Juan Jose Hoyos Quiles

Las Cruzes (The Crosses), Painting, Acrylic on Canvas

2015

This is a beautiful one-of-a-kind original contemporary painting. This work consists of color blocks in grays, yellow, blues, green, salmon, purple, brown and red in a geometric com...

Exhibited at SUPERFINE! A Hyper-Curated, Contemporary Art Fair Frieze Week, NYC, May 2-6, 2018 Se├▒ales Numero Quatro (Signals Number Four) 2018 is the fourth painting in the Signals Series. These acrylic paint on canvas works investigate signals, signage, traffic, movement, tracks, flags, color juxtaposition, rhythm, patterns and the grid. It is painted in the hard edge, geometric, minimalist tradition. Influences include Elllsworth Kelly, Donald Judd, John McLaughlin, Karl Benjamin, Ad Reinhardt and Carmen Herrera to name a few. This painting measures 24" Height x 30" Width x 1.5" Depth and was painted on archival gallery wrapped canvas. The paint wraps around the edges, so there is no need for framing. Ready to hang with just a couple of nails. Titled, signed and dated on the reverse. Signals Number One and Signals Number Two were completed in August, 2015. Signals Number One was purchased by a collector from Englewood, Colorado in November, 2016 after being exhibited in a group exhibition called Inspire/Chapter Two...

My art practice is based on exploration and experimentation. I do not adhere to a recognizable style. Rather my method of producing work is informed and finds it's cohesiveness by ...

I relate to painting as if it were a dance, trying to understand new steps between color and geometry. There are never any hints of gestures or marks. The paintings are distilled, au...

Santa Rosa Juan Sánchez Juárez, Mexican (1946) Acrylic on Canvas Size: 60 x 48 in. (152.4 x 121.92 cm) Frame Size: 61 x 49 inches

Martha Lloyd (American, 1927-2018) Thaw, 1997 Oil and wax (encaustic) on canvas 20 x 20 in. Framed: 21 1/4 x 21 1/4 x 1 3/4 in. Inscribed verso Provenance: Carrie Haddad Gallery, Hudson, NY Martha Anne Lloyd...

At the heart of Pérez-Porro’s work lies a deliberate deviation from the norm. Hidden within the sequential repetition is an expressive will to break the order, transcending the need ...

RUZ, Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that Julius Bissier referred to some of th...