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Raymond Parker
Untitled

1979

$9,500List Price

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Phenomena with Black Anadem
By Paul Jenkins
Located in Palm Desert, CA
A painting by Paul Jenkins. "Phenomena with Black Anadem" is an abstract painting, ink, acrylic, and oil on canvas in a palette of dark blues and black by American, Abstract Expressi...
Category

Mid-20th Century Abstract Expressionist Abstract Paintings

Materials

Ink, Oil, Acrylic

Untitled
By Raymond Parker
Located in Palm Desert, CA
"Untitled" is an oil on canvas painting made by Ray Parker in 1965. The piece is signed verso, "R. Parker, 30 x 24, 1965". The art size is 30 1/8 x 23 1/4 inches. The framed size is ...
Category

Mid-20th Century Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Phenomena Procession Falls
By Paul Jenkins
Located in Palm Desert, CA
"Phenomena Procession Falls" is a watercolor on paper work by Paul Jenkins, made in 1975. The artwork size is 41 3/4 x 30 inches. The framed size is 47 1/8 x 35 1/4 x 1 1/2 inches. T...
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Late 20th Century Abstract Abstract Paintings

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Paper, Watercolor

No. 36
By Karl Benjamin
Located in Palm Desert, CA
A painting by Karl Benjamin. “No. 36” is a hard edge, geometric abstract oil on canvas in a palette of dark blues and greens. The artwork is signed verso, "#36 1964 Karl Benjamin." ...
Category

1960s Hard-Edge Abstract Paintings

Materials

Canvas, Oil

No. 36
$60,000 Sale Price
20% Off
Untitled (Red Desert Study)
Located in Palm Desert, CA
A painting by Joanna Pousette-Dart. “Untitled (Red Desert Study)” is an abstract acrylic on board painting in a palette of vibrant colors by Contemporary Abstract painter, Joanna Pou...
Category

Early 2000s Abstract Abstract Paintings

Materials

Acrylic, Wood Panel

Untitled
By David Smith
Located in Palm Desert, CA
"Untitled" is a painting by artist David Smith. The work is signed and dated in the upper left "David Smith (symbol) 1936". When David Smith set up a workshop on the Brooklyn Navy Pier in 1933 to learn direct-metal techniques, he shared the space not with artists, but with professional welders. Yet as he stated in 1964, ‘…all my early friends were painters…I never conceived of myself as anything other than a painter because my work came straight through the raised surface.’ Picasso and Cubism would be dominant influences in Smith’s work. He understood that Picasso imagined the world as a sculptor might, and not necessarily limited to the unavoidable impact of Cubism. In addition to pursuing a kind of rethinking of the world in three-dimensionality on his own terms, by the late 1920s, Picasso had shown interest in surrealism. That meant drawing not as a depiction of reality, but rather as a reconfiguration of the body in an assemblage of often precariously balanced, interconnected forms — some expressed in a three-dimensional form, others as drawings or paintings. Those processes are reflected in this work by David Smith; three fanciful totemic assemblages set within a landscape perspective of ground, mountains, and sky and whose presence is surreal enough to cast shadows under a presumed solar presence. Untitled, 1936 embraces surrealism, yet also serves to demonstrate the extent to which his thought processes are inextricably linked to sculpture and related to scale, spatial orientation, and three-dimensionality. With that in mind, it is not surprising to know that Smith saw no demarcation between sculpture and painting, or that a painting such as Untitled (1936) can exist outside of planning or design for future three-dimensional work. Provenance: Estate of David Smith, New York Hauser & Wirth Private Collection Exhibition: Kunstsammlung Nordrhein-Westfalen, ‘David Smith: Skulptureen, Zeichnungen [David Smith: Sculpture and Drawings]’ Dusseldorf/DE, March 14 – April 27, 1986 (travelled to: Städtische Galerie im Stäelschen Kunstinstitut, Frankfurt/DE, June 19 – September 28, 1986: Whitechapel Art Gallery...
Category

1930s Abstract Abstract Paintings

Materials

Canvas, Oil

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