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Pierre Morquin"containment" abstract acrylic on canvas 125x183cm 20202019
2019
$2,994.05
$3,742.5620% Off
£2,233.12
£2,791.4020% Off
€2,560
€3,20020% Off
CA$4,105.20
CA$5,131.5020% Off
A$4,611.73
A$5,764.6620% Off
CHF 2,454.31
CHF 3,067.8920% Off
MX$57,025.79
MX$71,282.2420% Off
NOK 29,906.03
NOK 37,382.5420% Off
SEK 28,914.84
SEK 36,143.5520% Off
DKK 19,477.11
DKK 24,346.3920% Off
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About the Item
In Containment, Pierre Morquin offers us a powerful and moving abstract work. The eye is immediately drawn to the vivid, contrasting colors, which create an atmosphere of intensity and dynamism. The simple yet expressive geometric shapes suggest perpetual movement, an indomitable energy.
The artist's use of reclaimed Plexiglas gives the painting a rough, irregular texture. This choice of materials adds a tactile dimension to the work, which becomes more palpable and sensual.
Containment is a painting that speaks to the soul. It evokes the force of life, the power of creation, but also the fragility of existence. It is a work that invites reflection and meditation.
Containment is a powerful and moving abstract painting that evokes the force of life, the power of creation and the fragility of existence.
- Creator:Pierre Morquin (French)
- Creation Year:2019
- Dimensions:Height: 49.22 in (125 cm)Width: 72.05 in (183 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501210019292
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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