Colen and the late Dash Sn...

Richard Avedon, "Who Has a Better Right to Oppose the War?," Vintage original protest poster, 1969 A famous 1969 Richard Avedon illustrated poster against the Vietnam War. Avedon's picture depicts a handsome soldier wearing a formal US Army uniform...

Andy Warhol Cowboys & Indians 1986 (announcement): Rare original Warhol announcement card published to celebrate the publication of Andy Warhol's C...

'Keith Haring Painted Man'/Keith Haring Into 84: A set of 2 announcement cards for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this series Haring borrowed Jones' body — from head to toe — as the canvas to his work. A bodily canvas defined by much of the bold pictograms characteristic of Haring's artistic signature. Photos by Haring's long-time friend and collaborator Tseng Kwong Chi. Looks fantastic framed as a set. Off-set printed gallery announcements, 1983. Dimensions: 6 x 4 inches (applies to each individual). Good overall condition with well-preserved colors. Some surface creating to red card. Unsigned from an edition of unknown. Further About: In 1983 Keith Haring teamed up with award-winning choreographer and dancer Bill T. Jones, founder of the Bill T. Jones/Arnie Zane Dance Company. Keith and Bill met in London in 1983 at a time when the graffiti artist was opening a major show at the Robert Fraser Gallery, and together they produced a series of exceptional collaborations in both performance and drawing. Keith Haring was an American artist and social activist known for his illustrative depictions of figures and symbols. His white chalk drawings could often been found on the blank poster marquees in New York’s public spaces and subways. “I don't think art is propaganda,” he once stated. “It should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.” Born on May 4, 1958 in Reading, PA, he grew up in neighboring Kutztown, where he was inspired to draw from an early age by Walt Disney cartoons and his father who was an amateur cartoonist. After briefly studying commercial art in Pittsburgh, Haring came across a show of the works of Pierre Alechinksy and decided to pursue a career in fine art instead. He moved to New York in the late 1970s to attend the School of Visual Arts, and soon immersed himself in the city’s graffiti culture. By the mid-1980s, he had befriended fellow artists Andy Warhol, Kenny Scharf, and Jean-Michel Basquiat, and collaborated with celebrities like the singer Grace Jones. Diagnosed with HIV/AIDS in 1988, Haring’s prodigious career was brief, and he died of AIDS-related complications on February 16, 1990 at the age of 31. Before his death, Haring established the Keith Haring Foundation, a non-profit committed to raising awareness of the illness through art programing and community outreach. Throughout his career, Haring made his art widely available through the location of his murals, as well as through the Pop Shop—Haring's own storefront which he used to sell his memorabilia.The artist’s mural Crack is Wack (1986), can still be seen today on a retaining wall along FDR Drive in Manhattan. Haring’s works can be found in the collections of The Museum of Modern Art in New York, the Los Angeles County Museum of Art, the Art Institute of Chicago, and the Smithsonian American Art Museum in Washington, D.C. Related Categories Modern Dance. Ballet. Keith Haring Figurative Drawings. Keith Haring Into 84 poster. Keith Haring and Tony Shafrazi. Haring Shafrazi.

Hand-signed Daido Moriyama Skateboard decks: set of 2 individual works: These works originated as a result of the collaboration between ...

Raymond Pettibon "Lana" artist book, 1984: This 1984 Raymond Pettibon artist book/zine titled "Lana" includes twenty-eight psychologically-charged drawings of bad girls, femme fatales, and women up to no good. Hand numbered "25" in red ink by the artist on the front cover, as issued. Pettibon’s subjects are the stars of old films, dominatrices, and lovers in thigh-high stockings: “One can’t stay on the straight and narrow path forever.” Offset printed artist book. Staple-bound. 28 pages. From an edition of 500. Dimensions: 8.5 x 5.5 inches (opening to larger). Very good to excellent overall vintage condition; some aging to interior pages consistent with medium; minor rusting on staples; front and back covers are well preserved. Hand numbered 62 in red ink on the cover (from edition of 500). Catalog Raisonné: Raymond Pettibon: the Books 1978-1998 (New York: D.A.P. c. 2000) Raymond Pettibon: Homo Americanus (David Zwirner Books) Raymond Pettibon: A Pen of All Work (Massimialiano Gioni 2017) Exhibitions: Raymond Pettibon, A Pen of All Work, The New Museum 2017 More on Raymond Pettibon: A significant figure of the Southern Californian punk scene in the late 70s and 80s, Raymond Pettibon started his artistic career making scrappy zines, handbills and flyers for his band Black Flag and his brother’s record...

Chuck Close Recent Paintings (Hand Signed by Chuck Close), 2000 Large Illustrated Glossy Exhibition Catalogue with French folded flaps Hand signed by Chuck Close in black marker on the title page 14 1/4 x 11 3/5 x 3/10 inches Unframed This oversized illustrated softcover exhibition catalogue with stiff wraps is boldly signed by Chuck Close in black marker on the illustrated title page - which can be removed, and framed itself as a print. The catalogue itself has 40 pages and is lavishly illustrated with large full color reproductions. It is very scarce when hand signed by the artist. Chuck Close signed...

Chuck Close Chuck Close Recent Works (Hand Signed), 1993 Large Illustrated Exhibition Catalogue Boldly hand signed in black marker on the title page by the artist Published by PACE Gallery, New York 14 3/10 x 12 inches Unframed This oversized illustrated softcover exhibition catalogue with stiff wraps is boldly signed by Chuck Close in black marker on the title page. The catalogue itself has 44 pages and is lavishly illustrated with large full color reproductions. It is extremely scarce when hand signed by the artist. Chuck Close signed...

Jeff Koons Jeff Koons at the Ashmolean (Hand Signed by Jeff Koons), 2019 Softcover monograph with glossy wraps and French folded flaps Hand signed with full date by Koons in silver m...

LeRoy Neiman Carnaval gift book in bespoke box (Hand Signed and Numbered), 1981 Hardback Monograph with Vinyl Dust Jacket. Hand Signed by Artist on Colophon on Vellum parchment pape...

Jim Dine, John Chamberlain, Marcel Duchamp, Jasper Johns, Roy Lichtenstein, Barnett Newman, Kenneth Noland, Claes Oldenburg, Larry Poons, Robert Rauschenberg, James Rosenquist, George Segal, Frank Stella, Andy Warhol, Tom Wesselmann New York: The New Art Scene (Hand Signed Book), 1967 Hardback Monograph with illustrated dust jacket. Hand Signed by Frank Stella, Larry Poons and Jim Dine 13 1/4 × 10 × 1 1/4 inches Unframed This is the iconic, gorgeous oversized hardback Ugo Mulas photo book documenting the 1960s New York art scene - illustrated with over 500 images. The book itself, which is normally unsigned, is a valuable collectors' item. However, exceptionally the present book is hand signed by three of the remaining living legends featured. We are not aware of any other copy in the world, besides the present volume, that is also hand signed by Frank Stella, Larry Poons and Jim Dine - so this is an extraordinary collectible not to be found anywhere else. The signatures are also unconditionally guaranteed authentic forever as the these three living artists signed the book in person for the present owner - provenance you are unlikely to ever find elsewhere in the world. A memorable gift for the real collector of books and art. Defined as " a photographic record of a long moment in the history of American art " and listed in "The Book of 101 Books" (Seminal Photographic Books of the 20th Century). this large coffee table volume...

Ed Ruscha Some Los Angeles Apartments (Unsigned), 1965 True First Edition Artist Book: Stated Limited Edition of only 700 7 × 5 1/2 inches Unframed A rare and elusive 1960s Artist Book. Makes a terrific gift. This is a TRUE 1965 1st Edition of only 700 stated copies. (NOT to be confused with the second edition in 1970 which was published in a much larger edition of 3000 and NOT to be confused with an eponymous 1990 Whitney Museum publication.) A must have for Ruscha Fans. SOME LOS ANGELES APARTMENTS. Los Angeles: Self-Published, 1965. True First Edition Printed Wrappers with Glassine. Original Artist's Book. This marvelous vintage 1965 48 page book features 34 black and white illustrations and is in surprisingly fine condition. "Some Los Angeles Apartments" is Ed Ruscha's third artist book - a wry yet heartfelt photographic survey of the subtle beauty of the post-war Southern California rental property construction boom. A spectacularly bright, most handsome example of the uncommon 1965 first edition (entry B3 in Siri Engberg's "Edward Ruscha: Editions 1959-1999" which is also cited on page 141 of Martin Parr and Gerry Badger's "The Photobook: A History Volume II", pages 198-201 of The Hasselblad Center's "The Open Book", page 105 of "From Fair to Fine 2", and page 226 of "From Fair to Fine 3") limited to seven hundred unnumbered copies. This is an exceptional example of this important little gem that is often confused with the 1990 Whitney Museum exhibition catalogue of virtually the same title. "In the 1960s, Ed Ruscha more or less reinvented the artist’s book. By turning away from the craftsmanship and luxury status that typified the livre d’artiste in favor of the artistic idea or concept, expressed simply through photographs and text, Ruscha opened the genre to the possibilities of mass-production and distribution. Some Los Angeles Apartments, with its straightforward presentation of modern California domestic buildings, celebrated the vernacular architecture of Southern California." The Getty Museum "....It's perhaps fitting that Ed Ruscha - one of the central figures in late 20th century photography - does not consider himself a photographer. "I think photography is dead as a fine art," he told John Coplans...