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Pierre Morquin"Flap" abstract painting acrylic on wood 102x77cm 20192019
2019
$2,351
$2,938.7520% Off
£1,747.17
£2,183.9720% Off
€2,000
€2,50020% Off
CA$3,228.51
CA$4,035.6320% Off
A$3,634.25
A$4,542.8120% Off
CHF 1,922.94
CHF 2,403.6720% Off
MX$45,078.42
MX$56,348.0220% Off
NOK 23,756.46
NOK 29,695.5720% Off
SEK 22,720.95
SEK 28,401.1920% Off
DKK 15,219.41
DKK 19,024.2720% Off
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About the Item
In "Flap", Pierre Morquin invites us to meditative contemplation. The canvas is dominated by warm, vivid colours that intermingle and melt into one another. These colours, reminiscent of nature, evoke a sense of well-being and inner peace.
In the foreground is a geometric pattern that could represent a window shutter. This motif, with its simple, uncluttered shapes, adds a touch of structure and rhythm to the overall effect. It also creates a contrast with the bright colours, reinforcing the impression of depth.
Overall, "Flap" is a work of art that invites reflection and imagination. It reminds us that beauty is to be found in simple things, and that nature is an inexhaustible source of inspiration.
"Flap" is an abstract painting that evokes the beauty of nature and the pleasure of not throwing things away.
- Creator:Pierre Morquin (French)
- Creation Year:2019
- Dimensions:Height: 40.16 in (102 cm)Width: 30.32 in (77 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU150129669632
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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