Gustavo Ubeda

Picassian surreal scene oil on board painting surrealism Picasso Ubeda

c.1975

Kristians Tonny (French, born Holland; 1907-1977) Circus Oil on prepared board, 16 1/2 x 13 inches Framed: 22 x 19 inches (approx.) Inscribed on reverse: (in pencil) "cadre noir/ave...

“Traveling Together” is a colorful, abstract, surrealist painting by Armenian artist, Vatche Geuvdjelian painted in 2012. Artist’s Statement “𝘛𝘩�...

In the garden. 1970s Cardboard, tempera, 59x59 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born i...

David Hare Summer Land, 1970 Acrylic or oil paint and collage on board Dimensions: 26 X 36 inches. Framed measuring 29 x 38 inches. Hand signed, dated and titled on tape to verso 'Summer Land 1970 Hare'. Provenance: Hamilton Gallery of Contemporary Art, New York David Hare (1917 – 1992) was an American artist, associated with the Surrealist movement. He is primarily known for his sculpture, though he also worked extensively in photography and oil painting. The VVV Surrealism Magazine was first published and edited by Hare in 1942. Born March 10, 1917 in New York City, New York to father Meredith Hare, a lawyer and mother Elizabeth Sage Goodwin, an art collector. In the 1920s the family moved first to Santa Fe, New Mexico and later to Colorado Springs, Colorado, in hope that the fresh air would help heal Meredith Hare's tuberculosis. His mother founded the Fountain Valley School, where David attended high school. After high school Hare married and moved to Roxbury, Connecticut where he worked as a color photographer. He attended Bard College in Annandale-on-Hudson from 1936 to 1937, studying biology and chemistry. In the late 1930s, with no previous artistic training, he began to experiment with color photography. Using his previous education in chemistry Hare developed an automatist technique called "heatage" in which he heated the unfixed negative from an 8 by 10-inch plate, causing the image to ripple and distort. Hare's Surrealist experiments in photography were only one of his many projects. In 1938 he met Susanna Winslow Wilson and the couple soon married. Both David and Susanna pursued their interests in Surrealism and regularly attended Surrealist gatherings in New York Larre French restaurant on 56th street and at Breton's Greenwich Village apartment. In 1940 he received a commission from the American Museum of Natural History to document the Pueblo Indians of the American Southwest, for which he eventually produced 20 prints developed using Eastman Kodak's then-new dye transfer process (a time-consuming and complicated technique). In the same year, he also opened his own commercial photography studio in New York City and exhibited his photographs in a solo show at the Julien Levy Gallery. In the next few years, through his cousin the painter Kay Sage, he came into contact with a number of Surrealist artists who had fled their native Europe because of World War II. Hare became closely involved with the émigré Surrealist movement and collaborated closely with them on projects such as the Surrealist journal VVV, which he co founded and edited from 1941 to 1944 with André Breton, Max Ernst, and Marcel Duchamp. With numerous illustrations by Breton, Leonora Carrington, Marc Chagall, Roberto Matta, Giorgio de Chirico, MarcelDuchamp, Max Ernst, Andre Masson, Joan Miro, Enrico Donati, Dorothea Tanning, and others. Published in only four issues between 1942-44, VVV was an experimental New York-based magazine devoted to the dissemination of Surrealism. Edited by David Hare, the short-lived magazine featured contributions from some of the leading avant-garde artists of the period. David and Susanna divorce in 1945 and Breton’s wife Jacqueline Lamba...

Abstract surrealist black and white airbrush painting of an Absolut Vodka bottle surrounded by a variety of figures. The piece includes the faces of ...

Artist/ School: signed verso, dated 1999 Title: Carnival Figures Medium: signed oil painting on canvas, framed framed: 26.5 x 37 inches canvas: ...

Artist/ School: Josyne Gallet Title: Floating Figure Medium: oil painting on canvas, unframed Size: canvas: 45.5 x 28.75 inches Provenance: private collection, France Condition...

Artist/ School: T. Fabris 1973, French Title: Abstract Surrealist Figurative study Medium: oil on canvas, framed Framed: 27 x 20.5 inches Painting: 26 x 19 inches Provenance: pri...

The Rainbow French School, signed with monogram and dated 1985 oil painting on canvas, unframed: 77 x 31 inches condition: overall very good, a few very small indents to the giant canvas but no holes, rips or damage. provenance: from a collection in France One of the largest paintings we have available at the moment, this staggering painting is very beautiful with the deep blue sky, the rainbow arching through the landscape, set against the backdrop of a fantasy Greek/ Romanesque landscape with ancient columns...

Miguel Anibal (Chile, b. 1935), signed Miguel Anibal is a painter, fresco artist and engraver born in 1935 in Chile. He lived in Mexico between 1960 and 1972, where he exhibited in numerous galleries. With the arrival of Pinochet in power in 1973, he left South America for Europe, where he participated in various exhibitions, both personal and in groups. Laura Allende, widow of the Chilean president who was in power during the coup, asked the artist to send her two large paintings...