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Matthew LangleyMolt (3/26/2015)2015
2015
About the Item
Acrylic on museum board. Unframed.
This artwork is part of the series "A Painting A Day"
The pieces from the series may come as quite a shock to people who have always viewed Langley's work as being exclusively hard edged.
During the course of the year 2015, the artist has been trying to focus on approaching this work with openness, eagerness, and a lack of preconceptions of the final outcome.
He is hoping to find new ways of working and discovering qualities about his work that are currently unknown to him.
Matthew Langley is an abstract American artist. He is interested in a balance of color and process, mark making and field, scale and relationship, planning and improvisation. He lives and works in New York City.
- Creator:Matthew Langley (1963, American)
- Creation Year:2015
- Dimensions:Height: 6.5 in (16.5 cm)Width: 5.01 in (12.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:First hand item, delivered directly from the artist's studio.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU65933609782
Matthew Langley
Matthew Langley is an abstract American artist. He is interested in a balance of color and process, mark making and field, scale and relationship, planning and improvisation. He lives and works in New York City. The artist studied at Virginia Commonwealth University and graduated from the Corcoran School of Art in 1986. Langley's work is featured in various corporate as well as public collections, including MacAndrews & Forbes and the Doris Patz Collection (University of Maryland University College). The NYC-based artist has widely exhibited in solo and group exhibitions in the United States, mainly on the East Coast. His recent one-man shows include The New Paintings at Blank Space, New York, NY in 2015, and Looking In: New Painting at Axom, Rochester, NY in 2014. Langley's work has been covered in publications such as Art in America and The Washington Post. Matthew's technique in creating the artworks come from building and extending as well as reducing and minimizing the painted surface. He believes that this is not counter-productive, that often the way forward is to build, rebuild and start again. Often this will employ semi-transparent layers of paint combining the under surface of the artwork to achieve the artist's intent.
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