Kyong Lee

Drawing For 3 Horizontal Configurations 24 (Abstract painting)

2022

Drawing For 3 Horizontal Configurations 11 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work is part of a series titled ""Drawing for 3 configurations', em...

Drawing For 3 Horizontal Configurations 9 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work is part of a series titled ""Drawing for 3 configurations', emp...

Drawing For 3 Vertical Configurations For Horizontal 13 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work is part of a series titled ""Drawing for 3 configurations', emphasising 3 colours. It derives from the series Color as Adjective, a series of drawings...

Drawing For 3 Horizontal Configurations 15 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work is part of a series titled ""Drawing for 3 configurations', em...

When a simple vertical line finds itself in the midst of accidental organic chaos, a sense of directionality and stability is introduced. The line itself can act as a tool used to di...

Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...

’Complementaries’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 19/20 Signed - Yes Size - 615mm x 780mm Date - 1976 Condition - Good. 9 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...