Paintings

SITGES. Barcelona original watercolor painting. MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joaquín Mir, Mariano Pidelaserra and Manolo Hugué. In 1945 he rece...

"In this oil painting, I've captured a tranquil riverside at dusk, evoking serenity. The brushstrokes blend expressionism with a touch of impressionism, creating a scene that's both ...

"As the artist behind this canvas, I've infused life into the scenery, with vivid oil strokes blending impressionism and expressionism. It captures the transient beauty of blooms aga...

Oil on cardboard by Nandor VAGH WEINMANN (1897-1978), France, 1930s. Naked back. With frame: 64x56 cm - 25.2x22 inches ; without frame: 46x38cm - 18.1x15 inches. 8F format. Signed "Nandor V. Weinmann" lower left. In its Montparnasse frame. Very good condition. Born October 3, 1897 in Budapest, Nándor is the older brother of Elemer and Maurice Vagh-Weinmann. He came to Paris to present his work in 1931. He died on December 12, 1978 near Montereau (Seine-et-Marne) following an automobile accident. He is the most colorful of the three “expressionist” brothers. Painter of figures, landscapes, especially open mountains, and bouquets in bright colors. He is also a religious painter and then finds the tragic condition. Born in BUDAPEST on October 3, 1897, Nandor Vagh Weinmann belongs to a profoundly artistic people. Living in the heart of Central Europe where they came from Asia a millennium ago, the Hungarians have preserved a strong ethnic individuality whose mark is their very synthetic, non-Indo-European language. Resistant to secular invasions, they have kept the virtues of a very ancient humanity that have become rare in our modern world, especially since their way of life has remained essentially rural until today. In the arts they know how to express a generous, extreme sensibility and by the poetic verb, by the musical rhythms and also by a popular art of a richness, an exceptional harmony. Until the age of thirty-four, during the decisive years of childhood and youth, Nandor Vagh Weinmann was intimately imbued with popular life and the soul of Hungary. From the capital where his father was a jeweler and had a family of ten children, Nandor was the fifth, he knew first of all the suburbs, the populated districts, the rigors in winter of the cold and the snow. A very mobile existence made him acquainted with all of Hungary, from the Danube to Transylvania, its infinite plains and its wild mountains, its immense villages with ample low houses, and its towns which are still immense villages. The painter is passionate about rustic works, harvest scenes, beautiful folk costumes. Coming into direct contact with the peasants, he learned to know their soul. These contacts gave the artist a direct feeling for popular life and soul, as Millet once understood the peasants of Barbizon and Normandy whose existence he shared. What fascinated Nandor Vagh Weinmann above all were the festivals which enlivened the dreary life of the countryside, the circuses, the merry-go-rounds, the gypsies unleashing orgies of music, light and color. In the party, and especially the Hungarian party, the whole soul of a people, all its energy, its need for movement, for intensity, is expressed in its pure state and realizes the primary and essential form of what is called beauty. And as if melted at the party, there is the infinite steppe where herds of horses and oxen circulate where terrible storms sometimes roar where the seasons unfold their grandiose splendours. The young Nandor Vagh Weinmann nourishes his sensitivity to his inexhaustible shows, both eternal and always new, a sensitivity which very early declared itself that of a painter. Since the age of fourteen he painted, and since then he never stopped doing it. Two of his brothers Maurice, two years his junior, who had a remarkable career similar to that of Nandor and later Elemer who became Maurice's pupil, also devoted themselves to painting, despite family obstacles. And the three brothers united by a common passion worked together in Hungary and later in France. Painting was so much in the blood of the family, as in the past among the Veroneses, the Breughels, the Lenains, the Van Loos and so many other artistic dynasties, that three sons of the Vagh Weinmanns became painters in their turn. One of these, Emeric, son of Nandor, today occupies an important place in the contemporary school. Nandor, at fifteen, was a pupil of the Academy of Fine Arts in Budapest where he worked diligently, then at that of Vienna. He painted many portraits, but also landscapes, compositions and, by his relentless work, managed to live from his brush, although married very young and having to overcome many hardships. He therefore knew the hardships and miseries of life. These strongly impregnated his vision as an artist and explain the thrill of humanity that runs through all his work. A particularly moving experience was reserved for him at the age of twenty. In the hospitals of Budapest he had to paint extraordinary cases, operations, frightful wounds, the deformations to which our poor body is subjected by traumas and physiological decompositions. In these circumstances, it is not a question of gratuitous art, of formal research but of immediate, authentic expressions of our flesh and our being. We know that Breughel Velázquez and Goya had been haunted by the sight of cripples and of madmen Géricault by that of corpses. But life is ultimately stronger than anything, and it is life that Nandor Vagh Weinmann has passionately observed and translated through all the places where he has always painted on nature. Nothing stopped him. It happened to him to paint, for example in front of the mill of Linselles by a weather so cold, that nobody could stay outside, and that he did not leave the place before having finished his work. Because he works constantly on the ground, under the sky, in the silence he loves. His reputation is established. He exhibited at the national fair in Budapest, in the big cities of Hungary Szeged, Szombathely, Veszprém, Kaposvar. In 1931, like all artists in the world, he came to France. But unlike the others, he did not settle in Paris. Because Nandor Vagh Weinmann does not belong to this group of cosmopolitans that we call the School of Paris. He settled in Toulouse, where he remained for a long time with his brothers, and traveled throughout France, eager for new ties, exhibiting in the most diverse cities, in Bordeaux, Marseille, Lyon, Agen, Bayonne, Dax, Tarbes, Grenoble, Nice, Cannes, Strasbourg, Mulhouse, Colmar, Lille. He even crossed borders. He was in Saint Sebastian, in Geneva, and once in Egypt in 1927 where he painted King Fouad...

Pink Lady Oil on canvas, c. 1968 Signed upper right (see photo). Housed in the original frame made by the artist Titled on the reverse on the stretcher bar Inspired by DeKooning Prov...

As I wielded my brush, oils blending on canvas, I sought to capture the vibrant dance between nature and light. My strokes, infused with the fervor of expressionism and the delicacy ...

In creating this piece, I surrendered to the dance of colors and textures, letting oil become emotion on canvas. Each brushstroke captures the trembling beauty of nature's fleeting m...

"In this oil painting, I poured my soul into capturing the enchanting interplay of light and shadows, where blooms dance above tranquil waters. Merging realism with impressionistic t...

"In this painting, I've captured the serene beauty of dawn as it kisses the snowy peaks with warm hues of pink and purple, contrasting the cool blues and whites of the snow. It's a d...

In this vibrant oil painting, I've poured my soul into capturing the essence of a serene springtime moment. The swirling water cradles the spirited Koi as they dance beneath the surf...

Beach. Mallorca- original expressionist watercolor painting. virtual framed Work of the Spanish artist BENAVENTE SOLIS. Watercolor on paper. Perfect state During its first exhib...

In this oil canvas, I've captured the vibrant spirit of nature. My brushstrokes dance between expressionism and impressionism, while touches of realism root the piece in a tangible w...

In this oil painting, I've sought to capture the raw, untamed beauty of nature through a dance of color and texture. Inspired by expressionism and impressionism, my brushstrokes brea...

Oil on paper by Edouard Goerg (1893-1969), France, 1937-1938. Two young Spanish girls. Measurements : with frame: 61.3x51.8 cm - 24.1x20.4 inches, view: 39x28.6 cm - 15.4x11.25 inche...

"In this oil painting, I sought to capture the tranquil yet vibrant essence of nature's beauty. Melding impressionism with touches of realism, I've layered texture and color to evoke...

Performer Artist signed lower right, canvas 28"x31"75 Nicola Simbari was born in Italy and grow up in Rome. He studied at the Accademia di Belle Arti di Roma, and in the 1940s he beg...

In my artwork, I've captured a serene moment in city life, where nature meets daily hustle—evoking tranquility. Oil paints allowed me to blend expressive brushstrokes with realistic ...

This artwork is inspired by fragments of the book ‘Bezonken Rood’ by Jeroen Brouwers. The fragments that inspired the artist are about his memories of a long-lost love: Liza. “During the few seconds I stood in my garden, I thought of Liza, in her dragonfly-blue see-through clothes, years ago. […] In my imagination I saw her in the rectangular lit window above the clock shop...

In this oil on canvas, I've poured my soul into capturing the delicate dance of lilacs, their colors bursting with life. Each stroke represents an emotion, a breath of passion. I mel...

Everett Shinn Woman on a Staircase, Sketch, circa 1935 Signed on the reverse and on the stretcher Oil on canvas 30 x 25 inches Everett Shinn, a future member of the Eight and remark...

Artist Biography Zhang Chunyang was born in 1975 in Changchun, Jilin. She earned her B.F.A at Jilin University of Arts in 1999, and studied at Central Acadamy of Fine Arts, Beijing ...

With each brushstroke, I sought to capture the essence of wild, untamed beauty. This piece, alive with color and emotion, embodies the vibrancy found in nature's own canvas. Each pop...

Oil on canvas by Madé Gourdon, France, 1960s. "Dream". with frame: 70x61 cm - without frame: 55x46 cm. 10F format. Signed "Madé Gourdon" in the lower left. In its frame Montparnasse....

"In this stirring dance of light and shadow, I've captured the essence of serenity, where dappled sunbeams weave through an emerald canopy, kissing the tranquil waters. Each stroke i...

The Triumph of Love weaves symbolism with uplifting imagery. The painting is woven with free flowing brush strokes overlaying the canvas to create a stunning piece that is imbued wit...

I've poured my soul into this canvas, blending the visceral textures of oil with the fluid beauty of nature. My brushstrokes convey a dance between realism and impressionism, where l...

Belgian Barn by the River - Expressionist Landscape in Oil on Canvas Vibrant depiction of barn by a river by Gloria Takla (American/German, b. 1940). A bright pink barn with a red r...

Garden of Eden. 2021., canvas, oil, 110x137 cm

"This work is inspired by the wonderful time of the year when it is warm and everything is in bloom. Beautiful garden with a meadow of fragrant summer flowers. A path leading to a co...

A house, a traveler, who stands and looks at it, theme of nostalgia, theme of return to your own soul, that the house represents, after drifting away from it for a long time :: Pain...

Nude woman with secrets – Jolanta Johnsson, experienced Polish artist, graduate of the Academy of Fine Arts in Warsaw, PhD of fine arts, university teacher. She currently lives in Sw...

A beautiful 1950's French expressionist oil on canvas depicting flowers and fruits in a window by Philippe Marie René Picard. Bright and colourful still life on a good scale. Signed lower right. Artist: Philippe Marie René Picard (French, 1915-1997) Title: Flowers & Fruits in a Window Medium: Oil on canvas Size: 21 x 32 inches (54 x 82 cm) Philippe Marie René Picard was born in the small village of Neuvy-le-Roi in France. His parents were Albert Picard and Marie Lehoux; he had a total of six siblings. After studying at the Lycée Descartes in Tours, he entered the studio of the artist François Sicard. He was then accepted to the École supérieure des beaux-arts de Tours from 1932 to 1934, where he was a pupil of Maurice Mathurin. In 1935, he entered the School of Fine Arts in Paris, then in 1936-1938 the studio of Fernand Sabatté, and finally Charles-François-Prosper Guérin studio. Phillippe Marie exhibited at the Salon des Indépendants 1945, where the city of Paris bought the first painting. He then exhibited regularly at the Salon des Indépendants until 1989. In 1946 when this painting was created, he exhibited for the first time in Stockholm. At the end of the same year, he was noticed by Youki Desnos and exhibit at the Fontan gallery in Paris. In 1947 and 1948, he participated in a group exhibition at the Marquié Gallery in New York under the title: School of Paris - Paintings with Eugène Boudin , Jean-Baptiste Corot , Braque , Andre Lhote , Élisée Maclet , Camille Pissarro and Henri Rousseau. He travelled to Sweden from October to November 1949. It will be his only trip abroad. Subsequently, he made several important exhibitions in Sweden. He continues to exhibit in Sweden, Germany, Switzerland, Venezuela, Lebanon, Spain...

In this oil painting, I immersed myself in the essence of nature's whimsy, capturing a figure enveloped by a sea of poppies. Inspired by expressionism and impressionism, I used bold ...

In this oil painting of mine, I've captured the serene twilight of a snowy scape, where the warmth of the setting sun meets the cool tranquility of winter. The impressionist brushstr...

Work on canvas

Large Abstract portrait Painting, black&White on canvas ,work by Dimitris Pavlopoulos Painting created with acrylic . Colors: Black &White , Abstract Canvas Collection 2021 Size:...

In crafting this piece, I sought to capture the serene essence of nature's renewal. The interplay of light and color reflects on the water's surface, inviting contemplation. Each stroke embodies a moment of tranquility, a celebration of spring's dance. It's an invitation to the viewer to pause, breathe, and connect with the quiet vitality of a world reborn. In your space, it's a promise...

RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930).. iolin original expressionist acrylic painting Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelo...

In my work I merge feelings with color, creating dynamism and energy through expressive brushstrokes. It is a dialogue between figuration and impressionism, embellished with a touch ...

This early 20th-century oil painting by Danish artist Hjalmar Kragh-Pedersen (1883-1962) depicts the industrial area of Sydhavn, Denmark. Hjalmar Kragh-Pedersen was predominantly kn...

"This work is inspired by the spring flowering of a luxurious magnolia. A symbol of the beginning of a new life. A stocky climbing tree, like eternal life, and transparent delicate w...

In my work, emotions and energy flow with every brush stroke. The painting shows a young woman completely immersed in her inner world. She seeks inspiration for her creative flight. ...

In this oil painting, I captured the tranquil harmony of a serene walk along the shore. The vivid portrayal intertwines impressionism with realism—each brushstroke conveys the gentle...

As I brushed oil onto the canvas, my heart danced with each stroke, creating a symphony in hues and textures. This piece is a peaceful haven, where expressionism and impressionism me...

*Dimensions include the frame Claude Grosperrin's artwork is a vivid exploration of texture and abstraction, capturing the essence of a rustic landscape with a palpable sense of ene...

"In this emotive oil creation, I infused the essence of spring's renewal. Each brushstroke embodies the fresh bloom's vibrant dance, with a palette that whispers the tranquility of n...

A beautiful and bold composition of La Cad'oro in Venice with clear blue skies above and a cubist reflections of the buildings below in different shades of blues and turquoises. H...

As she walks away from the crowd on her own she seems intent and focused on the task at hand. The painting is soft and blurred to add to the feeling of peace and serene that is felt...

In crafting this piece, I sought to capture the ephemeral beauty of nature's awakening. Each brushstroke embodies the vivacity and energy of new beginnings, weaving a dance of color ...

In my creation, I sought to capture the fleeting beauty of life through vibrant strokes, harmoniously blending realism and impressionism. This oil painting is a celebration of nature...