Abstract Paintings

JB Nearsy Variance of a Path 2017 Acrylic on Canvas Size: 33x25in Signed by hand COA provided Ref.: 924802-1777 -------------- Tags: surrealism, hard edge, colorful art, contempora...

This unique painting begins with her new ZIGZAG series in which we can see her surrealist airs shared with her colleague and ex-husband Pedro Friedeberg, like all the works of art by...

Andalusia abstract acrylic on canvas the total size of the canvas & painting is 16" x 20" will be shipped this art work in very hard roll with insurance and express shipping or...

JB Nearsy Notation 2017 Acrylic on Canvas Size: 30x30x1.5in Signed by hand COA provided Ref.: 924802-1776 -------------- Tags: surrealism, hard edge, colorful art, contemporary art...

actual image measures 11.25x7.5, titled Composition V on French Arches Mould made paper. Georges DUSSAU est né le 14 Mars 1947, à Chalon-sur-Saône (France) Il vit et travaille a...

actual image measures 11.25x7.5, titled Composition V on French Arches Mould made paper. Georges DUSSAU est né le 14 Mars 1947, à Chalon-sur-Saône (France) Il vit et travaille a...

Every one of us has many faces. Each mask is just another part of the truth about you. In one situation, there is one mask and another mask in yet another experience. New masks are a...

Time is but a concept that we create to keep existence in an order. This piece seeks to encourage questioning time, the impact and control it might have on existence and just where i...

Matheus is greatly influenced by the city he now calls home -- New York has long been the epicenter of fashion, hip hop, and street art, where he feels his interest in contemporary art, architecture, and interior design has grown exponentially. With this influence, he produced his first solo exhibition and debuted his signature series, Caras e Cores, at Avant Garde Gallery...

JB Nearsy Probity in the Quiet of Fear 2016 Acrylic on Canvas Size: 18x29in Framed: 27.5x38x2in Signed by hand COA provided Ref.: 924802-1775 *Framed and matted with a white wood fra...

Have you ever seen an Alert alerting? Well, now you have! Here are some Lerts A-Lerting. Up to you to decide what is so important that they are all A-lerting at the same time!! Is i...

"The Bee Keeper’s Wife" Acrylic on canvas 30"x58” (76x147 cm) This Color Bomb was a direct reaction to an intense stretch of summer weather in the Appalachian mountains...

Two Women. Colorful Surrealist Portrait Genre: Surrealism Subject: woman Medium: Oil Surface: Canvas Country: Israel Simon Avissar, painter, born 1948, Morocco. Moved to U.S.A. Wo...

"Striking" Geometric Surrealist Landscape in Acrylic on Canvas Bright and lively surrealist landscape by Randy Dunham (American, b. 1961). A sphere of water takes center stage in this composition, struck by a ray of light that transforms into a lightning bolt. The sphere reflects a stark landscape consisting of mountains reflected in a body of still water. The same landscape is visible surrounding the sphere at the horizon. Various other geometric shapes surround the sphere, tearing through the sky and casting shadows across the water. Signed and dated "Randy Dunham © Aug 03" in the lower right corner. Titled, signed, and dated "Striking Randy Dunham © 2003" on verso. No frame, but a deep 1.5" stretcher which is painted white on the edges to be hung unframed if desired. Canvas size: 36"H x 48"W x 1.5"Deep Randy Dunham (American, b. 1961) was born in Troy New York...

"I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of color. These works don’t bring ...

Edna Andrade Mirage (de-accessioned from the Reader's Digest Art Collection), 1988 Original Collage painting on board Signed, titled & dated on the front; the back bears labels from Marian Locks Gallery & Readers Digest Association with inventory (RDA) number Original frame included with collection and gallery labels verso This is a unique work Exquisite 1980s collage on board painting (framed) titled "Mirage" by renowned female Op artist Edna Andrade...

Interesting piece. it is painted on this cardboard that has been laid down onto foamboard for support. bright vibrant colors. signed illegibly.

Mixed Media on Paper Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarlett more than once proved to be at the arti...

Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion and punk music. In those years a new artistic sensibility was being formalized in Milan, whose roots no longer sank in the history of art and in the citation but practiced the critical manipulation of reality and its communication through the mass media. The image was taken out of context, subtracted from the use of common sense, radically distorted, almost mocked. The work of Marco Cingolani, from the beginning, has always tried to cancel the regulatory power of media images, subjecting them to the radical care of the artist, certain that art offers a decisive point of view for the interpretation of the world. In this context the interviews of the Interviews were born, where celebrities for their privacy were submerged by the microphones and the famous series dedicated to the attack on the Pope and to the tragic story of Aldo Moro. After having participated in numerous group exhibitions including An emerging scene (1991, Museo Pecci, Prato) and Two or three things that I know of them (1998, PAC, Milan), he is dedicated to major anthological exhibitions at prestigious public institutions such as Palazzo Strozzi in Florence and Promoter of Fine Arts in Turin. In November 2006 he took part in the collective exhibition "Senza famiglia", in the Palace of the Promoter of Fine Arts in Turin. In 2007 Cingolani received a further consecration: the Galleria Emilio Mazzoli hosts the exhibition entitled "What color are they?" in which the pictorial reflections on the color of Power and its disguises are presented. The art of Cingolani has always been fascinated by the passage from news to history and vice versa; also in this case the UN blue helmets, the red urn containing the electoral ballots, the multicolored segments of the Wall Street charts, the military uniforms and the party flags are contextualized in highly symbolic scenarios. In 2009 a return to the origins for Marco Cingolani, often the author of works expressly inspired by the religious theme. In particular, for this exhibition entitled " Percorsi della Fede", the artist focused his attention on the Marian apparitions that have marked the last two centuries: Lourdes and Fatima . In the same year an exhibition in Lucca at the National Museum of Villa Guinigi, joins him to some of the leading Italian artists of the last two generations; by the universally recognized and celebrated masters, present in the main international museums such as Mimmo Paladino, Sandro Chia, Salvo, passing through some of the protagonists of the 52nd Venice Biennale as Gian Marco Montesano, Daniele Galliano, Nicola Bolla, Bertozzi & Casoni who exhibited in 2009 in contemporary at the Lucca exhibition and at the Italian Pavilion of the Venetian event, to get to the young artists of the last generation already present in important national and international artistic events. Giacinto di Pietrantonio invites him the following year, 2010 to PAC, Pavilion of contemporary art in Milan, for the collective exhibition "Hybrid", alongside Jan Fabre, Gilbert & George, Charles Avery, Damien Hirst, Piotr Uklanski, Patrick Tuttofuoco and other great ones on the international scene. 2012 is the year of "Il Belpaese dell'arte", at Gamec di Bergamo, always curated by Pietrantonio and Maria Cristina Rodeschini, in the company of Elmgreen...

Tristan Fabris 1950's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, framed signed and dated 55' inscribed verso framed: 25 x 33 inches canvas: 23 x 32...

"I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of color. These works don’t bring ...

"Stunning surrealist painting by Mid-20th Century artist Nicholas Orsini. Both figural and botanic in an array of deep, saturated hues. Oil on stretche...

Kurt Herrmann 10x11” (26x28 cm) unframed watercolor on paper 2022 Artist Watercolor statement: I went to Siberia in 1994 for the adventure and to paint. I came home with my first ...

"I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of color. These works don’t bring ...

Amazing surreal landscape or botanic painting on stretched canvas. Though the painting is mid-century, we find the coloration to be on-point for current design. Stretched canvas; art...

Derrick Latimer Sayer (British, 1917 – 1992) Caterpillar Signed, inscribed and dated ‘CATERPILLAR’ (lower left), ‘Derrick Sayer 55’ (lower right) Gouache 7.7/8 x 9.1/4 in. (20 x 23.5 cm.) Derrick Latimer Sayer (1912–1992) has been described as a Neo-Romantic and pop artist, with a career that spanned from the spiritualism of postwar English landscapes, to the bright, optical playfulness of 1960s Pop art. Sayer had a distinguished start to his career, having studied at the Chelsea School of Art in the early 1930s under Graham Sutherland and Henry Moore. In 1936 he founded the Mousehole Group Art School in Cornwall with fellow painters George Lamborn and Guy Allen, and for the next few years he exhibited at a number of small local galleries, while also executing commercial advertising work for major companies such as Shell Oil. The 1940s and 50s were a period of widespread travelling, teaching and experimentation for Sayer, as he founded the Army Art Centre in 1945, worked in the South of France in 1949 and displayed works at the Leicester, Redfern and Winton Galleries across the 1950s. In 1966, he took up the helm as the Head of Art at the Chelsea Westminster Adult Education Institute, a position he held until his retirement in 1982. Ten of Derricks works can be found at the Chelsea Westminster Hospital Arts Project, hung alongside a permanent collection that includes Patrick Heron, Howard Hodgkin, and Sian Tucker. Sayer was known for his studies of female nudes, particularly the examination of the nude in...

"I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of color. These works don’t bring ...

Myriam Bat-Yosef Surrealist abstract painting in colorful abstract shapes and shades in the style of Joan Miro Hand signed and dated Tel Aviv, 1957. frame measures 10 X 5.5 sheet measures 2.5 X 7 inches The envelope of the Peter Buch poster is just for provenance and is not included in this sale. Myriam Bat-Yosef, whose real name is Marion Hellerman, born on January 31 , 1931 in Berlin, Germany to a Jewish family from Lithuania, she is an Israeli-Icelandic artist who paints on papers, paintings, fabrics, objects and human beings for performances. Myriam Bat-Yosef currently lives and works in Paris. In 1933, her family fleeing the Nazi Holocaust, Myriam Bat-Yosef emigrates to Palestine and settles in Jaffa. In 1936, she suffers a family tragedy, her father, militant Zionist, is called to fight, still recovering from an operation of appendicitis. The incision will become infected, antibiotics did not exist yet, and her father will die in the hospital after 9 months of suffering. Myriam and her mother leave Palestine to live in Paris for three years. French is Myriam's first school language. In 1939, still fleeing Nazism, she returned to Palestine, leaving France by the last boat from Marseille. She moved to Tel Aviv with her mother, aunt and maternal grandmother. In 1940, she began attending the Academy of Fine Arts in Tel Aviv and took her name as an artist, Bat-Yosef, which means Joseph's daughter in Hebrew, as a tribute to her father. In 1946, Myriam graduated as a kindergarten teacher but wanted to be an artist. Her mother enrolled her in an evening school to prepare a diploma of art teacher. At 19, she performs two years of military service in Israel. In 1952, with a pension of $50 a month that her mother allocated, she went to study at the Beaux-Arts in Paris. To survive, she has several activities while studying. In 1955, she had her first solo exhibition, at the Israeli Club on Wagram Avenue in Paris. Many artists, such as Yaacov Agam, Yehuda Neiman Avigdor Arikha, Raffi Kaiser, Dani Karavan and sculptors Achiam and Shlomo Selinger attended the opening . In 1956, she enrolled at the School of Fine Arts in Florence. This is where she meets the painter Errô. They share an icy studio in winter. Myriam moves to Milan with friends. She organizes a joint exhibition with Erro, one room each, at the Montenapoleone gallery. Her works are admired by the sculptor Marino Marini and the painters Renato Birolli and Enrico Prampolini. Myriam and Erro exhibit in Rome, Milan, Florence and meet many personalities: Alain Jouffroy and his wife, the painter Manina, Roberto Matta and his wife Malitte, textile artist who was one of the founders of the Pompidou Center. Back in Paris, Myriam and Erro get married, which allows Myriam to avoid being called into the Israeli army during the Suez Canal War. In 1957, Myriam and her husband went to Iceland. Myriam works in a chocolate factory. Having enough money, she starts producing art again. She exhibited in Reykjavik's first art gallery. She meets the artist Sigridur Bjornsdottir, married to the Swiss painter Dieter Roth . In 1958, Myriam and her husband leave for Israel. They exhibit in Germany, then in Israel. Back in Paris, the couple became friends with artists of the surrealist movement, such as Victor Brauner, Hans Bellmer, the sculptor Philippe Hiquily, Liliane Lijn, future wife of Takis and photographer Nathalie Waag. Erro and Myriam have a daughter on March 15, 1960, named Tura, after the painter Cosmè Tura, but also close to the Icelandic Thora or the Hebrew Torah. Bat-Yosef’s complex trajectory throughout the 20th century is linked as much to the transnational history of what was for a time called the School of Paris as it is to a certain legacy of Surrealism. Her work features the same idea of resolving antinomies that also defined the spirit of surrealism, and is enhanced with her readings of the Kabbalah and her spiritual grounding in Taoism. However, while there are reasons for her approach to be associated with the process of the ready-made, it is important to consider the immediate intrication of these works with her practice of performance, during which the body itself is also painted – a feminist response to Yves Klein’s Anthropometries (1960) and an echo of the happenings which Jean-Jacques Lebel organised at the time in Paris. In 1963, Erró told Myriam that if she wants to be a painter, she can not be his wife. Myriam chose to be a painter and the couple divorced in 1964. Since that time, Myriam Bat-Yosef has exhibited in many countries: Europe, United States, Japan, etc. Although long in the shadows, the work of Myriam Bat-Yosef has been greeted by many artists and personalities: Anaïs Nin, Nancy Huston, André Pieyre of Mandiargues, José Pierre, René de Solier , Jacques Lacarrière, Alain Bosquet, Pierre Restany, Sarane Alexandrian and Surrealist André Breton who, after a visit to her studio, confided to having been intrigued by its phantasmagorical dimension. She was included in the book Pop Art and Beyond: Gender, Race, and Class in the Global Sixties by Mona Hadler and Kalliopi Minioudaki. Extract "World Citizen, Artist of the Pop Era Sarah Wilson; Why do we know so little of Myriam Bat-Yosef, the most important female Israeli artist of the Pop era? Issues of identity and sexuality feature constantly in her work. She exhibited internationally from Reykjavik to Tokyo; she had two shows at Arturo Schwarz’s famous Dada/surrealist gallery in Milan; she participated in feminist art events in Los Angeles. Above all, in 1971, she conceived Total Art, a Pop Gesamtkunstwerk inside and outside the Israel Museum, Jerusalem. Painter, performer, and installation artist, she was also a lover, wife, and mother. Of Lithuanian-Jewish descent, she was close to the family of philosopher Emmanuel Levinas. An émigré in Paris she would repudiate a national passport, participating in Garry Davis’s short-lived “World Citizens” movement. She continues the lineage of women surrealist artists: Valentine Hugo, Leonor Fini, Dorothea Tanning, Leonora Carrington, Unica Zürn, Jane Graverol, Toyen, Alice Rahon...

signed ‘ozenfant’ (lower right) Provenance: Sale: Christie's London, 4 April 1989, lot 198 Dr. Arthur Brandt, New York (acquired at the above sale) Literature: P. & M. Guénégan, 'A...

Genre: Surrealism Subject: Abstract Medium: Oil Surface: Canvas Country: France In this surreal composition by Heinrich M. Frama the artist clumps a group of figures towards the mid...

Uruguayan artist Leonardo Aguirre creates visually animated surreal scenes in a theatrical environment. Aguirre rearranges whimsical components into unexpectedly harmonious ways of s...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study signed & dated oil on canvas, unframed inscribed verso canvas: 32 x 25.5 inches private collectio...

Uruguayan artist Leonardo Aguirre creates visually animated surreal scenes in a theatrical environment. Aguirre rearranges whimsical components into unexpectedly harmonious ways of s...

Scottish terrier wishes for a friend to play with :: Painting :: Surrealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Y...

Artist’s Statement “𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘵𝘩𝘳𝘦𝘦 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘧𝘢𝘤𝘵𝘰𝘳𝘴 𝘵𝘰 𝘮𝘺 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩 𝘵𝘰 𝘱𝘢𝘪𝘯𝘵𝘪𝘯𝘨: 𝟷) 𝘔𝘺 “𝘚𝘱𝘪𝘳𝘪𝘵𝘶𝘢𝘭 𝘚𝘦𝘢𝘳𝘤𝘩” 𝘪𝘯 ...

A work (#7) from the ELEMENTS series Why did I call this series elements? Because there is air in it, there is water, there are earth and fire"¦ There are birth, life and death, spri...

Intriguing surreal painting that will make a strong statement once it hangs in your home or business! Each window on these boxes has a message that is connected with my childhood. Th...

Catalonian painter Eduardo Arranz-Bravo is an artist sparking revolutionary abstraction in the contemporary art scene. Drawing influence from the Surrealist workings of late greats l...

Rare and interesting original drawing. Charcoal and penicl on paper. Signed. Framed. Image size, 15L x 13H.

Treasures In The Flames is a colorful, abstract, surrealist painting by Armenian artist, Vatche Geuvdjelian. Artist’s Statement “𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 �...

"I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of color. These works don’t bring ...

Tristan Fabris 1970's French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso canvas: 32 x 21 inches private collection, France The pain...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso canvas: 32 x 24 inches private collection, France The pai...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, framed signed and dated 74' inscribed verso framed: 32.5 x 26 inches canvas: 32 x ...

Agatha Wojciechowsky Untitled Concert Hall Abstraction Watercolor, 1964 Watercolor on thick wove paper (with original label from Cordier & Ekstrom...

Tristan Fabris 1970's-80's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed signed and dated verso canvas: 23.5 x 32 inches private collection, ...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed signed and dated 75' inscribed verso canvas: 32 x 34 inches private colle...

"I want the Color Bombs to be beacons of positivity that can radiate across the room or whisper quietly beside you. I love the freedom and openness of color. These works don’t bring ...

Genre: Contemporary Subject: Abstract Medium: Mixed Media Surface: Canvas Country: United States commissions for movie advertisements, stage sets, and murals in New Hampshire. Arm...

Derrick Latimer Sayer (British, 1917 – 1992) World Theatre of War Signed ‘Derrick Sayer’ (lower left Gouache 7 x 9 in. (17.8 x 22.8 cm.) Derrick Latimer Sayer (1912–1992) has been described as a Neo-Romantic and pop artist, with a career that spanned from the spiritualism of postwar English landscapes, to the bright, optical playfulness of 1960s Pop art. Sayer had a distinguished start to his career, having studied at the Chelsea School of Art in the early 1930s under Graham Sutherland and Henry Moore. In 1936 he founded the Mousehole Group Art School in Cornwall with fellow painters George Lamborn and Guy Allen, and for the next few years he exhibited at a number of small local galleries, while also executing commercial advertising work for major companies such as Shell Oil. The 1940s and 50s were a period of widespread travelling, teaching and experimentation for Sayer, as he founded the Army Art Centre in 1945, worked in the South of France in 1949 and displayed works at the Leicester, Redfern and Winton Galleries across the 1950s. In 1966, he took up the helm as the Head of Art at the Chelsea Westminster Adult Education Institute, a position he held until his retirement in 1982. Ten of Derricks works can be found at the Chelsea Westminster Hospital Arts Project, hung alongside a permanent collection that includes Patrick Heron, Howard Hodgkin, and Sian Tucker. Sayer was known for his studies of female nudes, particularly the examination of the nude in nature...

Vintage signed surreal nude painting. Oil on board. Framed. Image size, 12L x 8H. Signed.

Pastel and colored pencil on paper Samuel Esses, estate of Samuel Esses, thence by descenbt Never afraid of trying new styles, curious and opinionated, constantly engaged with the ...

Kelly Brumfield-Woods (b. 1966, Los Angeles) received an acceptance to Otis College of Art and Design in mid-1980s, the same time she was asked to be Studio Assistant for Mary Corse....

Gouache on board Estate of Sam Esses Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarlett more than once proved t...

Abstract. Philosophical. Colorful. This piece flew together. The brushstrokes nearly flew from my hand to the Board. The colors demanded to play. But a name just did not show up. I...

Kelly Brumfield-Woods (b. 1966, Los Angeles) received an acceptance to Otis College of Art and Design in mid-1980s, the same time she was asked to be Studio Assistant for Mary Corse....

Kelly Brumfield-Woods (b. 1966, Los Angeles) received an acceptance to Otis College of Art and Design in mid-1980s, the same time she was asked to be Studio Assistant for Mary Corse....

The Painting title: Venice Deutsch: Venedig French: Venise Italian: Venezia Artist: Esam Jlilati Medium: original oil color Size: painting 18" x 14" Canvas size 20"...