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Georges MathieuL’horizon mensonger1990
1990
About the Item
Georges Mathieu (1921 - 2012)
L’horizon mensonger
Alkyde sur toile / Alkyd on canvas
Signé en bas à gauche, titré au dos / Signed lower left and titles on the back
Circa 1990
Size : 146 x 114 cm / 57.48 x 44.88 inches
Certificat d'authenticité du Comité Georges Mathieu en date du 16/09/2023.
Exhibition :
Mathieu : Période Barbare 1990, Cat. exp. Musée Léon Dierx [Saint-Denis, la Réunion, 12-29 Avril 1991]
Publications :
Mathieu : 50 Ans De Création, Paris, Hervas, 2003, p. 671 (non illustré).
Mathieu : Période Barbare 1990, Cat. exp. Musée Léon Dierx [Saint-Denis, la Réunion, 12-29 Avril 1991], Musée Léon Dierx, 1991 (illustré en couleur en pleine page).
- Creator:Georges Mathieu (1921 - 2012, French)
- Creation Year:1990
- Dimensions:Height: 57.49 in (146 cm)Width: 44.89 in (114 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2311214187432
Georges Mathieu
Georges Mathieu was born at Boulogne-sur-Mer (Pas-de-Calais) in 1921. Mathieu studied literature and philosophy at Lille University before switching to art at the age of twenty-one. He taught English at Douai High School and French at the American University of Biarritz. After an interest in realistic landscapes and portraits, Mathieu developed a distinctive Abstract Expressionist style, which grew out of an emotionally driven, improvised, and intuitive act of painting. In 1946 his first exhibition was presented at VI Salon de moins de 30 ans at the Galerie des Beaux-Arts in Paris. His first personal exhibition was in 1950 at the Galerie René Drouin. In 1947 Mathieu worked with Camille Bryen to organize a tachist-oriented exhibition, which he designated as ‘non-figuration physique’. His painting defined ‘lyrical abstractions’, goes beyond traditional and formal constraints of regulative systems, placing Mathieu with Fautrier and Dubuffet as an important exponent of French Informel, as defined by the French art critic Tapiè. Up to 1951, Mathieu continued to organize group shows to demonstrate his interest in Jackson Pollock’s spontaneous gestural handling of paint. In those years he, among his numerous exhibitions, organized an event to show the difference between American and European painting styles at the Montparnasse Gallery.His artworks were appreciated internationally and exposed in London and New York. His first paintings were defined tachists by critics because of the artist’s use of lumps of color (tache, in fact, means stain) directly applied on canvas. His works are apparently confused but they all have a central axis from which curves and lines develop in a planned way.In 1950 his projects were no more focused on signs but on painting gestures and quickness. His painting was intuitive and irrational. From 1954 Mathieu staged the painting of large-scale works as theatrical events, culminating in utilizing 800 tubes of paint to create a painting measuring 4 x 12 meters in front of an audience of 2000 at the Théâtre Sarah-Bernhardt in 1956. Somewhere between Happening and Action Painting, Mathieu succeeded in producing a decoratively linear painting, reminiscent of calligraphy. Mathieu continued to perform his Action Paintings throughout Europe and Japan. He went to Japan together with Tapié to meet the Gutai Group. There he executed a kimono performance during an action-painting show. During this event, he also realized 21 artworks and among these, we find a 15 m painting. Mathieu’s works were shown at special exhibitions in Paris and New York in 1950 and 1952. He participated in numerous international exhibitions, including Documenta II in 1959. In the early 1960s, Mathieu also created sculptures and designed furniture, tapestries, and frescoes. In 1975 he was elected a member of the Arts Academy in Paris and in 1986 he exposed his works at Biennale di Venezia. Georges Mathieu was defined as the founder of Tachism and art theorist in the essay “Au-delà du Tachisme”. He also composed essays on architecture, furniture, and typography.
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San Diego Art Institute, “50th Annual Awards Exhibition”, San Diego, CA Manifest Gallery , “Monochrome”, Cincinnati, OH
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Wesport Arts Center,” Willard Lustenader” Westport , CT . Solo Exhib.
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Silvermine Galleries, “59th Art of the Northeast” New Canaan, CT Thom Collins , Dir. Neuberger Museum, Purchase, NY juror. Honorable Mention
Hygienic Gallery, New London, CT “Third Crossing” Jeffery Anderson, Dir. F. Griswold Museum, Old Lyme, CT juror, Best in Show.
Brad Cooper Gallery, Tampa, FL “Co-Existence” 23rd Anniversary Exhib. Dec. 2007 – Feb. 2008 Seton Art Gallery, Sacred Heart University, Faculty Show, Fairfield, CT
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Luchsinger Gallery, Wallace Performing Arts Center, Greenwich Acad., Greenwich, CT Solo Exhib.
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Hoorn-Ashby Gallery, Nantucket, MA
Brad Cooper Gallery, Tampa, FL
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Longstreth Goldberg Gallery, Naples FL
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Bachelier Cardonsky Gallery, Carol Anthony, Willard Lustenader and Melissa Stern . Kent, CT Hoorn-Ashby Gallery, Summer Group, New York, NY
Hoorn-Ashby Gallery, Nantucket, MA
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Cooley Gallery, Old Lyme, CT “Annual Group Exhibition”
Premier Etage Gallery, Newport, RI “Gallery Artists”
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Cooley Gallery, Old Lyme, CT “Annual Group Exhibition”
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Yale University, Ezra Stiles College Master’s House, New Haven, CT Solo Exhib. Silvermine Galleries, 50th Art of the Northeast, New Canaan, CT
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1997
Nassau Club, Pinceton, N J Solo Exhib.
New Britain Museum of American Art, New Britain, CT “Art for the Cure” Honorable Mention. Gregory Gallery, Darien, CT
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Ward Center for the Arts, St. Paul’s School, Baltimore, MD
Paul Mellon Arts Center, Wallingford, CT
Cooley Gallery, Old Lyme , CT
Gregory Gallery, Darien, CT
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John Slade Ely House, Center for Contemporary Art, New Haven, CT, Award
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Greenwich Art Society, Greenwich, CT E.C. Potter Award for Best in show. Silvermine Guild Galleries, 46th Art of the Northeast, New Canaan, CT Erector Square Gallery, New Haven, CT
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Paul Mellon Arts Center, Wallingford, CT "Portraits, Figures and Landscapes" Solo Exhib. John Slade Ely House, Center for Contemporary Art, New Haven, CT
Greene Art Gallery, Guilford, CT
Cooley Gallery, Old Lyme, CT
1994
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1993
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CB's Gallery, New York, NY "American Art Since 1992", curated by Margaret Bodell
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Hotel de Ville de Montrouge, Paris, France
1989
Madison Gallery, Madison ,CT
Erector Square Gallery, New Haven, CT
1988
Erector Square Gallery, New Haven, CT
1987
Erector Square Gallery, New Haven, CT Erector Square Gallery, New Haven, CT
"XXXVe Salon de Montrouge"
1986
Paul Mellon Arts Center, Wallingford, CT "New Paintings" Solo Exhib. Sarah Rentschler Gallery, New York, NY 3 person exhib.
Greene Art Gallery, Guilford, CT
Southern Massachusettes University Gallery, North Dartmouth, MA "Evils of Power", catalogue
1985
Showplace Gallery, New Haven, CT "Recent Paintings" Solo Exhib.
New Haven Foundation, New Haven, CT "Works on Paper" Solo Exhib.
Slater Memorial Museum, Norwich, CT juried show.
Showplace Gallery, New Haven, CT Group show.
Richardson-Vicks Corp. Gallery, Wilton, CT, Alice Neal juror
Stamford Art Association, Stamford, CT "Faber-Birren Color Award Show" 2nd prize Erector Square Gallery, New Haven, CT
Silvermine Gallery, New Members Show, New Canaan, CT
1984
"New Work" Solo Exhib. group
Shoreline Alliance for the Arts, Guilford, CT
Richardson-Vicks Corp. Gallery, Wilton, CT , Robert Motherwell juror
1983
Wilton Gallery, Wilton, CT
Fox Hill Gallery, Ridgefield, CT
1979
Palmer Gallery, Vassar College, Poughkeepsie, NY
Collections:
New Britain Museum of American Art, New Britain, CT General Electric Corporation, New York, NY
Warburg Pincus, New York, NY
Surdna Foundation, New York, NY
Stephen Hood, Sao Paulo, Brazil
Robert and Maureen Rothchild Collection, New York, NY
Horace Irvine, II Collection, Boston, MA
Suida-Manning,Dolnier Collection, Watertown, CT and Newport, RI Housatonic Technical College, Bridgeport, CT
Stoke, Stoke & Lanar LLC. Miami, FL
J. Skagen, Chicago, IL
Patrick and Carol Cardon, Pontlevoy, FR and Camden, ME
Burt and Elena Prohaska Glinn, Southampton, NY
B. and M. Cohen, Greenwich,CT
D. and K. Keegan, Greenwich, CT
Choate Rosemary Hall, Wallingford, CT
F. and K. Giampietro,, New Haven, CT
H. Greene and M. Kluger, Redding, CT
Day Pitney LLP, New Haven, CT
Smilow Cancer Hospital, Yale New Haven Hospital, New Haven, CT
Bibliography:
Areas of Refuge review Ct Art Scene
New review for "Areas of Refuge" at Giampietro Gallery by Hank Hoffman for CT ART SCENE
Greenwich Time, Willard Lustenader in ‘Three Visions’ exhibition...” Jan. 13, 2011 New Haven Magazine, “The Family Home” by Duo Dickinson, Aug. / Sept., 2010 , p. 28 Manifest vol.39,” Monochrome” catalog Fine Arts Fund pub. 2009 , vol. 39, pp. 9-10 Cincinnati Art Snob, blogspot “Manifest” review posted Sunday, Sept. 27, 2009
Garage Noir, blogspot by Karl Stephan. June 6, 2009 vol. 2, issue 6
New Haven Register, “Paean to Painting” by Judy Burke, Sunday, May 18, 2008 Shoreline Times, “Painting as Presence” by Leah Lopez Schmalz, May 2008
Tampa Review 31/32, “Home Movie” p.11, Uni. of Tampa Pub., 2007
Greenwich Academy Gets Glimpse of Great Art, Greenwich Post, Nov. 15, 2007 Connecticut Art Scene, “Open Studios” by Hank Hoffman, Oct. 19, 2006
New Haven Independent, by Lesha Daley, “From ‘Swimsuit Girl’ to.....” Oct. 16, 2006 New Haven Advocate, Oct. 9, 2006, p.3
New Haven Register, City-wide Open Studios, Oct. 9, 2005
New York Times, CT section, p.13 June 19, 2005
The Ledger, Tampa, FL regional, review Emotion Flows from Realism in FSC Show”, Sept. 19, 2003, p. 4
St. Petersburg Times, Tampa, FL review “Feel the Tension in the Room” by L. Bennett, May 17, 2003
“The Introspective Realism of Willard Lustenader”, by Dr. S. Salamone, Brad Cooper Gallery publication, May 5, 2003
Newport This Week, Newport, RI review “Much to Ponder at Lustenader Show” May 30, 2002, P. 13
New Britain Museum of American Art, cat. The Body Revealed, April-June 2002
The Hartford Courant, Owen McNally, Oct. 7, 1999, p. 37
Antiques and the Arts Weekly, review “Cooley Gallery To Exibit Works by Contemporary Artist Bill Lustenader” Oct. 1, 1999, p. 80
Optimist, Northampton, MA cover and article by Mark Auerbach, “Light in the ....Art of Willard Lusternader” Oct.3, 1996
New Haven Register, May 3, 1987
New Haven Independent, review by Christopher Arnott, Revisionist History” vol. 1, no. 35, May7, 1987
Connecticut’s Finest Magazine, “People and Places”, Charotte Libov, Winter 1986 issue, p.18 Record-Journal, Wallingford, CT “Artist Expresses Images, Feelings...” interview by Martin Glasser...
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Artspace, New Haven, CT “Out of Line” work on paper curated by Leslie Nolan, Dir. Center of Contemporary Printmaking, Norwalk, CT
Manifest Gallery, Cincinnati, OH group show “ ARCH., Exploring Made Space” Mar. 2011 Flinn Gallery, Greenwich Public Library, Greenwich, CT “Three Visions: Perry Burns, Willard Lustenader and Karen Santry” Feb 3 – March16, 2011
2010
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International Juried Show 2010, Visual Arts Center of New Jersey, Summit, NJ Jan. – Mar. 2010 Artspace “Conspectus I” flat file exhib. New Haven, CT curated by Liza Statton
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Artspace, “ Index II”, New Haven, CT
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This listing is for 1. I have 2 similar ones available.
Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an Iraqi-American-Israeli painter, collage artist and sculptor who lives and works in New York City and Israel.
Ben-Haim unveiled his sculpture, Treasure the Green, in SoHo on Broadway. The project was sponsored by the SoHo Broadway Initiative and the New York Department of Transportation's Art Program. The sculpture is considered to be the first sculpture to receive permission to be installed on a bus bulb on Broadway. The sculpture was made to "emphasize the importance of nature in our lives," and stands as a reminder of "the importance of reconnecting with the pure nature of the green." The sculpture uses the symbol of the leaf, which has been a major icon of Ben-Haim's work for the past 30 years. It symbolizes nature and it is a metaphoric way of emphasizing nature and the surrounding environment. He is of the first generation of Israeli artists to develop large international followings like Yaacov Agam, Menashe Kadishman and Avigdor Arikha.
Ben-Haim has received numerous grants and awards, including from Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvey Foundation Venice, Muestra Int. de Obra Grafica (Spain), and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in N.Y.C., the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum.
Education
1972-74 M.F.A., San Francisco State University, San Francisco, California, USA.
1972-73 M.A., J.F.K. University, Orinda, California, USA.
1971 California College of Arts & Crafts, Oakland, California, USA.
1966-70 The Avni Institute of Fine Arts, Tel Aviv, Israel.
Selected public collections
Splendid Step (2003) next to the Tel Aviv Museum of Art
Museum of Contemporary Art, Athens, Greece
Columbia Museum of Art, Columbia, SC
Israel Air Force Center Foundation, Tel Aviv, Israel
NASA, Houston, Texas
Bank Leumi USA, Fifth Avenue, New York, NY
Pfizer Company Collection, New York, NY
Reading Public Museum, Reading, PA
Guggenheim Museum, New York, NY
Haifa Museum, Haifa, Israel
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
New School, New York, NY
University of Maryland, College Park, Maryland.
Israel Museum, Jerusalem, Israel.
Brooklyn Museum, Brooklyn, NY
Malmö Museum, Malmö, Sweden.
Jewish Museum, New York, NY
Tel Aviv Museum of Art, Tel Aviv, Israel.
Museum of Fine Arts, Ghent, Ghent, Belgium.
National Gallery of Art, Washington D.C.
Fine Arts Museum of Long Island, Hempstead, NY
Buscaglia-Castellano, University Museum, Lewiston, NY
Dan Eilat Hotel, Israel.
International Paper Company, New York, NY
World Bank, Washington D.C.
Westminster Bank, New York, NY
Israel Embassy, Washington D.C.
Frederick R. Weisman, Los Angeles, CA.
Rikers Hill Sculpture Park, Livingston, NJ
Heckscher Museum of Art, Huntington, NY
Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio
Group Exhibitions
Bertha Urdang Gallery, NY, USA
Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal...
Category
1980s Abstract Geometric Abstract Paintings
Materials
Metal