Graphite Abstract Paintings

Two Stories (Abstract painting) Acrylic, charcoal and graphite on canvas — Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. Th...

Robert Petersen May 1987, 1987 Pure pigment collage, gold leaf, acrylic painting and drawing Signed, titled and dated on the front. The back of the frame bears the label of Castelli ...

An original, fine art, abstract expressionist painting, "Withering on the Vine" combines abstracted floral motifs with gestural markings. Created in 2021 by a...

'With Geraniums At the Window and Doves On the Roof' is 60 x 12 inches. Matuszewski creates meditative and harmonious color field paintings to invoke a sense of peace through a visua...

Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Nina Tichava's paintings are about relationships; she is interested in the interactions between materials and methods as well as the color and spatial relationships that naturally develop in process. Using painting...

Sergio Valenzuela “Valenz” is a contemporary Guatemalan artist who tells stories with everyday objects, primarily expressing them with graphite and acrylic on canvas. His medium to l...

Original watercolor on paper in purples, golds and greens. This expressionist painting has bold brush marks and layers of color. Inks and colored marks add movement throughout the pa...

In Beneath The Evening Moon color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monoty...

Using his characteristic rich earthy palette, Otto Rogers has captured the subtle variations in light as it changes along a seashore. This piece has soft grays, rich brown, and black colours highlighted by a flash of royal blue and burnt orange. As one of Canada’s preeminent modernist artists, Rogers found inspiration in both his deep faith as a Baha’i and the beauty of nature so often reflected in his stunning work. This is acrylic and graphite on paper. “The purpose of art is to lift the human spirit.” Otto Rogers He acquired his MA in Fine Art from the University of Wisconsin and later taught at the University of Saskatchewan for almost 30 years. He also participated in the Emma Lake Workshops in BC which attracted some of North America’s finest artists. Rogers’ work is held in more than 30 public collections including: the Art Gallery of Ontario, the National Gallery of Canada, and the Museum of Fine Arts in Boston...

'With Each Step' is 60 x 12 inches. Matuszewski creates meditative and harmonious color field paintings to invoke a sense of peace through a visual rhythm. Each painting starts with ...

Abstract mixed medium painting on archival 100% cotton rag paper. Unframed. - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Why you...

In From One Lonely Cloud color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype ...

Chromatic Expression I. 2023 . Colorful, modern, abstract, mixed media painting on raw canvas with floating natural wood framed 62H x52W x 2D Discover the vibrant world of Chromatic ...

Abstract, mixed mediums on 100% cotton rag, archival paper - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Beautiful abstract organ...

Victoria Barr Spirit, 1974 Crayon on Paper Signed and dated lower right front Frame included Provenance: Fischbach Gallery, New York, NY This bright, abstract 1970s artwork was created by Victoria Barr, daughter of the legendary developer of the Museum of Modern Art, Alfred H. Barr. There is a Fischbach Gallery label on the back of the frame. The Fischbach Gallery was, for many years, the gallery of record for the American artist Alex Katz. It is not easy finding Barr's work on the market at this time. Measurements: Framed: 23 inches x 29.5 inches x .5 inches Artwork: 23 inches x 29 inches Victoria Barr was born in New York, NY, in 1937 to the legendary MOMA curator and art historian Alfred H. Barr, Jr. and art historian Margaret Scolari Barr. Barr often traveled to Europe with her parents from the age of 14 onwards, meeting influential artists like Pablo Picasso, Henri Matisse, and Marc Chagall and collectors like Peggy Guggenheim. For high school, she went to Milton Academy...

Jane Booth "Mozambique" Acrylic, Spray Paint, House Paint, Watercolor Crayons on Raw Canvas 65 x 64 in. "There are two polarities that I gravitate towards in my work: one is primord...

Abstract, mixed mediums on 100% cotton rag, archival paper - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Beautiful abstract organ...

Jane Booth "Pearlman's Inner World" Acrylic, Watercolor Crayon, Pencil, Spray Paint on Raw Canvas 76 x 71 in. "There are two polarities that I gravitate towards in my work: one is p...

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

In Eternal Streams Meet color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype i...

Gouache and graphite on handmade paper. 12 x 24 inches unframed, 16.25 x 28.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Jane Booth "Amelia's Notes" Acrylic, House Paint, Spray Paint, Watercolor Pencil, Graphite on Canvas 52 x 78 in. "There are two polarities that I gravitate towards in my work: one i...

Green abstract striped painting by Mark Zimmermann- Acrylic and graphite on canvas in artist frame. Signed on back by the artist. Mark Zimmermann's work is based on the fusion of meditative fields, architectonic structures and an organic gestural line that is one-part intentional and one-part accidental. Zimmermann clearly demonstrates his deftness of hand though labored bands of color, building and editing one band upon other, until the editing process renders compositions that combine both hard-edge and action-painting abstraction. In discussing this work, the editor and writer, Larry Qualls noted,“...a majestic landscape narrative... they illuminate the nature of painting itself. In a sense what these paintings do is bring a synthesis of the conceptual and the realistic; it is as if there is the conflux of two grand traditions: the purely abstract and the purely objective.” Mark Zimmermann has exhibited his paintings across the United States and abroad. His work is held in private and public collections such as JW Marriott Essex House...

A painting will, or will not be made. For all the romance involved in creation, there is a pragmatic objectivity at work in the studio… Whatever profundity one hopes for is found in ...

Gouache and graphite on handmade paper. 18 x 12 inches unframed, 23.25 x 17.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Bola Liquida 2022 by James Bonachea From the series Plato’s Heaven Charcoal on canvas Image size: 100 cm H x 100 cm W Unframed The theory of Heaven is a novelty that Plato introduc...

Abstract mixed medium painting on paper. - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Beautiful abstract organic shapes are mon...

Gouache and graphite on handmade paper. 14 x 11 inches unframed, 18.25 x 15.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Cubo suave 2022 by James Bonachea From the series Plato’s Heaven Charcoal on canvas Image size: 100 cm H x 100 cm W Unframed The theory of Heaven is a novelty that Plato introduced...

Geometría Fractal 1, 2022 by James Bonachea From the series Plato’s Heaven Graphite and charcoal on canvas Image size: 160 cm H x 120 cm W Unframed The theory of Heaven is a novelt...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

In Amid The Blue Waves color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype il...

Pink multicolor striped abstract painting by Mark Zimmermann - Acrylic and graphite on canvas in artist frame. Signed on back by the artist. Mark Zimmermann's work is based on the fusion of meditative fields, architectonic structures and an organic gestural line that is one-part intentional and one-part accidental. Zimmermann clearly demonstrates his deftness of hand though labored bands of color, building and editing one band upon other, until the editing process renders compositions that combine both hard-edge and action-painting abstraction. In discussing this work, the editor and writer, Larry Qualls noted,“...a majestic landscape narrative... they illuminate the nature of painting itself. In a sense what these paintings do is bring a synthesis of the conceptual and the realistic; it is as if there is the conflux of two grand traditions: the purely abstract and the purely objective.” Mark Zimmermann has exhibited his paintings across the United States and abroad. His work is held in private and public collections such as JW Marriott Essex House...

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Abstract mixed medium painting on archival 100% cotton rag paper. Unframed - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Why you ...

My black greyhound (Abstract painting) Acrylic, oil pastel and charcoal on canvas Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This...

Cielo de Platón 2, 2021 by James Bonachea From the series Plato’s Heaven Soluble graphite on canvas Image size: 160 cm H x 120 cm W Unframed The theory of Heaven is a novelty that ...

Cielo de Platón 4, 2021 by James Bonachea From the series Plato’s Heaven Soluble graphite on canvas Image size: 160 cm H x 120 cm W Unframed The theory of Heaven is a novelty that ...

Cielo de Platón 1, 2021 by James Bonachea From the series Plato’s Heaven Soluble graphite on canvas Image size: 160 cm H x 120 cm W Unframed The theory of Heaven is a novelty that ...

Abstract mixed medium painting on canvas - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Why you will love this painting and why i...

Acrylic, charcoal and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense of drama and em...

In And His Open Arms Embraced color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic mono...

Abstract, mixed mediums on black archival paper - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Beautiful abstract organic shapes a...

In Last Noon Beheld Them color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype ...

In But Now A Dreamlike Memory color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic mono...

In Memory Of What Has Been color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotyp...

Abstract, mixed mediums on black archival paper - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Beautiful abstract organic shapes a...

Abstract mixed medium painting on paper. - Original one of a kind artwork - Artist Signature on back - Certificate of Authenticity provided Beautiful abstract organic shapes are mon...

My black greyhound (Abstract painting) Acrylic, oil pastel and charcoal on canvas Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This...

Contemporary mixed media (acrylic, pastel, pencil, and collage) abstract floral painting by emerging artist Federica Aiello Pini, exploring nature...

In That Whistles With The Wind color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic mon...

Acrylic graphite, mica, paper on linen.

Alyse Rosner 2022

In Very Few To Love color, line, shape, and texture collide with handwritten romantic fragments of prose on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illum...

Heat 2019