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Pierre Morquin"100x100≠2" abstract acrylic on wood 100x100cm 20212021
2021
$1,531.78
$1,914.7220% Off
£1,137.86
£1,422.3220% Off
€1,280
€1,60020% Off
CA$2,113.20
CA$2,641.5020% Off
A$2,322.98
A$2,903.7320% Off
CHF 1,220.85
CHF 1,526.0720% Off
MX$28,209.50
MX$35,261.8720% Off
NOK 15,229.85
NOK 19,037.3120% Off
SEK 14,429.21
SEK 18,036.5220% Off
DKK 9,744.02
DKK 12,180.0320% Off
About the Item
In his painting "110x100=2", Pierre Morquin plunges us into a fascinating abstract universe. Vivid, contrasting colors such as red, yellow, blue and green intermingle to form geometric, organic shapes. These forms evoke a multitude of sensations, from joy to serenity to wonder.
The painting's title, "110x100=2", is both mysterious and suggestive. It could refer to the duality of nature, the coexistence of chaos and order, or the complexity of the human being.
Aboriginal influence is perceptible in the use of geometric motifs and in the representation of nature as a source of spirituality. Circular and spiral shapes evoke movement and life, while bright colors symbolize joy and vitality.
"110x100=2" is a work of art that invites contemplation and reflection. It is an ode to the beauty of nature and the richness of the human spirit.
Pierre Morquin invites us on a journey into a fascinating, abstract universe. Vivid, contrasting colors, geometric and organic shapes, and Aboriginal influences create a work of art that awakens the senses and stimulates reflection.
- Creator:Pierre Morquin (French)
- Creation Year:2021
- Dimensions:Height: 39.38 in (100 cm)Width: 39.38 in (100 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU150129863882
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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