Paintings

Contemporary Art, Abstract Painting Acrylic on canvas 220x225cm Signed FREE SHIPPING: Ships rolled up About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura y Grabado (ENPEG) “La Esmeralda”. As a Mexican Contemporary Expressionism artist, Pichardo reminisces about the Pre-Hispanic past and indigenous traditions by using symbolisms of a time when the civilizations believed in magic, rituals and created beautiful colors. Through his work, he also pays tribute to world renowned Mexican artists such as Rufino Tamayo, Francisco Toledo, Rodolfo...

Impressionist Countryside French School, circa 1970's oil on canvas, unframed Canvas : 32 x 25.5 inches Provenance: private collection, Paris Condition: very good condition Descript...

Wanda Northen "Blue Abstract" c. 1960s Oil paint on board 20.25"x24.25" silver period frame Signed in paint lower right artists label on reverse

Nicely painted mid century geometric abstract oil painting. Oil on canvas.

A beautiful oil on canvas painting by the French artist, Jean Salabet. Salabet was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His wor...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on thick board unframed: 8 x 8 inches condition: excellent provenanc...

This is a minimalist watercolor painting depicting abstracted architectural features (windows & doorway) in red and blue with the landscape and ocean of Rhodes, Greece visible. The watercolor itself measures 9.5"x6.5" and is floated in a double-mat 16.5" x 13" narrow, contemporary wood (maple) frame. Signed, titled, and dated on the back of the watercolor paper. Diego Esposito...

Mid Century Abstract Original Painting - Blue Calligraphy on Crimson Water in Oil and Tempera on Paper Wonderful Bay Area abstract composition by San Francisco's artist Honora Berg ...

Alicia Gimeno, born in Barcelona (1989), trained in graphic design during her time in Mexico. From the beginning, she was captivated by calligraphy, the gestuality of brush strokes, ...

Very nicely painted mid century abstract beach scene. Oil on canvas. Signed illegibly. Framed elegantly.

"Gioia" (meaning "Joy" in Italian) 2023, 72" x 108" large scale acrylics, house paint, oil pastels, wax crayons, and pencils abstract work on canvas by Argentine born artist Karina G...

Antique American impressionist landscape oil painting. Signed verso. Really nicely framed. Great color and thick impressionist impasto. Image size, 10L x 8H.

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Abstract Expressionist Composition by Marie Deloume (French born 1942) signed & dated verso oil painting on paper stuck on canvas, unframed canvas size: 24 x 20 inches condition: ove...

Untitled 22058 (Abstract painting) Oil on canvas — Unframed. This abstract oil painting showcases a compelling investigation into the visual language of oil. The artist explores the...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

In this vibrant tapestry of colors and forms, I've channeled my passion into every stroke, blending acrylics, oils, and colored pencils to craft a symphony of abstract energy. This p...

This captivating artwork captures a serene winter landscape, where a dense forest of towering evergreens stands cloaked in glistening snow. The artist masterfully conveys the chill o...

Spring Blooms 3 is an original abstract floral painting by Magdalena Morey capturing a sense of the freshness of Spring. This original mixed media floral artwork by Magdalena Morey u...

This painting is part of a series inspired by place. I often wonder why I notice some places in nature while other equally beautiful places go virtually unnoticed. I look for what el...

**Artwork Technical Sheet and Description** **Artist:** Sebastià Congost i Pla (Olot, 1919 – Olot, 2009) **Title:** Market Scene **Technique:** Oil on canvas **Dimensions:** 25.6...

Nicely painted abstract expressionist mid century oil painting. Oil on canvas. No signature found. Framed.

Untitled Judy Wahl Date: 1980 Acrylic on Canvas, signed lower right Size: 47.5 x 71 in. (120.65 x 180.34 cm) Frame Size: 48 x 71.5 inches

With its bold form and striking black palette, this large circular painting by Yvonne Lammerich makes a dramatic contemporary statement. A close exami...

Vintage American modernist abstract oil painting. Oil on canvas. Signed.

Gloria Dudfield Mexican Fruit Bowl 1960s Oil Pastel and Gouache on Paper 36"x32" unframed $1600 *Custom framing available for additional charge. Please...

Series Tittle: Pequeñas Vibraciones (Small Vibrations) Medium: Oilc on canvas Size: 35 x 25 cm each (framed) Framed: Natural wood, ready to hang Series Year: 2024–2025 Artist: Floren...

Artist: Roger König b. Dessau, Germany (1968) Master student of Kurt Schönburg, HWK Halle, Germany. König combines modern painting with acrylic with old techniques and in this way, h...

Presence in the Forest – Acrylic on canvas, 116 x 89 cm Inspired by the iconic Forest of Fontainebleau, where Linda Clerget sketched directly from life, this artwork captures the so...

acrylic, oil on canvas one-of-a-kind Full size 108x192cm the painting will be shipped rolled without stretcher bars.

SALE ONE WEEK ONLY "Untitled" by Nicholas Bodde depicts vibrant layers of color on narrow aluminum strips. These pieces are interchangeable and can be hung in various ways. Each is signed on the verso and was created in 2013. All three are sold as a set. Each aluminum panel measures 39 " h x 2.5" w. Bodde was born in New York he lives and works in Germany. He considers himself a German painter, who uses lacquered aluminum to create works that are beautiful in their simplicity and in their joyful exploration of color. The artist drives upon the tradition of European constructivism as well as Colour Field Painting, noting influences by Mark Rothko and Barnett Newmann. Bodde claims that his paintings “reveal themselves differently from close up and from a distance. When viewed from a distance they clearly appear related to constructivist geometric tendencies. But from close proximity, one notices that my main objective is painting and not construction.” The artist has reduced his subject to parallel vertical or horizontal lines and fields that race across the hard surface in a controlled riot – as if the viewer were looking out of a fast moving car while driving by fields of colorful flowers. Bodde constantly questions the colors, focusing on creating a construction through using different colors. He sees his creations as a mode of communication with the world. He paints on aluminum plates by successive coats of painting that he applies with different utensils to finally obtain a result that imprints itself into the eye’s retina. The game of colorful stripes, more or less large, sometimes with the feeling of the brush, sometimes flat, reflects the light differently on each lap. The brightness of his palette, a willful choice, accentuates the vitality that emanates from this painting. His works hesitate between the vibrating and nearly irritating colors and the calm of a monastic construction.   Bodde received his formal education from the University of Arts in Bremen (1989) and has been exhibited in numerous solo and group shows across the world, including venues such as the Yeh Gallery in Seoul, Planet Art...

AUDRA WEASER "Bathing Light" Acrylic, Metallic Pigments, Plaster Paint on Canvas 36 x 36 in. AUDRA WEASER "Night Gold" Acrylic, Metallic Pigments, Plaster Paint on Canvas 36 x 36 i...

Beautiful ca. 1960 portrait by American artist, Vito Tomasello. Oil on sized illustration board measuring 21.5 x 30 inches. Signed lower right. A lifetime NYC resident, Tomasello ...

Abstract Composition signed and dated 70' by Serge Guerin (b. 1916), French oil painting on board, unframed size: 10 x 12 inches provenance: private collection, Paris, France conditi...

"In A Mood" 2023, 72" H x 96" W. Large scale abstract painting consisting of acrylic, pencils, and oil pastels on canvas by Argentine-born artist Karina Gentinetta (featured in Elle ...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Contemporary blue toned gestural abstract expressionist painting by Houston based artist Kristi Haines Herman. The work features layers of swirling brushwork in tones of tan, pink, and deep green. Signed, titled, and dated on the reverse. Currently unframed, but options are available. Artist Biography: As an abstract painter, Kristi Haines Herman, uses her artwork to execute ideas and two-dimensional environments that create an emotional experience for the viewer. Her paintings are inspired by personal involvements and reactions to them. Phrases and words ruminate in her mind and slowly turn into abstracted figures that convey her inner thoughts. Haines Herman is highly influenced by movement as her artistic expression due to many years in dance. Movement is depicted through various gestural lines, shapes, and texture which allow the audience to venture through the canvas; thus a visual dance from one edge to another on the painting’s surface. Ballet was Haines Herman’s first love in the art world, starting at age five. She learned to use body movement as an outward expression which allowed her to explore various audience reactions. This would later correlate with her artwork. In her late teens, dance and visual art would intertwine with time on stage as well as painting for expression. Gradually, visual art became her primary artistic avenue. Haines Herman attended Mary Baldwin College in Staunton, Virginia, where she majored in studio art under professors Frank Hobbs and Polly Dixon. She received a Bachelor of Fine Arts from The University of Texas at Austin. During her studies at UT, she was encouraged and challenged by many talented art professors, including Michael Mogavero, John Yancey and David...

"Step Carefully" is a contemporary abstract painting by Danish artist Steffen Bue who invites you to experience a vivid and dynamic creation. Its vib...

This floral artwork makes my of my new small collection called 🪻"Primavera"🪻 dedicated to a springtime. For me spring means rebirth, life, energy, new possibilities. Springtime ma...

This elegant oil on mounted canvas is by André Hambourg (France, 1909-1999) and features a seaside composition. The artwork is signed in the bottom left corner. The landscape is a lo...

Cadaques. original abstract mixed media acrylic painting composition of the artist Spanish Toni MAT. Mixed technique on wood. Perfect state. Antonio Amat studies Art in Barcelona, ...

Bettina Mauel expresses vitality and sensuality in her abstract and figurative paintings. “I paint what I experience,” she articulates. “This includes landscapes, dancers and people ...

Kirsten Jackson creates vibrant abstract paintings filled with sunny color blocks, showcasing her contemporary and original style. Fiercely independent, this Australian artist aims t...

"Nightlights" is the perfect name of this sparkling gorgeous piece by Alcalay. Dozens of colors are used to described a lively, moving street scene of night lights, including headlig...

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the Arc de Triomphe busy street scene from the 20th Century with much life. The artist...

Contemporary Art, Abstract Painting Acrylic on canvas 150x180cm Signed About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Nacional de Pintura, Escultura...

CHOOSE THE COLOR OF THE FRAME: black or wood In this masterpiece by Sophie Dumont, titled 'The spring studio,' the atmosphere of an artist's studio is captured with intoxicating en...

Edward Zutrau Kamakura, 5/1963 Signed, dated and titled on verso Oil on linen 38 1/2 x 51 1/2 inches Edward Zutrau is among the American artists who worked within the whirlwind of ...

The title of the series derives from one of the many conversations in which Jorge Luis Borges, a lover of walks and strolls through streets, parks, and gardens, in those conversation...

This abstract impressionist vibrant artwork "Taking a sip of fresh ocean air " captures a dynamic coastal scene with bold brushstrokes and a vivid palette. The composition is dominat...

Lucien Delarue (1925-2011) Paris Seine River Scene. "Seine at Paris" Provenance: Newman Gallery, Phila. Label verso. Hand signed on Canvas. Dimensions: H: 25 inches: W: 31.5 inches: Frame: 35 X 41 inches Artist Lucien Delarue was born in Paris in 1925, and he is known for his spectacular cityscape painting. Post Impressionist painter He studied at the studios of Grande Chaumiere, Paris and was a pupil of Maitre Yves Brayer. He is best know as a French Impressionist. He loved to paint the romantic streets of Paris with its stunning architecture and beauty. Also included in his repertoire is colorful French floral still life paintings, South of France country cottages, harbor views, and river scenes. At a very early age Delarue began taking part in exhibitions. Quickly he was talking medals for his works including first prize and the Vermeil-Medaille at the Salon Violet. Other gold medals include the Salon of Vincennes, and the Salon of Clichy (1973). In 1974 he won the silver medal at the Salon des Artistes Francais, and a bronze medal at the "Arts-Sciences-Lettres" exhibition in Paris. He also exhibited works at the Museum of Ile de France in the chateau of Sceaux. He held exhibitions in New York and in San Francisco in the United States. He was a member of the Salon des Artistes Francais and of the French Watercolor Society.Lucien Delarue excelled in recreating the cottages, harbor views, and expressionist architecture of Paris in his artwork. His watercolor paintings include color-rich representations of France's many scenic rivers. Delarue would eventually become a member of the French Watercolor Society and the Salon des Artistes Francais. He showed with Henk Bos...

Nicely painted American modernist abstract still life oil painting. Framed. Oil on canvas. Image size, 14H by 18L.

Douglas M. Olsen (b. 1960). #135, 1982. Watercolor on rag paper, 22 x 30 inches. Signed lower margin and on verso.

Vintage abstract original oil painting. Oil on canvas. Framed.

Signed lower right, 'Marda' (French, 20th century) and inscribed verso 'Street Scene by Marda #4'. A substantial, mid-century oil cityscape showing a view of a rainy Parisian boulev...

Paul Mathey (1891–1972) was a Swiss painter associated with the artistic scene of the Suisse Romande region. His work was featured in significant exhibitions throughout Switzerland, ...

Signed figures in landscape oil circa 1910 by French post impressionist painter Paul Madeline. This beautiful work depicts two small children on riverside path picking wildflowers fr...