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Heidi von Faber (Dutch artist) Tea Towels 70 x 70 cm (framed, included in price 75 x 75 cm) Acryl on canvas In the paintings of The Hague-based artist Heidi von Faber, light plays ...

19th Century British Woolie 11" x 13" Medium: Wool Framed Sailboat featuring British Flag

This framed silk brocade tapestry is one half of a magnificent Qing-dynasty chair panel, or chair strip. Because traditional Chinese seating was not upho...

In a square 70cm x 70cm, a jug full of flowers offers the necessary verticality to this subject. Against an ocean blue background stand out the broad leaves of a water plant and its pink flowers. The water here is represented by the dominant blues, however, a yellow bloom and spots of gold powder are a reminder of the sun. Andrée de Frémont...

This hand-woven fiber art wall hanging by Dolores Tema is made with light white and cream-toned cotton and Alpaca and Merino wool. The piece is suspended from a natural wooden rod, e...

This artwork by Andrée De Frémont has a simple theme : Two farms in the distance in a hedged landscape. But on closer inspection, the arrangement of ...

One day, the son of the artist Planted a medlar pit in the garden in front of their house. Becoming Medlar, it stood out in the view of the workshop window till it became an inspiration of the artist. One summer, when it was covered day after day with countless medlars, it became the subject of a botanical canvas by Andrée de Frémont...

Old constructs finally breaking down, 2020 Contemporary Textile Artwork Wool rowing, silk, Michigan wool, Japanese Cotton 24x24in Signed and dated

This piece is from the LOVE rugs series by Robert Indiana, issued by Galerie f in 2007. This rug is an editioned, hand-carded carpet by Robert Indiana. Th...

This hand-woven fiber art wall hanging by Dolores Tema is made with cotton and Alpaca and Merino wool. It has a deep, earthy palette with layers of wov...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Purple Flowers Still Life Rustic Painting Art Textured Giclee on Canvas 45x45" State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited e...