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Linda King Ferguson
EQUIVALENCE 104- Acrylic and Tint on cut Linen- Green, Red Abstract Geometric

2020

About the Item

This painting on cut linen canvas by Linda King Ferguson is primarily color blocked into three sections. The leftmost rectangular section is a bright green color, and the rightmost section is a wine red. These two sections are separated by a golden yellow/orange line, that has been cut in a teardrop shape, peeling back from the mother canvas to reveal that the back of the canvas has been painted pink. Her Equivalence Series began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting "Save the Last Dance for Me." In this work she painted a black field with 3 floating pink rectangles, colors signifying the disco era that referenced a significant period of feminism. Inspired by it, some of Linda's earliest works of the Equivalence Series were primarily black with pink. From there, her color evolved to become sourced from lipstick and nail polish color charts, signifying hues coordinating with flesh tones made for women to use and wear. Linda King Ferguson lives and works in Munising, MI and Nashville, TN. She is in residence semi-annually in Brooklyn, NY. She has a MA from Rhode Island School of Design, and received an MFA from Vermont College of Fine Arts. She also has studied at Academia Di Belle Arti in Perugia, Italy, and Penland School of Crafts. Ferguson has been awarded several art residencies including Ragdale and The Morris Graves Foundation and exhibited widely, including the exhibitions, Fiber Optics, Minus Space, Brooklyn, NY and Stomach Acid Reflux. This painting is featured in a gallery show that will end in late March and therefore will not be available to ship until then.
  • Creator:
  • Creation Year:
    2020
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
  • Medium:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Signal Mountain, TN
  • Reference Number:
    1stDibs: LU98517537042

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EQUIVALENCE 101- Acrylic and Tint on cut Linen- Green, Yellow Abstract Geometric
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Linda King Ferguson lives and works in Munising, MI and Nashville, TN. She is in residence semi-annually in Brooklyn, NY. She has a MA from Rhode Island School of Design, and receive...
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APERTURE - sculptural contemporary painting, pink, red, cut-out, linen
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¡Fútbol! - Deep Blue & Yellow Geometric Wall Hanging Sculpture on Linen & Panel
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Imagine the swelling sea in an electric storm—fútbol/soccer fans in a packed stadium at night, their thunderous roars in the moments leading up to kickoff, their focus on one player on the field, the tension in the crowd increasing exponentially in contrast to the calm confidence of an expert, the distortion of space and time as she moves her foot ever closer to the ball—The Creation of Adam—a growing...
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EQUIVALENCE 124- Acrylic on cut Linen - Red, Pink Abstract Geometric Painting
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This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is dominated by a horizontal vesica piscis shape. The two intersecting circles are a dark salmon orange and a deep wine red (left to right). The canvas at the intersection of the two circles has been cut and peeled back to reveal that the back of the painting has been painted pink. While the trangular shape above the interseccting circles has been painted an ashy brown, the lower section has been left raw. Her Equivalence Series began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...
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EQUIVALENCE 105- Acrylic and Flashe on cut Linen - Abstract Geometric Painting
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This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is halved horizontally by a color break. The top triangular section on the diamond is a salmon o...
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VERSO EQUIVALENCE 1 - acrylic, staples, pine wood, cut linen -Abstract geometric
By Linda King Ferguson
Located in Signal Mountain, TN
This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. While typically, King Ferguson paints both sides of the canvas and cuts a flap on the the frontside to reveal the color of the back of the canvas, she unexpectedly does the opposite here. The painting is hung from the "frontside" of the canvas, revealing to us the raw edges of her linen canvas, stapled to the stretchers. Two oblong shapes of pink and red dominate the center of the painting. A thin semioval cut has been made inside of both of these shapes. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...
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