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Fuen ChinAbstract Impressionism, Surrealism, Landscape2023
2023
About the Item
Hypermorph Garden 6.0 is a figurative landscape painting about the mangrove forests and the creatures: fishes, shells, monkeys, birds and many more.
Inspired by the historical remains at The Sungai Batu Kedah Tua Kingdom in Kedah, I used acrylics and ink to narrate the surrounded nature and my illusions about it.
Archaeological excavations have indicated the existence of ancient ports and iron trade activities at the Sungai Batu Kedah Tua Kingdom. Also, the excavations have proven the existence of the earliest Malaysian civilisation dated back to 788BC. I visited the site several times to have a closed-up look of the remains. The stone-blocks, bushes, ancient mangroves, smelting furnace and destructed stone ground have instigated my imagination about the historical contexts.
I made several drawings of the remains. The process of drawing dragged my vision and mind into historical illusions. As a result, I made this painting in reminiscent of the atmosphere and properties of the remains. Each of the calligraphic strokes is my way of drawing and writing about the illusions I had.
The ruins took space of 4km square, and made along the Merbok river, ever wonder why it could survive all the monsoons? The massive mangrove forest has protected it for ages. Nevertheless, the mangrove also protected my city - Sungai Petani from high tide and flood.
The Sungai Batu Kedah Tua Kingdom is a hidden gem in Kedah. The remains are inspirational and the ancient mangroves is a precious contexts to the historical landscape.
The painting is signed on the back and includes my Certificate of Authenticity. All Rights Reserved.
- Creator:Fuen Chin (1979, Malaysian)
- Creation Year:2023
- Dimensions:Height: 48.04 in (122 cm)Width: 60.04 in (152.5 cm)Depth: 0.71 in (1.8 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Sungai Petani, MY
- Reference Number:1stDibs: LU2769214872132
I am a visual artist based in Kedah state, Malaysia. My calligraphic artworks take inspiration from the natural landscape and plants. It is a nostalgic reflection of my childhood spent in the Chinese herbal shop. Both of my late grandparents were Chinese from Southern China with backgrounds in Chinese herbs and medicine. They ran a small herbal shop in a small town called: Sungai Petani (it means Peaceful River). It was there where I learned the importance of Chinese herbs and the stories around them. It is these stories and my visions about plants that provides an endless inspiration for the calligraphic floral paintings. “Inspired by her family’s background in Chinese herbal medicine, Fuen creates calligraphic botanical paintings with dense, rhythmic compositions and bold mark making.” – Rebecca Wilson The vision provides me an endless inspiration to developing artworks, such as: the calligraphic floral paintings series (exhibited at the Vintners Place, London, 2019), the extra-long interconnected paintings about the mangroves (captured by drone and Matterport and perform through VR technology, 2022) and upcycling worn-out fibres to make The Storytelling Wardrobe (exhibited at the London Design Festival, 2016) Starting out as a self-taught artist, I eventually studied a Fine Art research degree at the Royal College of Art. The 4 metres long storytelling painting installed on an optical canvas at the entrance corridor of the Royal College of Art Jay Mews campus, citing the following response from the panel of judges: ‘We very much enjoyed your proposal and presentation and thought there were a lot of interesting possibilities that may emerge from your works.’ I continue to develop artworks concerning the natural landscape, within a more contemporary context.
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