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Pierre Morquin"100x100≠1" abstract acrylic on canvas 100x100cm 20192019
2019
$1,504.64
$1,880.8020% Off
£1,118.19
£1,397.7420% Off
€1,280
€1,60020% Off
CA$2,066.24
CA$2,582.8120% Off
A$2,325.92
A$2,907.4020% Off
CHF 1,230.68
CHF 1,538.3520% Off
MX$28,850.19
MX$36,062.7420% Off
NOK 15,204.13
NOK 19,005.1720% Off
SEK 14,541.41
SEK 18,176.7620% Off
DKK 9,740.42
DKK 12,175.5320% Off
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About the Item
"100x100=1", Pierre Morquin invites us on an initiatory journey into an abstract, dreamlike universe. Geometric lines and shapes, in bright, vibrant colors, intertwine to create a complex, dynamic composition.
The painting evokes a sense of movement and transformation. The lines seem to stretch into infinity, while the shapes metamorphose as you look. The artist invites us to let ourselves be carried away by the rhythm of the painting, to let our imagination wander.
We can see an Aboriginal influence, with motifs reminiscent of cave paintings. The painting could represent an imaginary map, an ever-changing vision of the world.
An abstract, dreamlike painting that invites us on a voyage of initiation.
- Creator:Pierre Morquin (French)
- Creation Year:2019
- Dimensions:Height: 39.38 in (100 cm)Width: 39.38 in (100 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501210019182
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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