Norman Bluhm

Untitled

1967

A monotype on Japanese handmade paper by Kenneth Noland. “Stripes” is an abstract, unique monotype print, in a palette of pastel colors by American abstract artist, Kenneth Noland. T...

"Crucifix" is an abstract Post War oil over monotype painting by Hans Burkhardt in 1981. The artwork is 11 x 7 5/8 inches and, with the frame, is 14 1/4 x 10 3/8 x 3/4 inches. It is ...

A painting by Willem de Kooning. "Woman in a Rowboat" is an abstract, oil on paper laid on masonite painting executed in a lush and swirling palette primarily of greens, whites, beiges and yellow and depicting an abstracted, nude woman in a boat by Post War artist Willem de Kooning. "Woman in a Rowboat" is a seminal work by de Kooning that has a new fluidity which relates to his next major series of Woman paintings which he began in 1964. Signed lower left, "de Kooning." Provenance: Allan Stone Gallery, New York Private Collection, New York Private Collection, Arizona Exhibition: North Hampton, Smith College Museum of Art; Cambridge, The New Gallery, Charles Hayden Memorial Library, Massachusetts Institute of Technology, Willem de Kooning: a Retrospective from Public and Private Collections, April – June 1965 (Cambridge only) New York, Allan Stone Gallery, De Kooning/Cornell, February – March 1965 Rotterdam, Museum Boijmans Van Beuningen, American Paintings, September - October 1966, cat. no. 26 Dublin, The Royal Dublin Society, Rosc'67:The Poetry of Vision, November – December 1967, p. 201, illustrated Detroit, J.L. Hudson, Willem de Kooning: Three Decades of Painting, March – April 1968, no. 31 (exhibition checklist) Easthampton, Gild Hall...

A painting by Sadamasa Motonaga. "Untitled" is an abstract painting, acrylic on board with cotton cloth in a bold palette or purples, reds, and blues...

Original Bay Area Figurative of Mother and Baby in Oil Paint on Laid Paper Original oil painting depicting a modern twist of a mother and baby by Honora Berg (American, 1897-1985), ...

John Shelley Fennys Lane 1938-2020 Oil on board, signed and dated '1968' on verso Image Size: 35 1/2 x 27 1/2 inches (90 x 69.8 cm) Original frame Provenance The artist, whom exhibi...

Paracentese de L'homme C Post-Minimalist Original Art Monumental Museum Piece by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015). His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. The artists is significant and works of this quality are in the Metropolitan Museum, auction high is $25,000. Stunning post-minimalist earth toned abstract with organic forms titled "Paracentese de L'homme C" (Paracenthesis of the man C) by Peruvian artist Emilio Rodriquez-Larrain (Peruvian, 1928-2015), 1964. This was entered into the XXXII 1964 Venice Biennale, arguably one of the most prestigious art events. Signed on verso and entry label for XXXII 1964 Venice Biennale, and Staempfli Gallery label attached to verso. Condition: Very good: professionally cleaned, structurally sound with no issues beyond normal wear with age. Image size: 56.50"H x 55.50"W. Presented in rustic wood slat shadow box frame. Emilio Rodríguez Larraín was a Peruvian postwar and contemporary painter and sculptor who was born in 1928. He was trained at the Lima School of Engineers (currently the National University of Engineering) from 1945 to 1949. This is how he entered art and was able to learn tools and techniques that would help him in his future works. In the 1950s he ventured into painting under the influence of the French architect and abstract art painter Jean Dewasne, thus developing a painting style based on the abstract and the geometric until his trip to Europe where he migrated to the style of modernist informalism. and made paintings that alluded to the cultures of ancient Peru. His work demonstrates versatile artwork of horizontal geometric constructions, expressive paintings and architectural interventions categorized as post minimalism. Received a John Simon Guggenheim Foundation award for his art. Fellow: Awarded 1976 Field of Study: Fine Arts Competition: Latin America & Caribbean His work was featured at MOMA as part of their permanent collection and was exhibited as part of Nelson Aldrich Rockefeller Collection exhibit in 1969. key galleries and museums, including the Revolver Galeria, Lima and the Galeria Lucia de la Puente. His work has also been exhibited in Lima, Madrid, Florence, Venice, Milan, Bergamo, Frankfurt, Berlin, Copenhagen, Mexico City, and Paris. In 2016, the Lima Art Museum presented a retrospective exhibit of his paintings and sculptures, calling Rodriquez Larraine "An important avant-garde sculptor, architect and painter who knew how to adapt to the artistic changes of the time and play a very important role in the visual arts of Peru." The piece we offered the front over of Staempfli Gallery's exhibit of Rodriquez-Larrain work. The write-up of Rodriquez-Larrain's work by The New Yorker, November 3, 1962 states: "Talk story about Emilio Rodriguez-Larrain, a Peruvian painter, who currently has 46 paintings on display at the Staempfli Gallery. A photograph of Emilio, distributed by the gallery, showed a great resemblance to Zero Mostel. He doesn't look like Mostel at all. The picture was taken in Paris last May, when he had the mumps. He was born in Lima in 1928, the son of an industrialist. His father's family came to Peru in the 17th century. Mr. Staempfli met Emilio in Llansa, Spain, last summer. Gordon Washburn, the director of fine arts at the Carnegie Institute in Pittsburgh, who had shown him last year, told Staempfli to look up Emilio, because he knew a tailor in Llansa who would make you a corduroy suit...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Oil on Board, circa 1965, black and green, apparently unsigned, unframed. 9.25" H x 6" W x 0.75" D. Provenance: From the Col...