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Lloyd Tabing End Of Innocence
About the Item
This painting is part of my series in which I draw upon my deep passion for the intricate beauty of nature, capturing its often-overlooked movements and structures in abstract form. Each piece delves into the dynamic interplay between nature’s movements and its principal forms. I am particularly intrigued by the question of noticed and unnoticed beauty within nature: Why do some serene spaces remain hidden in the peripheries of our awareness, while others seize our attention? For me, what captures my gaze is a harmonious combination of color, form, light, and structure. These elements serve as the foundation of this series, providing the starting point for the creative journey embodied in each painting.
Through my work, I invite viewers to pause and engage with the complexity and grace that lie just beneath our typical gaze. This series challenges us to broaden our understanding of beauty, embracing the subtlety and nuance of nature’s quieter corners alongside its more apparent wonders. Each painting in this collection stands as a reminder of the profound richness that lies just beneath our notice—a call to appreciate the complexity and grace of natural motion and form, and the secrets held within. The series invites us to reassess what we value as picturesque, expanding the definition of beauty to include the understated allure of nature's hidden depths.
Lloyd Tabing is an abstract painter from the USA now living and working in Sweden. His paintings are a visual representation of the contrast between reality and his interpretation of this difficult word to define. concealing as much as they reveal, Tabing’s paintings intertwine gestural marks, drawing, texture, and fields of color that lure you in, tempting one to get lost in thought and emotion. Tabing’s paintings are inspired by a sense of space that he finds in both the natural and built environments. Lloyd says that he seeks to recognize and understand what makes one space more interesting or catches one’s eye while other spaces that are equally beautiful and interesting goes virtually unnoticed. Lloyd uses the physicality of paint, drawing, and color to create his abstract paintings. Typically large in scale, these paintings are a true reflection of Tabing’s personal connection to these places. A self-proclaimed perfectionist, Tabing says that being self-taught has allowed for his uninhibited and pure style of painting. While Lloyd begins his paintings with an idea or feeling his style of painting is very much reactionary and even aggressive at times, yet the finished piece always has a calming and captivating element that is pleasant thought provoking. He says that he hopes the language of his paintings in some way provides the viewer a personal connection that speaks to them in a personal way.
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