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Pamela BurnsOil, Sand and Pumice on Canvas-Board 'Traces' Painting by Pamela Burns, 19911991
1991
About the Item
Oil, Sand and Pumice on Canvas-Board 'Traces' Painting by Pamela Burns B. 1938, 1991
Additional information:
Medium: Oil, sand and pumice on canvas-board
Dimensions: 51.5 x 64.5 cm
20 1/4 x 25 3/8 in
Signed, dated, titled and inscribed on the overlap.
Pamela Burns is a British painter.
Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London.
The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions.
Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape.
More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land.
- Creator:Pamela Burns (1938, British)
- Creation Year:1991
- Dimensions:Height: 20.25 in (51.44 cm)Width: 25.375 in (64.46 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Kingsclere, GB
- Reference Number:1stDibs: LU2718214195162
Pamela Burns
Pamela Burns is a British painter. Burns was born in London and now lives in Pembrokeshire. She studied at the Royal Academy Schools until 1963 and later taught at St Martins and Chelsea College of Art, London. The technique Burns uses is engrossing and it is hard not to wonder at how these paintings are made. The marks, as if enchased, in their repeated lines, have an almost hallucinogenic quality - one is fixated by their minute scale. Some have been painstakingly created in reverse, with the background colour revealing the contrasting lines. It is a technique with its own mystery, delicately matching the mysteries of her compositions. Burns paintings from the 1970s and '80s were inspired by the neolithic landscapes of the South West and the deep-rutted fields that lie in the shadows of the Malvern Hills, drenched in the warm greys, endlessly variant greens and deep browns of England's mud-bound cores. In particular, she looked to Maiden Castle, Dorset, and Cherhill in Wiltshire, both sites where the chalky soil had slipped to form narrow parallel ridges along the contours of the landscape. More recently Burns paintings have recorded the changing of the tides, first in Deal, Kent and now in Pembrokeshire. Unlike most coastal painters who tend to look across the surface of the water to the far horizon, Pamela's eye is always drawn back to the shore, to the point where the land melts into the sea. Her paintings record the changing of the tides, as the shore reclaims itself from the water, the parallel striations in the silt holding within their curved lines the imprint of the waves. The tidemarks themselves become a metonym for the process of erosion, a slow revelation of the bones of the land. She has exhibited at the Cairn Gallery in Nailsworth (1990), a formative centre for Land Artists such as Richard Long and Hamish Fulton. The long list of other places she has shown includes the Hayward Gallery and AIA, and solo exhibitions at the Barbican and Tenby Museum.
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2021 Surfing Madonna Save the Ocean, Escondido Municipal Gallery, Escondido, CA
Mission Valley Artwalk @ Little Italy, San Diego, CA
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2019 OMA Artist Alliance: Creative License,- Sparks Gallery, San Diego, CA
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2018 Informal Languages, Artspace Warehouse, Los Angeles
Prom Dress: Seventeen on Being 17, Cannon Gallery, Carlsbad, CA
2017 Featured Artist Exhibition, SACCA, Tucson, AZ
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2010 Abstract Paintings, Ventana Canyon, Ventana medical Systems, Inc, Tucson, AZ
2007 hand + spirit + art, Tohono Chul, Tucson, AZ
The Practice of Abstract Painting, The Drawing Studio, Tucson, AZ
2000 Crosscurrents, The Gallery at the Tucson International Airport, Tucson, AZ
1997 Art Spirit, Shemer Art Center, Phoenix, AZ
Desert Reflections, Ironwood Gallery, Arizona-Sonoran Desert Museum, Tucson AZ
1996 Two person show, Tucson Jewish Community Center Fine Art Gallery, Tucson AZ
From Earth to Art, Pink Adobe Gallery, Tucson, AZ
1995 Designer Showcase ’95, Tucson Museum of Art and ASID, Tucson, AZ
1993 Four Person Exhibit, After Image Gallery, Silver City, NM
Alumni Show, WMNU McCray Gallery, Silver City, NM
SACA Show, Desert Artisans Gallery, Tucson, AZ
1992 WNMU McCray Gallery, Silver City, NM
All Fired Up, Impressions Gallery, Tucson, AZ
1991 Southern AZ Clay Artists, Impressions Gallery, Tucson, AZ
1988 Graduate Show, WNMU McCray Gallery, Silver City, NM
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2010 Ventana Canyon Abstract Paintings, Honorable Mention
1997 Desert Reflections, Honorable Mention
1993 Southern AZ Clay Artists, Cash Award
1992 WNMU Miller Library Permanent Collection, Purchase Award
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2003-10 Drawing Studio, Abstract Painting, Tucson, AZ
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