Items Similar to VENUS I by Auguste Herbin - Abstract, geometric painting
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Auguste HerbinVENUS I by Auguste Herbin - Abstract, geometric painting1945
1945
$125,573.63
£92,500
€108,438.73
CA$172,916.02
A$193,524.92
CHF 101,303.39
MX$2,350,976.99
NOK 1,286,295.55
SEK 1,213,839.56
DKK 809,143.75
About the Item
VENUS I by Auguste Herbin (1882-1960)
Oil on canvas
100 x 81 cm (39 ³/₈ x 31 ⁷/₈ inches)
Signed and dated lower left, herbin 1945
Provenance: Private collection, Stockholm
Galerie des Etats-Unis, S.Stoliar, Cannes
Sotheby's London, 2002
Dorval Gallery, Lille
Private collection, France
Literature: Geneviève Claisse, Herbin, Catalogue Raisonné de l'Œuvre Peint, Paris, 1993, no. 846, (illustrated in black and white p. 429)
Exhibition: Cannes, Galerie des Etats-Unis, 1965, no. 29
Artist biography:
Auguste Herbin was a French Cubist and later abstract painter, celebrated as a pioneer of non-figurative, 'radical geometric' abstraction in France while also associated with movements including Orphism, Purism and New Objectivity.
Born in Quiévy, a small village near the Belgian border, Herbin was the son of a workman. He attended the Ecole des Beaux Arts in Lille where he produced post-Impressionist works from 1898 to 1901, before moving to Paris and working in isolation for several years. After visiting exhibitions of Vincent Van Gogh, Paul Gauguin and Georges Seurat, he joined the Fauvist movement.
Gradually, Herbin turned to Cubism. Encouraging this transition was Cézanne's 1907 retrospective at Salon d’Automne and a move in 1909 to the Bateau Lavoir, where his studio was in close proximity to those of Pablo Picasso and Juan Gris. Though his first Cubist works appear in 1913, Herbin’s first one-man exhibition was at the Galerie Clovis Sagot, Paris in 1912.
From 1917 to 1921, Herbin moved to "an ornate phase of Cubism akin to folk art". This work contrasted from that of 1922 to 1925, when he reverted to a more figurative style (a tendency echoed in the oeuvres of Fernand Léger and Picasso during the post-war era). Herbin then settled back into abstraction in 1926, applying himself to organic, often spiral-like forms, before once again pursuing 'pure' geometric abstraction.
Herbin co-founded the Salon des Surindépendants in 1929. Two years later, along with Georges Vantongerloo, Theo van Doesburg, Jean Hélion, Hans Arp and František Kupka, he founded the artist association Abstraction-Création which strove to combine various non-figurative styles. Herbin and Vantongerloo published five issues of an eponymous journal between 1932 and 1936.
From 1938, Herbin's interest in the Italian Trecento led him to more concrete, strictly two-dimensional painting and simple geometric forms. After the Second World War, the artist was co-founder and vice president (also president from 1955) of the Salon des Réalites Nouvelles.
Herbin developed a compositional system called "alphabet plastique", based on the structure of letters, in 1946. This geometric vocabulary of coloured shapes partly derived from Goethe's Farbenlehre or Theory of Colors as well as Rudolf Steiner's anthroposophical writings. It was based on Herbin's conviction that synaesthetic parallels exist between letters, musical sounds, colours and forms, such that words and tones can be expressed in painting. According to his "alphabet plastique", for example, the letter C is dark red, has the form of a circle or square and corresponds to the solfège syllables "do" and "so". For his work during this period (Vierge, Homme et Femme, Foetus, Guerre et Paix and Abri, e.g.) Herbin interpreted terms and expressions loaded with meaning. In 1949, he published his system of "alphabet plastique" as well as colour theories in L'art non-figuratif non-objectif, which took on great significance for a younger generation of artists.
During the 1950s, Herbin was an active designer of tapestries. A lateral paralysis in 1953 forced him to learn painting with his left hand.
Herbin died in Paris at the end of January, 1960. One painting, Fin, remained unfinished.
Herbin’s architectural approach and colour effects have made his pre- and post-war work extensively known in the international art world. Between 1955 to 1972, his work was exhibited at documenta I, II, V and VI (in the last programme, Harald Szeemann put it in the category of Individual Mythologies). Herbin was represented at the Guggenheim Museum, New York in 1979 and in the exhibition Positionen unabhängiger Kunst in Europa um 1937 at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf in 1987. A retrospective at the Museum Haus Konstruktiv was held in 2014.
- Creator:Auguste Herbin (1882-1960, French)
- Creation Year:1945
- Dimensions:Height: 39.38 in (100 cm)Width: 31.89 in (81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU261212871402
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 1964
1stDibs seller since 2015
103 sales on 1stDibs
Typical response time: 7 hours
Associations
Society Of London Art Dealers
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllComposition by ANDRÉ LANSKOY - Abstract painting, colourful art
By André Lanskoy
Located in London, GB
Composition by ANDRÉ LANSKOY (1902-1976)
Oil on canvas
81 x 54 cm (31 ⅞ x 21 ¼ inches)
Signed lower right, LANSKOY
This work is accompanied by a certificate of authenticity issued and signed by the artist, and by a certificate of authenticity dated 15th April 2015 from the Comité Lanskoy, confirming its inclusion in the forthcoming catalogue raisonné currently being prepared by the Comité Lanskoy.
Artist biography:
André Lanskoy was born Andrei Michailovich Lanskoy in Moscow in 1902, the son of Count Lanskoy. The family moved to St. Petersburg in 1909 and in 1918 he moved to Kiev, where he made his first paintings. During the Russian Civil War Lanskoy fought in the Tsarist White Army but after an injury moved to Constantinople and in 1921 arrived in Paris where he stayed for the rest of his life. Recalling his arrival in the French capital, Lanskoy said: "Literally in the first night...
Category
1960s Abstract Abstract Paintings
Materials
Oil
Ville by LÉOPOLD SURVAGE - art, colourful cubist oil painting by Modern master
By Léopold Survage
Located in London, GB
Ville by LÉOPOLD SURVAGE (1879-1968)
Oil and graphite on canvas
73.4 x 60 cm (28 ⁷/₈ x 23 ⁵/₈ inches)
Signed and dated lower right, Survage 24
This work is an early 1924 painting...
Category
1920s Cubist Abstract Paintings
Materials
Oil, Graphite
Petite maison au bord de l'eau by Auguste Herbin - Landscape, Oil painting
By Auguste Herbin
Located in London, GB
*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. once an order is placed we will arrange the VAT of 20% to be reduced to 5%
Petite maison au bord de l'eau by Auguste H...
Category
Early 1900s Post-Impressionist Figurative Paintings
Materials
Oil, Canvas
Jeune Fille à l'Accordéon by ISMAEL DE LA SERNA - Spanish artist, cubist art
By Ismael de la Serna
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE
Jeune Fille à l'Accordéon by ISMAEL DE LA SERNA (1898-1968)
Oil on masonite
88.9 x 115.6 cm (35 x 45 ¹/₂ i...
Category
1940s Cubist Nude Paintings
Materials
Oil
Abstract Composition by Lélia Pissarro - Tempera, abstraction
By Lelia Pissarro
Located in London, GB
Abstract Composition by Lélia Pissarro (b. 1963)
Tempera on paper
7.5 x 21 cm (3 x 8 ¹/₄ inches)
Signed lower right, Lélia Pissarro
This work is accompanied by a certificate of authenticity from the artist.
Artist biography:
From a young age, Lélia’s interest in drawing and painting was nurtured by her grandfather while she sat beside him at his easel, captivated. He taught her the fundamental Impressionist and Post-Impressionist techniques he had learnt from his father and brothers before him and watched as her skills blossomed rapidly. Standing readily on the shoulders of giants, Lélia sold her first painting to New York art dealer Wally Findlay, when she was only four years of age.
When Lélia turned 11 she moved to Paris to live with her parents where, with the guiding support of her father’s teachings she began to broaden her skill sets. Under the watchful eye of her father Hughes Claude Pissarro, she became exposed to new environments and learnt to experiment with abstract styles and subjects. At age 14 Lélia submitted some of these works to the exhibition ‘Salon de la Jeune Peinture’ at the Luxembourg Museum in Paris. Being underage, however, she had to submit these works secretly under the pseudonym Rachel Manzana Pomié.
With her parents dividing their time between France and California, Lélia found herself moving between Tours, Paris and San Francisco, all the while studying fine art and psychology at the University des Beaux Arts. She eventually settled in Paris to teach art at the Moria School and study oil painting conservation under the guidance of a teacher from the Louvre museum. During this time she began to present her work in solo exhibitions in Paris, Lyon, Mulhouse and Rennes.
In 1988 Lélia married English art dealer David Stern and moved to London. Their three children Kalia, Lyora and Dotahn, all paved their own way in the art world. From 1995 Lélia participated in a series of exhibitions entitled Pissarro – The Four Generations, which were held in galleries in London, Tel Aviv, Boston, Austin, San Francisco, Cleveland, Milwaukee and Los Angeles as well as a number of museums in Japan in 1998 and the Museum of Art in Fort Lauderdale, Florida in 2000. In 1999 Lélia also became one of the founders of the Sorteval Press, a group of artists dedicated to developing techniques in etching and printmaking. Their first exhibition took place at the Mall Gallery in London.
In 2005 following a long break in painting because of cancer, Lélia started a journey into modern art creating a number of different series: Circles, Shoes, Animals, exploring these until she reached the point of abstraction and minimalism. Developing innovative techniques, she began incorporating in her work new materials such as gold, wax and encaustic paint.
To coincide with a major exhibition at Stern Pissarro...
Category
21st Century and Contemporary Modern Abstract Drawings and Watercolors
Materials
Paper, Tempera
Birds by Jankel Adler - Abstract painting
By Jankel Adler
Located in London, GB
Birds by Jankel Adler (1895-1949)
Oil and ciment on canvas
61.4 x 46.4 cm (24¹/₈ x 18¹/₄ inches)
Signed lower right, Adler
Executed in 1948
Provenance
Galerie Charles Lienhard, Zürich, 1959
Gimpel Fils Gallery, London
Denham Gallery, UK
Exhibitions
John Denham Gallery, Jankel Adler, June 9th - June 23rd 1996
Jankel Adler was born in Lodz, Poland and lived a life of wandering. In 1912 he moved to Belgrade where he began training as an engraver with his uncle and then went to Germany in 1914 where he lived for a time with his sister in Barmen. There he studied at the college of arts and crafts with Professor Gustav Wiethücher.
Between 1918 and 1921 he moved between Lodz and Germany until in 1922, he settled in Düsseldorf where he became a teacher at the Academy of Arts, and became acquainted with Paul Klee, who influenced his work. A painting by Adler received a gold medal at the exhibition “German art Düsseldorf” in 1928. In 1933, with the rise of Hitler’s Nazi regime, he left Germany for Paris.
With the outbreak of World War II in 1939, he volunteered for the Polish army...
Category
1940s Abstract Animal Paintings
Materials
Oil, Canvas
You May Also Like
Minuit
By Auguste Herbin
Located in Miami, FL
Minuit - From the 12 plate Portfolio, 1959
Published by Denise Rene, Paris
Lithograph in colors on heavy paper
20 x 26 inches
Signed, dated and numbered in ink, edition of 150 copies...
Category
1950s Abstract Geometric Abstract Prints
Materials
Lithograph
Vin
By Auguste Herbin
Located in Miami, FL
Vin - From the 12 plate Portfolio, 1959
Published by Denise Rene, Paris
Lithograph in colors on heavy paper
20 x 26 inches
Numbered in pencil, edition of 126/150
AUGUSTE HERBIN (18...
Category
1950s Abstract Geometric Abstract Prints
Materials
Lithograph
Midi
By Auguste Herbin
Located in Miami, FL
Midi - Plate 3 from the 12 plate Portfolio, 1959
Published by Denise Rene, Paris
Lithograph in colors on heavy paper
26 x 20 inches
Signed, dated and numbered in ink, edition of 150 ...
Category
1950s Abstract Geometric Abstract Prints
Materials
Lithograph
$2,925 Sale Price
55% Off
Nue
By Auguste Herbin
Located in Miami, FL
Nue - From the 12 plate Portfolio, 1959
Published by Denise Rene, Paris
Lithograph in colors on heavy paper
20 x 26 inches
Numbered in pencil, edition of 64/150
AUGUSTE HERBIN (188...
Category
1950s Abstract Geometric Abstract Prints
Materials
Lithograph
Vendredi
By Auguste Herbin
Located in Miami, FL
Vendredi - Plate 10 from the 12 plate Portfolio, 1959
Published by Denise Rene, Paris
Lithograph in colors on heavy paper
20 x 26 inches
Signed, dated and numbered in ink, edition 20...
Category
1950s Abstract Geometric Abstract Prints
Materials
Lithograph
Aoum II by Auguste Herbin
By Auguste Herbin
Located in New Orleans, LA
Auguste Herbin
1882-1960 French
Aoum II
Signed and dated 'herbin 1944' (lower right); titled "aoum" 2 (lower left)
Oil on canvas
This bold and vivid abstract oil on canvas was painted by French painter Auguste Herbin, a pioneer in popularizing Modernist abstraction. Over his expansive nearly 60-year career, Herbin rubbed shoulders with art history greats from Pablo Picasso to Georges Braque before honing his personal and innovative style. Entitled Aoum II, the painting stands apart for its daring color palette and crisp composition.
Painted in 1944, Aoum II embodies Herbin’s fully-formed artistic aesthetic and stylistic tenets. Only two years prior to its creation, Herbin developed his “alphabet plastique,” a synergistic visual language of color and form that he described in detail in his published book L’art non-figuratif non-objectif. Though the artist was highly cerebral in his process of creating art, one does not need to perfectly understand his principles to feel Aoum II's magnetism. The geometric shapes visible in the composition — primarily fragmented triangles and circles — are rendered in bold pinks, blues and yellows on a deep black background. His tiered application of color creates a natural three-register visual effect as if to tell a story from the apex of the form to its denouement.
Auguste Herbin began his artistic training at the École des Beaux-Arts de Lille before moving to Paris in 1901. In the early years of his career, he experimented with a variety of styles, exhibiting Post-Impressionistic works at the Salon des Indépendants in 1906 and Fauvist paintings at the Salon d'Automne in 1907. After a brief Cubist period following his introduction to Pablo Picasso, Georges Braque and Otto...
Category
20th Century Post-Impressionist Abstract Paintings
Materials
Canvas, Oil
More Ways To Browse
1960s Geometric Art
Van S Painting
Auguste Jean
Painting Of Venus
Painting Of Cannes
Abstract Painting 1940 France
Circle Abstract Paintings Black And White
Unfinished Paintings
C Hans Paintings
Cubist Painting 1960s
Europa Painting
After Picasso Tapestry
Vintage Belgian Tapestry
Vintage Belgium Tapestry Tapestries
Stein Georges
Herbin Auguste
Picasso Paix
Jean Arp Tapestry