Rubens Ghenov

Raag Mariposa

2018

This painting by Linda King Ferguson is painted on linen with a gradient tint, transitioning from red to yellow as our eyes descend the canvas. A hard-edged red section curves diagon...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." – Eckhart Tolle In "Satori...

This piece titled "CHONDRITE 02" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece measures...

This piece titled "CHONDRITE 03" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece measures...

This piece titled "CHONDRITE 04" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece measures...

This piece titled "CHONDRITE 01" is a one-of-a-kind original piece by Chinny Bond and is a gestural mark-making study done with acrylic, ink and aerosol on linen. This piece measures...

Realising the consciousness or Self is realising the Universe and its Source. Connecting with this light within is also then a path of connecting with the Source. The Self series of ...

The movement of optics silhouetted and contoured by straight lines and bare flat tints in their formless purity, for me embodies the Divine grace and luminous energy that the soul of...

Eric Barney Kumanara grew up in Indulkana Community where he continues to live and work. Working with Iwantja Art Centre since 2008, Barney has been guided and mentored on painting t...

Maisie Bundey has been painting since 1989. Though she paints the same “Country” and story as her sisters, she has always strived to distinguish herself stylistically. Her painting is linked to her original work with “Batik”, a technique that involves drawing a design onto the fabric using a medium such as wax and then dyeing the fabric. The fluid and colourful liberation that this training gives Bundey is evident. She works with a loose-handed dry brush, layering colour to develop her own textured abstract interpretation of the food sources of her country (called Alalgura) on Utopia Station. Bundey’s “Country” is near Alalgura soakage. There, every summer, women gather to celebrate the aftermath of good rains that have run through the creeks and caused the desert flowers and fruits to burst into growth. A ceremony called “Awelye’” encourages the season into growth and abundance. The song, dances and body...