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Antoni PitxotThe Petrified Origin oil on canvas painting Antoni Pitxot1967
1967
About the Item
Title: The Petrified Origin
Artist: Antoni Pitxot i Soler (1934–2015)
Technique: Oil on canvas
Dimensions: 25.6 x 31.9 in (65 x 81 cm)
Date: 1967
Condition: Unframed
Signature: Signed lower right: Pitxot
Provenance: Private collection
Notes: Early work from Pitxot’s mature period, featuring the symbolic and meticulously rendered stone forms that would define his artistic identity.
📝 Work Description
In The Petrified Origin, Antoni Pitxot presents a haunting and timeless vision of a single, eroded rock suspended in a dreamlike, undefined space. The stone, modeled with sculptural precision, appears to float over a subtly reflective surface, devoid of background or narrative context. Its porous texture, cracks, and shadows evoke a fossilized memory — a silent relic of geological time.
Painted in 1967, this piece exemplifies Pitxot's unique visual language, developed through his practice of collecting stones along the Costa Brava and transforming them into anthropomorphic and symbolic compositions. The result is both surreal and solemn, an ode to nature’s memory and the enduring presence of the inanimate.
👤 About the Artist
Antoni Pitxot i Soler (born in Figueres, 1934 – died in Barcelona, 2015) was a Catalan painter deeply rooted in the surrealist tradition. Coming from an artistic family —his uncle was Ramon Pichot, a friend of Picasso and Dalí— Pitxot trained as a draughtsman and painter from a young age. In the 1960s, he settled in Cadaqués, where he developed his distinct artistic universe.
His paintings revolve around stone as a symbol of permanence, transformation, and memory. Pitxot created sculptural assemblages from real coastal stones and later immortalized them in oil on canvas. His works often hint at human figures, ancient myths, and allegories of time.
🎭 Connection with Salvador Dalí
Pitxot was not only a close friend of Salvador Dalí but also one of his closest collaborators. Dalí admired his work and invited him to co-design the Dalí Theatre-Museum in Figueres. After Dalí’s death, Pitxot became the museum’s director and was appointed lifetime vice president of the Gala-Salvador Dalí Foundation.
While Dalí explored the subconscious and fantastical, Pitxot channeled a more introspective and symbolic energy through his mineral compositions — both artists were obsessed with time, decay, and the transformation of matter.
- Creator:Antoni Pitxot (1934 - 2015, Spanish)
- Creation Year:1967
- Dimensions:Height: 25.6 in (65 cm)Width: 31.89 in (81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Barcelona, ES
- Reference Number:1stDibs: LU1155216179712
Antoni Pitxot
Dalí's friend and collaborator and member of a family of artists, the artistic production of Antoni Pitxot (Figueres, 1934) starts from a realistic brushstroke of expressionist roots that, When the 1960s arrived and having decided to settle permanently in Cadaqués, he left to immerse himself fully in surrealism. Through a complex creative process ―the artist elaborates sculptural models made with stones from L'Empordà and Cadaqués that, taking into account their anthropomorphic significance, become the starting point for his pictorial work―, the exhibition traces an itinerary through the different themes worked on by the painter, such as the allegory of music or the allegory of memory and time. Born into a family with an artistic tradition and closely related to the Dalí family (it is his uncle Ramon Pitxot, who makes Dalí discover impressionism and determines his vocation as a painter), he lives with his family in San Sebastián from 1946 to 1964. There he has as a drawing teacher Juan Núñez Fernández, who had also been one years before Dalí in Figueres. In the 1950s, while practicing expressionist realism, he made himself known with various exhibitions in San Sebastián, Barcelona, Madrid, Bilbao or Lisbon. In 1964 he settled permanently in the family home in Cadaqués. In this period, his work undergoes a decisive turn, since it directs attention to the study of the objects in his environment: the stones of Cadaqués, from which he gives rise to anamorphic, anthropomorphic and allegorical visions, with which he connects with a current underground of Western painting that ranges from certain masters of Italian Mannerism to Surrealism. Also during these years, rebuilding old family ties, she began her relationship with Dalí, which culminated in a lasting friendship.
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