Michael Pauker

Blue and Orange Shapes on a Black Field

2014

Bold contemporary patterned abstract composition on two joined canvases by Bay Area artist Michael Pauker (American, b.1957). The left canvas, which makes up one fourth of the compos...

Large-scale contemporary abstract of bold rectilinear shapes in black on a sky blue background with fun magenta accents by Bay Area artist Michael Pauker (American, b.1957). Unsigned...

Large-scale abstract in orange of bold shapes by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection of his work. Unframed. Image size: 60...

Large-scale abstract of blue, teal, and golden yellow by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection of his work. Unframed. Image size: 55"H x 55"W. One f his " Issues in Contemporary Aquaculture 2013 series." “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40...

The large abstract painting "ECLIPSE" by Jeffrey Kurland, with acrylic paint on canvas measuring 78" high by 92" wide, is new work from the summer of 2...

This abstraction by NY based artist Margo Margolis has a very sophisticated/playful sensibility with brilliant, intense color (light blue, dark blue, orange and white) which is the significant attribute of the artist's flashe medium, a water based French paint. Consisting of multiple layers of underpainting and glazing, and contrasts between hard and soft edges, these paintings not only have associations with Henri Matisse's palette and Alexander Calder's sculptural forms, but also share in these artists' complexities after relatively straightforward initial first takes. Fresh and intelligent exploration into the possibilities for abstraction are Margolis's focus, and her paintings achieve that rare quality of making abstraction feel new. Margo Margolis "Blue, Blue" 2022 Flashe on Canvas 40 x 32 x 1.25 Inches This painting is unframed and framing is not necessary as the sides are painted white. It is currently on view in an exhibition of the artist's work in Wellesley, MA where it is featured in a group of works of varying sizes, small, medium, and large: 24 x 20 inches, 40 x 32 inches, 72 x 60 inches, and works on paper measuring 30 x 22 inches. Also available are a series of earlier small canvases measuring 14 x 11 inches each which also work well as groupings. Margolis’s continuing commitment to abstract painting dates back to the early 1970s when she began exhibiting with the Brooke Alexander Gallery in New York where she had several shows. In addition her work has been exhibited throughout the country at numerous galleries and institutions including The Pennsylvania Academy of Art, The Renaissance Society, The Munson-Williams Proctor Institute and Halls Walls, among others. In reviewing the artist’s 1993 exhibition in the Beth Urdang...

Robert Glick (American, born 1950) "Blue Synergy" 2024 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. "Blue Synergy" by Robert Glick is a ...

Fleur Parks art is influenced by the push and pull of her country life vs her old city life. The juxtaposition of these two is seen in most of her work. The fields that surround her ...