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MajioAbstract I: Fan-Shaped Series: Deliverance-textured acrylic with paper on canvas2021
2021
$7,000
£5,375.70
€6,160.48
CA$9,854.27
A$11,038.96
CHF 5,752.31
MX$134,652.55
NOK 73,098.61
SEK 68,926.78
DKK 45,980.17
About the Item
Living in temples and the countryside with craftsman communities in Japan for over a decade, Majio was deeply influenced aesthetically and by the content of Japanese culture. Her craft apprenticeships and Zen practice in Kyoto was steeped in traditional practices where spirit was not separate from matter. This animistic base is seen throughout her work.
From Majio’s visual journal: Graphite markings in Deliverance pull the fan-shape up-close with a sense of urgency. It seems to be in motion. This painting is a contemplation of how matter and spirit meet. The fan-shape series evokes various connotations through different senses. Here, as I began to paint the fan shape on the textured stretched linen I heard the jingle of coins. As it turns out these are coins in the shape of fans.
- Creator:Majio (1945, American)
- Creation Year:2021
- Dimensions:Height: 40 in (101.6 cm)Width: 28 in (71.12 cm)Depth: 1.25 in (3.18 cm)
- More Editions & Sizes:nonePrice: $7,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU2783215142942
Majio has training in the United State, several years in Europe with a Master’s degree from the Buddhist University of Naropa in Creation Spirituality. Her most influential training however was in Japan over a twelve year period. Her initial trip to Japan was to study Buddhist Art, but it quickly narrowed to the traditional arts of Zen and masters if that orientation in other cultural arts. It was not so much what was learned in a papermaking village, kimono dyeing studio or the making, filling and firing woodburning kilns but how to learn or, better said, how to practice. There are many words in Japanese for practice, the one here is the polishing of being. In painting, Majio has always flowed back and forth between figurative and abstract expression. The aesthetics and Cultural Arts--- like calligraphy and tea ceremony---- garnered during her apprenticeships in Japan, along with Zen practices and concepts weave many textures into her work. Majio’s pieces are created with the overarching concept that art is not a polarity between object and subject but rather, complementary, where each part works to define each other. Working from a collaborative process-with materials, with subject and with times, Majio releases herself as sole agent, even when hers are the only hands that touch the piece. This carries out to the viewer, opening a sense of participation, evoking involvement and discussion. Inviting a realization of recognizing and choosing to acknowledge a reality beyond what we have inherited provides a platform for evoking possibilities, innate joy and new vision.
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