Douglas Litterick Swan

Untitled, Oil on Canvas by Douglas Swan, 1963 Circa

Circa 1963

Painting, November, Oil on Board Painting by Robert Sadler, 1957 Additional information: Medium: Oil on board 48 x 61 in 121.9 x 154.9 cm Signed; titled on support bars (William) Robert Sadler produced abstract works in varying sizes with a spare poise and strong use of colour. The son of a noted racehorse trainer, Sadler was born at Falmouth House (now demolished) at the northern edge of Newmarket, Suffolk. By the age of fourteen he was drawing and painting aeroplanes, horses, houses and landscapes. After studying at Eastbourne College and Sidney Sussex College, Cambridge, where he read Mechanical Engineering, in 1930 he joined the Royal Air Force as a pilot. In 1942, whilst posted to the Air Ministry as Director of Plans, he attended art school in London and spent the following year in Turkey on special duties where he lectured at the Turkish Air Staff College and painted and rode race horses. At the end of the war he returned to the UK and took up the post of Station Commander at RAF Binbrook in Lincolnshire. In 1947 he moved to Denmark as Air Attache to the British Embassy in Copenhagen where he attended art school and two years later, whilst Vice-President of the RAF Officers' Selection Board, set-up a studio in Stockbridge whilst attending art school in Winchester. In 1953 he moved to the USA to take up the post as representative on the NATO Joint Chiefs of Staff Intelligence Committee during which period he attended the Corcoran School of Art in Washington DC where he first encountered the work of the American Abstract Expressionists. Returning to the UK in 1955 he moved back to Newmarket, having retired from the RAF 'to devote the rest of my life to painting.' He attended Heatherley's School of Fine Art in London, Cambridge Technical College and became a member of the Winchester Art Society and the Cambridge Society of Painters & Sculptors. His first one-man show was at Swaffham Prior, Cambridge and from then until 1963 he lived and painted in a largely abstract expressionist style influenced by the Ecole de Paris Tachisme of Poliakoff and de Stael and by the contemporary British work of Peter Lanyon, William Scott, Bryan Wynter...

Untitled, Oil and Pencil Painting by Adrian Heath 1920-1992, 1968 Additional information: Medium: Oil and pencil 56 x 76.5 cm 22 x 30 1/8 in Signed with initials and dated

Coaster, Oil on Canvas Painting by John Hubbard 1931-2017, 1962 Additional information: Medium: Oil on canvas 178 x 152.5 cm 70 1/8 x 60 1/8 in Signed, dated, titled and inscribed '...

Untitled Abstract, Oil on Board Painting by John Plumb, 1956/57 Additional information: Medium: Oil on board 81.3 x 121.9 cm 32 x 48 in

An original large abstract oil on canvas by British Canadian artist William John Bertram Newcombe. This stunning abstract expressionist oil in blues and greys is a bold, adventurous ...

Oil on Canvas by Carlos Carnero. He was friend and pupil of Fernard Léger and friend of the most important artist of his time, such as Picasso and Matisse. This is from his abstrac...

This abstract painting by Modernist artist Stanley Bate combines deep, textured red with creme and dark blue and grey. Geometric shapes throughout the painting are softened by the en...

This Modern painting by Abstract Expressionist Stanley Bate was made with oil on canvas circa 1960. In it, layers of red, yellow, white, and umber paint are expressively applied over...