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Elaine KazimierczukTackley Triptych Revisited, Acrylic paint on canvas, Abstract, Landscape, Floral2023
2023
$14,308.56
£10,500
€12,266.70
CA$19,653.16
A$21,974.64
CHF 11,526.62
MX$266,165.68
NOK 145,500.88
SEK 137,463.18
DKK 91,558.76
About the Item
This triptych is a series of three panels which may be arranged together, in contact, slightly apart or even on separate walls. Each panel is 100 x 100cm. The two end (right and left) panels can also be made available as single panels or a diptych may be made by combining the left with the centre or the right with the centre. The centre panel cannot be made available as a single panel. It is currently unframed to allow for the canvases to be placed in contact. These deep canvases can look very effective when left unframed. If hung separately, framing may be more effective. The scene depicts the edge of a meadow I saw along a back country lane in Oxfordshire on a sunny summer afternoon. It was a riot of wildflowers - yellow ladies bedstraw, purple loosetrife, mauve scabious and peach pink scabious and red clovers besides many others, set against the gentle greens of the hedges and hills beyond.
Additional information:
Acrylic paint, Oil Crayon, Oil Paint on Canvas
100 H x 300 W x 3.41 D cm (39.37 x 118.11 x 1.34 in)
Sold unframed
Image size:
Height: 100cm (39.37 in)
Width: 300cm (118.11 in)
Complete size of unframed painting
Height: 100cm (39.37 in)
Width: 300cm (118.11 in)
Depth: 3.41cm (1.34 in)
Artist BIO:
Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions. She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment. In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award.
Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire. In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality. Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
- Creator:Elaine Kazimierczuk (Polish)
- Creation Year:2023
- Dimensions:Height: 39.38 in (100 cm)Width: 118.12 in (300 cm)Depth: 1.35 in (3.41 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:Seller: WYCHWOOD ART GALLERY 1stDibs: LU632313763282
Elaine Kazimierczuk
Elaine Kazimierczuk artist paints original art and is available to buy online and in our art gallery. Elaine Kazimierczuk studied chemistry at university and taught for many years before becoming a professional artist. She has written and illustrated a series of books on local history besides a monograph on the religious works of the prominent sculptor Peter Eugene Ball, with whom she collaborated on many major commissions. She is a trustee of Midlands-based Ice-age Archaeological Insights and produces visual interpretations of prehistoric people and their environment. In addition to the demand for her landscapes, there is a growing clientele for her portraiture. She has been shortlisted for the 2016 BP National Portrait Award. Many of Elaine Kazimierczuk’s works are based on interpretations of intimately-known localities, frequently, but not exclusively, in her native Nottinghamshire. In her semi-abstract studies of meadows, trees and hedgerows, she achieves a tension between looseness and control, which enables her to convey that intricate assembly of wild beauty. Frequently working on a red ground, which resonates with the vibrant overpainting, she adopts a bold approach, so that there is an evident freedom, just short of capriciousness, either of hand or eye, in the brushwork. Her works represent the ordered chaos of the natural world with energy and vitality. Elaine Kazimierczuk has recently been awarded the Mary Moser Prize for 2018. This is an Oxfordshire Art Weeks prize awarded to a person who has changed career and taken up art professionally later in life.
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