Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Bob Seng
Bob Seng, Exit 966R, 2019, 23" x 23" scraped, collaged, readymade Exit sign

2019

$3,200
£2,472.56
€2,858.51
CA$4,521.83
A$5,071.53
CHF 2,655.88
MX$61,624.09
NOK 33,725.28
SEK 31,973.94
DKK 21,337.26

About the Item

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light, air, and water. They share joint awards from NYFA, MacDowell and Yaddo. Meanwhile in his own drawing practice, Seng continues to carve and scrape collages made from EXIT signs. In these works, EXITs watch their own disintegration and transformation into what “safe” place might lie beyond the ubiquitous sign. These have been shown throughout the Americas, in group exhibits in places as Pierogi and Flipside in Brooklyn, Another Year in LA, the Painting International Biennial in Guayquil, Ecuador, and more recently at Centotto in Bushwick, Talking Pictures in Bed-Stuy, and Sideshow in Williamsburg, Brooklyn. These "carved" EXIT signs are built up by cutting, scraping, and collaging elements of readymade EXIT signs. They look backwards to analog times of labor, craft, marquetry, quilts, and forward to a new virtual EXIT. Bob Seng came of age in the 1960’s, which was highly charged with wars, social unrest, and looming nuclear apocalypse. Graphic style was high contrast to match. Currently the artist feels a similar global tension. Media and politics are polarizing the lives of societies into black and white, black and red. These redesigned EXIT signs offer possible destinations, maps, escape routes and strategies, while describing the overheated environment. They are records of EXIT signs disintegrating and reforming into a place beyond the EXIT itself. Seng sees them as fragments, screen grabs of our world. They are a momentary diversion from our ongoing cataclysm.
  • Creator:
  • Creation Year:
    2019
  • Dimensions:
    Height: 23 in (58.42 cm)Width: 23 in (58.42 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Darien, CT
  • Reference Number:
    1stDibs: LU17224263862

More From This Seller

View All
Bob Seng, Exit 973RR, 2019, scraped, collaged, EXIT signs, 33” x 31”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Plastic

Bob Seng, Exit 902R, 2018, scraped, collaged, EXIT signs, 29” x 28”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Plastic

Bob Seng, Exit 908R, 2018, scraped, collaged EXIT signs, 20” x 26”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Plastic

Bob Seng, Exit 915RR, 2018, scraped, collaged, EXIT signs, 25” x 30”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Plastic

Bob Seng, Exit 884, 2018, scraped, collaged, EXIT signs, 35” x 29”
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Plastic

Bob Seng, Exit 323, 2000, scraped, collaged, EXIT signs, 8" x 12"
By Bob Seng
Located in Darien, CT
Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...
Category

Early 2000s Conceptual Abstract Paintings

Materials

Plastic

You May Also Like

Original Collage on Canvas Titled: PDP 1071ct19
By Cecil Touchon
Located in West Palm Beach, FL
Post Dogmatist Painting on Panel, signed verso Art is 11 x 14 with frame approximately 12.5 x 15.5 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, p...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Acrylic

Lloyd Martin, Pass Series 103, Mixed Media, 2018
By Lloyd Martin
Located in Boston, MA
Artist: Lloyd Martin Title: Pass Series 103 Size: 30 x 22 inches Medium: Mixed media, acrylic, pastel, graphite, collage on paper Year: 2018 Price: 3,500 American artist Lloyd Marti...
Category

2010s Abstract Geometric Mixed Media

Materials

Paper, Pastel, Mixed Media, Acrylic, Graphite

Untitled #122 by Murray Duncan – Original Contemporary Mixed Media on Paper
Located in Toronto, Ontario
Untitled #122 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...
Category

21st Century and Contemporary Abstract Geometric Abstract Paintings

Materials

Glaze, Oil Crayon, Acrylic

Minimalist, mixed media on panel by Patrick Berran, Untitled
Located in White Plains, NY
'Untitled' 2013 by American artist Patrick Berran. Mixed media on panel, 14 x 11 in. This work encapsulates Berran's signature use of geometric forms. The minimalist image features a pyramid form oscillating in an enclosed space outlined by a square. A dramatic dimensional work with layered “screens” of color in light blue and black colors. Patrick Berran’s practice relies on the transformation of visual materials though a process of constant experimentation and recycling. The artist employs various transfer techniques to evolve his original source material into abstract forms, revealing the subtle textures embedded within their surfaces. The resulting patterns have become Berran’s signature form, which he transcribes, layer upon layer, into his painted compositions. Throughout his work, frames and deconstructed grids punctuate his dense patterning to create a frenetic rhythmic quality aligned with the fast-paced and stripped-down audio experience of punk rock music. Patrick Berran lives and works in New York, NY. He received his BFA from Virginia Commonwealth University in 2002 and his MFA from Hunter College, New York in 2006. He has had solo exhibitions at HUNTER / WHITFIELD, London; White Columns, New York; and Chapter NY. His work has been included in group shows at Rod Bianco, Oslo; M+B Gallery, Los Angeles; Indianapolis Museum of Contemporary Art, Indianapolis; and Gavin Brown...
Category

2010s Abstract Geometric Mixed Media

Materials

Mixed Media, Wood Panel

Untitled #542 by Murray Duncan - Contemporary Mixed Media on Paper
Located in Toronto, Ontario
Untitled #542 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...
Category

21st Century and Contemporary Abstract Geometric Abstract Paintings

Materials

Paper, Glaze, Oil Pastel, Acrylic

1985 Abstract Geometric Monoprint Painting Chine Colle Collage Robert Kelly
By Robert Kelly
Located in Surfside, FL
Robert Kelly (American, 1956-) Abstract Monoprint 1985 Pencil titled Donja XI and dated 1985 lower left Hand signed lower right Provenance: from the collection of a prominent US corporation. Dimensions: Sheet: 33.5" X 28" Image: 26" X 22" Robert Kelly (born 1956) is an American artist. He is based in New York City. Kelly was born in Santa Fe, New Mexico, and studied at Harvard University, Cambridge, Massachusetts (B.A. 1978). His paintings have been acquired by public and private collections in Europe and the United States, including The Whitney Museum of American Art, New York, NY; The Brooklyn Museum, Brooklyn, NY; The Museum of Fine Arts, Santa Fe, NM; Milwaukee Art Museum, Milwaukee, WI; Smith College Art Museum, Northampton MA; Jane Voorhees Zimmerli Art Museum, Rutger’s University, NJ; Montgomery Museum of Fine Arts, Montgomery; The Fogg Museum, Cambridge, MA; The Margulies Collection, Miami, FL; and the McNay Art Museum, San Antonio, TX. Kelly has traveled throughout the United States, Europe, North Africa, the Near East, and Nepal. His work often incorporates unusual materials from his journeys, among them vintage posters and printed antique paper, obscured and layered in saturated pigments on a canvas faintly scored with irregular grids. Kelly’s paintings have been likened to palimpsests and his method described as one of building “meticulously on inhabited ground, layering materials, documents, and signs, covering them, wiping out their beauty, nearly, but allowing something of the labor and their languages to persist.” Kelly worked as a commercial photographer for Polaroid in Cambridge, Massachusetts, and completed residencies at The MacDowell Colony and The Karolyi Foundation, Vence, France, before devoting himself entirely to painting in 1982. His work has been the subject of more than forty-five solo shows at venues in North America and Europe, including Spazio Bianco/AR Contemporary Art, Milan, Italy; Leslie Feely Fine Art, New York; and The John Berggruen Gallery, San Francisco, California. He has participated in more than one hundred group shows in the United States and abroad. including the Projects Inaugural Exhibition at Bentley Gallery Featuring works by Jim Dine...
Category

1980s Abstract Abstract Prints

Materials

Monoprint, Monotype