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Pierre Morquin"Urbanity"abstract acrylic on canvas 162x130cm 20192019
2019
$3,742.56
$4,678.2020% Off
£2,791.40
£3,489.2520% Off
€3,200
€4,00020% Off
CA$5,131.50
CA$6,414.3820% Off
A$5,764.66
A$7,205.8320% Off
CHF 3,067.89
CHF 3,834.8620% Off
MX$71,282.24
MX$89,102.8020% Off
NOK 37,382.54
NOK 46,728.1820% Off
SEK 36,143.55
SEK 45,179.4420% Off
DKK 24,346.39
DKK 30,432.9920% Off
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About the Item
In his painting "Urbanité", Pierre Morquin plunges us into a vibrant, abstract universe. Bright colors, mainly yellow and green, blend and overlap, creating an effect of movement and dynamism. Geometric shapes, such as straight lines and circles, give the painting structure and coherence.
The painting evokes both the bustle and energy of the city. Bright colors and dynamic shapes suggest movement and activity. Straight lines and circles, meanwhile, evoke the organization and structure of the city.
The artist himself describes his painting as "a being that lives by itself". This description is particularly apt, as the painting seems to have a life of its own. Colors and shapes seem to move and transform before our eyes, creating a unique sensory experience.
A vibrant, abstract painting that evokes the bustle and energy of the city.
- Creator:Pierre Morquin (French)
- Creation Year:2019
- Dimensions:Height: 63.78 in (162 cm)Width: 51.19 in (130 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Saint Pol de Léon, FR
- Reference Number:1stDibs: LU1501213172682
Using different techniques (acrylic, spray, oil pastels, charcoals) and supports (coated canvas or not, assembled wood) I trace my path between abstract expressionism, a decisive Aboriginal inspiration, modern influences, urban and my youth in Africa. It is a set of contemporary painters who, through Hélène Frankenthaler, Cy Twombly, Basquiat, Kikuo Saito to Oscar Murillo, Joe Bradley, Ida Ekblad, André Butzer..., inspires me. When I paint I make incursions into my reason, my knowledge and then I let myself be carried away by shapes, colors and emotion. The painting then comes of itself, a form by leading to another, a color by calling another until an imbalance of tasks and traits speaks to me and finally satisfies (but momentarily...) the hope that creation has generated in me.
As the idea is and remains intuitive, the artist is not aware in abstracto of the intention and purpose of his work: it is not a concept, but an idea that guides him: so he cannot give any explanation of his way of doing things: he works, as we say unconsciously, actually instinctively.”
Schopenhauer, The World as Will and Representation
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