Wood Panel Abstract Paintings

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

These paintings and drawings are based on a structure of repetitive and deliberate gesture that is intuitive but carefully considered. Emily Berger brushes, wipes, rubs, and scrapes...

encaustic on panel b. 1954, Reno Nevada Michael David is best known for his use of encaustic on large abstract paintings. A practitioner of Abstract Expressionism, David layers bees...

oil on canvas stretched over wood panel

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Edward Avedisian ( 1936-2007 ) 8 X 9 Oil paint on wood plank panel with gold and purple figure This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...

This is an original still life interior painting of fruit (apples) with a geometric fractured composition. The artist made the painting one section at a time. When working on one section, the artist would block off the rest of the composition so the objects and background needed to be placed again. By building the composition this way, the background and table appear at different levels and the shapes don't quite align. These imperfections convey a sense of passing time. In each section, the tone of the light changes, and the shadows switch directions. The apples and geometric shapes were chosen as much for metaphorical value as for aesthetics. A seemingly simple arrangement in a familiar painting genre contains a depth of observation, artistic choices, and interpretation. This painting is signed and dated on the back. Includes all hanging hardware and ready to install; no need for additional framing. Mat Tomezsko is an artist from Philadelphia who creates abstract paintings, public art installations, and community art projects based around participation and everyday visual language. His approach to composition is informed by mid-century formalism and conceptualism. His work was recognized by the 2017 Americans for the Arts Public Art Network Year in Review for outstanding public art. Tomezsko’s work has been exhibited at numerous art spaces regionally and nationally, including the Crane Arts, Woodmere Art Museum, the Center For Emerging Visual Artists (CFEVA), and Wexler Gallery in Philadelphia; Lillstreet Art Center in Chicago, IL; the Delaware Contemporary in Wilmington, DE; and Thomas Hunter Projects in New York, NY. He has created several notable public art projects including "14 Movements: A Symphony in Color and Words," a mile-long temporary mural installed in downtown Philadelphia during the 2016 Democratic National Convention; "Look Long and Look Good," a series of 30 paintings currently installed along Main Street in Manayunk; and "Flowering Axes," a mural in the 5th Street Vehicular Tunnel underneath the Ben Franklin Bridge. His work is in the collection of The Wharton...

Milk and Honey (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from bu...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Medium Cool (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as r...

Early Winter (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as ...

Mat Tomezsko's "NOW" series of multimedia Street Art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an ...

In this abstract oil painting, Dintino uses warm and quite angry tones to convey 'revolution'. Dintino's work has to do with the melding of title and piece. His paintings all illu...

Michael Azgour is an artist and educator whose work addresses the impact of digital imagery on contemporary culture. His paintings combine evocative, expressive representation with g...

"Hat Trick" (2022) by Reen Axtell is an original handmade mixed media painting that depicts a child riding a sheep, juxtaposed over an abstract blue and yellow background. About the...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

"Leaping Without Annette" is an original, handmade oil painting on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometr...

"Somersault" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in...

Mat Tomezko's latest series of abstract mixed media paintings are constructed from traditional acrylic painting and the incorporation of ash into a hand-mixed paint of his own creation. This piece is part of a body of work that uses evocative materials and imagery of fire, flowers, food, newspapers, asphalt, and ash to illuminate the interconnectedness of destructive and creative forces. "Ash" is a traditional still-life and landscape composition interrupted by broad black geometric chevron lines or "arrows" that divide the composition symmetrically in a geometric balance. This painting is signed and dated on the back. It includes all hanging hardware and is ready to install -- no need for additional framing. Tomezsko is an artist from Philadelphia who creates abstract paintings, public art installations, and community art projects based around participation and everyday visual language. His approach to composition is informed by mid-century formalism and conceptualism. His work was recognized by the 2017 Americans for the Arts Public Art Network Year in Review for outstanding public art. Tomezsko’s work has been exhibited at numerous art spaces regionally and nationally, including the Crane Arts, Woodmere Art Museum, the Center For Emerging Visual Artists (CFEVA), and Wexler Gallery in Philadelphia; Lillstreet Art Center in Chicago, IL; the Delaware Contemporary in Wilmington, DE; and Thomas Hunter Projects in New York, NY. He has created several notable public art projects including "14 Movements: A Symphony in Color and Words," a mile-long temporary mural installed in downtown Philadelphia during the 2016 Democratic National Convention; "Look Long and Look Good," a series of 30 paintings currently installed along Main Street in Manayunk; and "Flowering Axes," a mural in the 5th Street Vehicular Tunnel underneath the Ben Franklin Bridge. His work is in the collection of The Wharton...

16 x 12" oil, pastel and cold wax on a cradled wooden panel.

Benjamin Weaver creates spatial tension through his use of contrasting colors arranged in a geometric framework. Imagery and color work both with and against each other to create mov...

Mat Tomezsko's "NOW" series of mixed media street art paintings are built through an elaborate process of layering, patterning, adding, and subtracting an excessive amount of acrylic...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

Anything You Lose Comes Round in a Different Form (Abstract painting) Collage, Encaustic, Charcoal and Ink on panel - Unframed. Adams works on panel and paper, using a mixture of p...

Warning Signs (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as...

Rollercoaster (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 16 x 16 x 1.6 and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish. A certificate of authent...

Some Velvet Morning (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as w...

This is a one of a kind acrylic and mixed media painting on wood panel by San Diego artist, Peter Geise. It is unframed. Its dimensions are 12"x12" A certi...

Black and gray abstract contemporary painting by Houston, TX artist Winifred Booth. The painting depicts 3 gray rectangular cloud-like shapes against a ...

A large scale, unique oil painting on a boxed timber panel, ready to hang. Framing on request.

Tatiana Flis’ “Shifting Horizons” is a 48 x 36 inch abstract acrylic painting created with multiple monoprinting methods on a birch wood panel. Heavy contrast among the layers evoke ...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 71 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, patterns, brig...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Simple Stuff (Abstract painting) Acrylic on paper mounted on wood panel - Unframed. "Matthew Langley's technique in creating the artworks come from building and extending as well as ...

Andy Moses follows his acclaimed solo show with two new works whose surfaces shimmer and shift as they pull one into their radiant spaces.

"Cascadia 6" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, mark-making and blur de...

Renowned career illustrator Stephen Gammell now devotes his energy to a full-time studio practice, and we’re honored to bring the current work of an artist who, with dozens of public...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

Seth Clark's "Fragmentation Installation Series" is the newest series by the artist fresh from his studio. The series is comprised of 50 unique pieces total, this listing being one ...

"HOLY CROSS" is an original acrylic collage on panel work by Jim Houser measuring 10in x 10in. ABOUT // Jim Houser was born in 1973 in Philadelphia, Penns...

"SPOTS" is an original acrylic painting collage on panel work by Jim Houser measuring 8in x 8in. ABOUT // Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where ...

"GHST" is an original acrylic work on panel by Jim Houser measuring 10in x 10in. ABOUT // Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currently res...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

"Track Shift" is a striking modern geometric abstract painting, with a soft contemporary palette. It is painted directly onto panel, with a custom built wooden substrate. The sides show beautifully smoothed wood. Kazaan Viveiros has a background in architecture studies as well as fine art, and this shows in her clean and contemporary works. Artist Kazaan Viveiros earned a BA with distinction from the University of Virginia in Studio Art and Religious Studies, and an MFA from the San Francisco Art Institute. She has since exhibited work in solo and group exhibitions in the U.S. and Europe, including solo shows in New York, San Francisco, Berkeley, Scottsdale, AZ, Richmond, VA, and Savannah, GA. In 2003, curator Raffaella Guidobono gave Viveiros a show at TAD Concept Store in Rome. Viveiros’s paintings have been collected by a wide array of corporations, including eBay and Capital One Bank, as well as by individuals such as WalMart’s Rob Walton and novelist Danielle Steel. Her large diptych, The Whale, was purchased by Banner Children’s Hospital and currently hangs in their radiology ward. Summit Medical Group MD Anderson Cancer Center in New Jersey has many of her works in their collection. In addition, five of Viveiros’s paintings were purchased by the Art in Embassies Program and are permanently installed in the U.S. Embassy in Addis Ababa, Ethiopia. She was a 2011 Bethesda Painting...

In a Heartbeat (Abstract painting) Oil on wood panel - Unframed. She layers paint in gestural, horizontal swaths from left to right, stacking the horizontal bands from top to botto...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 77 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...