Abstract Paintings

Red and yellow tonal minimal abstract painting with bicycles. The work is signed by the artist in the bottom corner. The canvas board is framed in a gold frame. Dimensions without F...

Primary tonal painting with toy cars attached to the surface. The work is signed by the artist, Francis d'Estaing, in the bottom corner of the painting. The artist board is framed in...

Huang Gang (b. 1961) "Face with Chinese Calligraphy" Mixed Media including Gold Gilding, Decoupage, Oil on Panel approx 23.5 x 23.5 inches Huang Gang 黄钢 Hu...

Edith Stone Philips (American 1900-1988) "Maelstrom" 1965 Oil on Canvas 30 x 40 inches Signed and Dated Lower Left EDITH STONE PHILIPS, 88 St. Louis Post-Dispatch (MO) - Sunday, Oc...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Ernest Tino Trova "Figurative Abstract" 1965 Oil on Canvas approx 17 x 12.5 inches Signed and Dated Lower Right Known for his Falling Man series in abstract figural sculpture, he cr...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Presenting a just discovered mixed media painting by American artist Robert McIntosh, (1916-2010.) Squared, is an original mixed media oil on canvas board, signed, c.1958 with an i...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Signed lower right: "Kainen". Inscribed verso: "J. Kainen/ Eyrie- Dec 1949".

William Rosewood - Stigmata Medium: Oil on panel Casted in Gold 24 Karat Dimension: Diameter: 120 cm (Framed 130cm) William Rosewood is a talented artist who has discovered th...

Technique: Terre colorée sur toile de jute. Delivered with the certificate of authenticity from the archives of Roberto Matta. Artwork size: 100 x 100 cm. Frame size: 114 x 112 cm. Free shipment worldwide. Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Presenting an exceptional and rare mixed media watercolor by Belgian artist Edmond Vandercammen. Vandercammen was classically trained and well ...

Federico Castellón (1914-1971) was a Spanish-American painter, sculptor, printmaker and illustrator of children's books. Portrait of a Genie, is an original pencil signed etching,...