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Clay JohnsonUntitled (#698) Painting in Acrylic on Paper, 20202020
2020
About the Item
Untitled (#698) Painting in Acrylic on Paper, 2020
Additional information:
Medium: Acrylic on paper
Dimensions: 16 × 20 in (40.6 × 50.8 cm)
Clay Johnson (American, b. 1963) was born in Durham, North Carolina, where he studied art and art history at Duke University, receiving a B.A. degree in 1985. He then worked for several years as assistant to the painter Robert Natkin in Connecticut and New York City. He began showing paintings from his first series of mature work in 1998, and has since exhibited in galleries across the United States and in Europe. His work is represented in collections around the world. Clay began work on his Strata Series shortly after relocating to Wyoming, and, while non-objective in nature, the paintings convey a sense of the wide open landscape of the American west. The Atomic Series continues his exploration of formal concerns—light, color, texture—while introducing a more narrative element inspired by the interactions of subatomic particles. Clay currently lives and works in Laramie, Wyoming.
Johnson's "Strata Series" is a stunning collection of abstract paintings and works on paper that capture the essence of memory and the human experience. Moving to Wyoming, known for its vast open spaces and breathtaking landscapes, served as a major inspiration for his work. While the paintings may not have overt references to the natural world, they convey a powerful sense of the wide-open space and the ever-changing formations of the land.
Johnson views his paintings as collections of moments and experiences that have been collaged together. This mirrors the way our minds construct memories, with layers of different moments and experiences blending to create a representation of a person, place, or idea. In a similar way, Johnson layers many sections over one another in his paintings, keeping the parts he likes and painting over or modifying the less memorable elements. This process of editing and layering reflects the way our brains forget certain experiences and focus on others, creating a distorted but meaningful representation of our memories.
Upon first glance, the "Strata Series" paintings may appear chaotic and busy, but upon closer inspection, the layers reveal a carefully crafted composition. The many layers are distinct and yet seamlessly blend together to create a cohesive whole. This perfectly captures the complexity of human memory, where seemingly unrelated moments and experiences come together to form a unique and meaningful representation of our lives. By incorporating this concept of memory within his paintings, Johnson invites viewers to contemplate their own memories and the ways in which they construct their own realities.
- Creator:Clay Johnson (1963, American)
- Creation Year:2020
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)Depth: 1 in (2.54 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Orange, CA
- Reference Number:1stDibs: LU2793215531982
Clay Johnson
Clay Johnson is an American abstract painter whose reductivist compositions explore the relationships between color, form, and texture. He lives and works in Laramie, Wyoming. Johnson earned his B.A. in studio art and art history from Duke University in 1985. Afterwards, he worked as studio manager for the painter Robert Natkin. Says Johnson, “Most of what I know about painting I learned from Bob.” The technique Johnson employs is extremely rigorous, involving, as he says, “pushing paint around with palette knives and drywall tools rather than brushes.” Johnson has exhibited in numerous group and solo exhibitions throughout the United States. His work is in the collections of the Kimpton Corporation and the University of Wyoming Art Museum, among others. The scraping and sanding creates a variety of different textures and leads to the emergence of unexpected forms. Because of the intensity of his method he prefers rigid surfaces, such as wood and aluminum panels, though he sometimes also works on paper and canvas stretched over panels. He prefers acrylic paint because of its fast drying time, which allows him to react quickly as the layers evolve towards a sense of completion.
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