Abstract Expressionist Abstract Paintings
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Style: Abstract Expressionist
Period: 1970s
Mouse & Cat Watching TV
Located in Summit, NJ
Great, fun oil on canvas! Wonderful colors and textures. Dated January 1974 and signed illegibly. Canvas is in great condition, could use a light cleaning, would be perfect if framed...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Untitled Abstract Expressionist Painting
Located in New York, NY
Raymond Parker
Untitled Abstract Expressionist Painting, 1974
Acrylic on Canvas (with original Fischbach gallery label on the back of frame)
Hand sig...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Serenity in Blue
Located in Long Island City, NY
Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Study for Threnody 1973 (a 28 panel painting in Neuberger Museum of Art) o/c oil
By Cleve Gray
Located in Rancho Santa Fe, CA
PROVENANCE: Ensign Bickford Aerospace Corp, Simsbury, CT
Threnody (1973-74) is a 250-foot-wide site-specific painting created by Cleve Gray for the opening of t...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
“Lightride”
By Syd Solomon
Located in Southampton, NY
Here for your consideration is a great example of the artwork of the well known American artist, Syd Solomon. Signed top left. Titled and dated verso 1978. The painting is oil and acrylic paint on mounted synthetic canvas. Condition is excellent. Overall framed measurements are 44.75 by 24.5 inches. Provenance: A Sarasota, Florida collector.
SYD SOLOMON BIOGRAPHY American 1917-2004
Written by Dr. Lisa Peters/Berry Campbell Gallery
“Here, in simple English, is what Syd Solomon does: He meditates. He connects his hand and paintbrush to the deeper, quieter, more mysterious parts of his mind- and he paints pictures of what he sees and feels down there.”
--Kurt Vonnegut Jr. from Palm Sunday, 1981
Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris.
Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience.
Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil, Acrylic, Board
Untitled (Abstract Expressionist painting on paper)
Located in New York, NY
Raymond Parker
Untitled (Abstract Expressionist painting), 1978
Acrylic on Paper.
Hand signed, inscribed "For Carl" [Carl Solway, gallerist] and dated 1978 on the upper left front; ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Paper, Acrylic
Abstract Colors
Located in Long Island City, NY
Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Byzantium
By Ben Wilson
Located in New York, NY
Ben Wilson
Byzantium, 1975
Oil on Masonite painting
Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand s...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Masonite, Oil
Abstract Illusion acrylic, oil framed 24x26"
By Ceravolo
Located in Southampton, NY
One of The Hampton's most popular and sort after urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media.
This is an early abstract Illusion painting from 1979...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Spray Paint, Acrylic, Oil
Snow Field (from Ceiba-Geigy collection with original Poindexter Gallery label)
By Hyde Solomon
Located in New York, NY
Hyde Solomon
Snow Field (Poindexter Gallery), 1974
Oil on Canvas (Signed, Dated & Framed)
Hand-signed by artist, "Hyde Solomon 74", upper left on the front and on the back. Poindexte...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Leith Silent Bare, Abstract Acrylic Painting on Canvas by Soni Wallace
Located in Long Island City, NY
Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Regina's Journey
Located in Long Island City, NY
Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Sweet Rhapsody
Located in Long Island City, NY
Soni Wallace masters color and form in this Abstract Expressionist painting. Many works from this period in her life reflect coastal landscapes through a ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"Hopscotch" Abstract Illusion painting acrylic on board framed size 21x23"
By Ceravolo
Located in Southampton, NY
One of The Hampton's most popular and sort after urban Pop artists whose work is collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media.
This is an early abstract Illusion painting on board from 1979 by Ceravolo. He was one of the artists, along with James Havard, Michael Gallagher, George Green, Joe Doyle and Jack Lembeck that were creating the Abstract Illusion movement in the the 1970's. This painting from 1979...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Spray Paint, Acrylic, Oil, Board
Fall-Winter 1977 Textured Abstract
Located in Soquel, CA
Thickly textured and layered abstract by Bay Area artist Michael Pauker (American, b. 1957). Executed in muted tones, this piece has patches of pale gre...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Danish Middle
Located in Austin, TX
Acrylic on canvas. Signed, titled, and dated on verso.
34.25 x 87.5 in.
36 x 89.5 in. (framed)
Custom framed in in a natural cherry floater.
Provenance
Dunkelman Gallery, Toronto
Born Josef Drapell in German-occupied territory near Prague in the present-day Czech Republic, his interest in art was piqued as a young boy growing up in a country that traded one occupier for the next. Czechoslovakia - under communist Soviet control following the war - would never allow Drapell to enjoy true freedom of artistic expression. He eventually fled his homeland, first stopping in Vienna, before ultimately settling in Canada in 1966.
After a brief spell at the venerable Cranbrook Academy of Art in Bloomfield Hills, MI, Drapell returned to Canada in 1970, settling in Toronto - though he frequently traveled between the two countries in pursuit of exhibition opportunities in both Toronto and New York. Those opportunities arrived almost immediately, as he enjoyed solo exhibitions with both Robert Elkon Gallery in New York, and Dunkelman Gallery back home in Toronto.
Drapell splits time between his homes in Toronto and Georgian Bay on Lake Huron...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Untitled 1971 - Oil paint & sand on canvas - Colorful Abstract Expressionist
Located in Rancho Santa Fe, CA
Medium: Oil and sand on canvas
This item is in our New York City warehouse and can be viewed by appointment.
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Untitled - Diamond Shaped Abstract Painting - Blue Green Black Orange Red White
Located in Rancho Santa Fe, CA
A diamond shaped canvas by abstract expressionist artist, Darryl Leo Hughto.
Framed. In very fine, age appropriate condition.
PROVENANCE: Private Collection, Miami, FL since 1980
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Cotton Canvas, Oil
Garden, Abstract Expressionist Mid-Century Modern geometric work
Located in Beachwood, OH
Richard Andres (American, 1927-2013)
Garden, 1972
acrylic on canvas
signed, dated and titled verso
59.5 x 50 inches
Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University.
Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school.
They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages.
At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute).
He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.”
Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic
Vintage Autumn in Central Park Abstract
Located in Soquel, CA
Compelling abstracted landscape of Central Park in the autumn, circa 1970. Impasto adds depth and interest. Unsigned. Unframed. Image size: 36"H x 24"W.
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil, Cardboard
Landscape with Grey
Located in Lawrence, NY
Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional rigor. His paintings ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
Vintage Mid Century Modern Abstract Expressionist Oil Painting
Located in Buffalo, NY
Vintage abstract expressionist oil painting. Oil on board. Unsigned. Unframed.
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Woodstock Mountains, New York.
Located in La Canada Flintridge, CA
In 'Overlook Mountain, Woodstock, 1974,' Pinajian created a colorful and abstract representation of the Woodstock mountains using oil painting techniques. This work is one of his ear...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
Erie Shore, Large Abstract Expressionist Mid-Century Modern geometric work
Located in Beachwood, OH
Richard Andres (American, 1927-2013)
Erie Shore, c. 1975
acrylic on canvas
signed lower right, signed and titled verso
50 x 72 inches
Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University.
Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school.
They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages.
At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute).
He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.”
Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic
Untitled
By Norman Bluhm
Located in Austin, TX
Acrylic on paper (two sheets) mounted on canvas. Signed on rear support, gallery labels verso.
35.25 x 46.25 in.
36.5 x 47.5 in. (framed)
Custom framed in a natural cherry, closed-...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic, Laid Paper
Untitled
Located in Austin, TX
Oil on canvas. Signed lower right, signed and sequentially numbered on verso.
44 x 30.25 in.
47.5 x 33.75 in. (framed)
Custom framed in a two-tiered matte white hardwood tray frame.
Provenance
Estate of Norman Carton
Norman Carton was born in the Ukraine, eventually immigrating to the U.S. in 1922 and settling in Philadelphia, where he attended the Pennsylvania Museum School of Industrial Art. In the 1930s, he received a scholarship to attend the Pennsylvania Academy of Fine Arts (PAFA).
Between 1939 and 1942, the Works Project Administration (WPA) employed Carton as a muralist. During World War II, Carton was a naval structural designer and draftsman at the Cramps...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Oil
Sensation VII
Located in Genève, GE
Work on canvas
Golden wooden frame
75 x 120 x 4.5 cm
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
Listen to a Seashell
Located in Surfside, FL
An Abstract Expressionist vibrant colorful painting from 1970. signed illegibly verso with an original price tag of 2200$ from 1970. Highly textured.
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic
1971 MCM Abstract Expressionist painting
By Hilda Epner
Located in New York, NY
Hilda Epner, born 1929, was an American Female Abstract painter from Rockland County New York
Up for sale is a beautiful brightly colored Abs...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic
Hut and caravan in the Camargue
Located in Genève, GE
Work on canvas
Golden wooden frame
52.5 x 63.5 x 3 cm
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
Abstract Treescape Landscape Berkeley School Abstract Expressionist
Located in Soquel, CA
Abstract Treescape Landscape Berkeley School Abstract Expressionist
Substantial period Berkeley School abstract expressionist landscape titled "Treescape" by listed Berkeley artist...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Untitled, Abstract Expressionist Composition.
Located in La Canada Flintridge, CA
Oil on paper. Signed lower left Bertschmann.
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
"Untitled, " Sherron Francis, Female Abstract Expressionism, White Impasto
Located in New York, NY
SHERRON FRANCIS (AMERICAN, B. 1940)
Untitled, 1977
Acrylic on canvas
33 x 27 1/2 inches
Signed, titled and dated on the reverse
A reappraisal is long ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Léon Zack - Lyrical Abstract Composition - Signed Oil on Canvas
By Léon Zack
Located in Collonge Bellerive, Geneve, CH
Léon Zack
1978
Lyrical Abstract Composition
Signed Oil on Canvas
82 x 117 cm.
Provenance
-Galerie Visconti, París
Léon Zack (1892-1980)
Léon Zack ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
Colorful one of a pair Abstract Painting Reese Galleries Label “Archipelago”
Located in New York, NY
Here we have two gorgeous colorful paintings by Tsugio Hattori (1952-1958), selling them separately.
Tsugio Hattori is an American/Japanese Abstract painter who exhibited many important shows, museums and galleries.
Painting depicts a beautiful abstract done in the 1970’s with Reece Gallery label verso.
Painting is signed in American and Japanese,
titled Archipelago verso. The other one is just as beautiful and colorful as well as same size titled Rio Tranos. Please Check my listings...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic
Mid-Century Vibrant Blue Abstract painting w/ Silver
Located in New York, NY
Up for sale we have a Tor Hoff (1925-1976) abstract important Norwegian painting.
Painting depicts a vibrant blue abstract painting with metallic s...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic
Mid Century Modern Abstract Expressionist Gino Hollander Oil on Canvas Painting
Located in New York, NY
This sophisticated and large scale Mid Century Modern abstract expressionistic oil on canvas painting was realized by the esteemed 20th century visual artist and filmmaker Gino Hollander (1924-2015), in the United States in 1974. In dialogue with other canonized visualized artists of the period, most notably Joan Mitchell, this painting offers a dynamic composition in an understated and vibrant palette using a variety of painterly techniques. Executed in predominantly in grisaille and flaxen hues with ecru and amber accents, the composition features turpentine rivulets of running pigment; chunky blocks of paint rendered with a palette knife; and delicately applied brush strokes against a painted white background. The result is a captivatingly layered work that offers sustained visual pleasure and abundant visual discoveries. The solid white background adds negative space but also breath and depth to the composition. Full of verve and dynamism- and exhibiting masterful paint handling-, this painting embodies the qualities that discerning collectors of Abstract Expressionism (and modern art in general) absolutely adore. It would be a winning addition to any style of interior from classic Mid Century Modern to contemporary. It is signed and dated by the artist, and is in excellent vintage condition. The work comes presented in a custom black inked gallery frame.
Gino Hollander was born in the New Jersey in 1924 and attended Rutgers University as well Hobart and William Smith College. He had two very different careers before he began painting – the first as part of the U.S. Army’s Mountain Division Ski Troop, and the second, an award-winning director and documentary filmmaker. Demonstrating his artistic versatility, Gino Hollander took up painting in 1960. From 1960 to 1962, Gino ran his first Hollander Gallery...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
1974 California Bay Area Abstract Expressionist Bold Oil Painting Don Clausen
By Don Clausen
Located in Surfside, FL
Don Clausen American (b. 1930)
Untitled (1974)
Oil on board
Hand signed lower left and verso
Framed 11.25 X 13.5 sight 9 x 11.25 inches
Don Clausen is an American Postwar & Contemporary painter who was born in 1930. Don Clausen is a graduate of California College of Arts and Crafts in Oakland, California. He lives and works in the San Francisco/Oakland Bay Area. He mainly works in oils on canvas, but sometimes does sculptures and assemblages. In his luminous abstractions, Clausen employs every color of the rainbow, the strong lines forming geometric shapes that appear to fly through space. Nothing is weighed down in his paintings; it’s as if images came to him from outer space or other realms. He turns the physical world into dabs and streaks of color that convey an engulfing sense of motion.
Whether abstract expressionism or representational, his works convey enormous energy and vitality, like masterpieces by Jackson Pollock and Willem de Kooning. They also are distinctive for their sculptural quality, a result of his thickly layering the paint and then slicing down to the canvas with a palette knife or section of a venetian blind; his choice of tools is as eclectic as his subject matter. His son is the well regarded sculptor Eric Clausen, a master blacksmith who does sculpture in iron. An active part of the Bay Area arts scene, Don Clausen was contemporaries and consociates of people such as Geraldine Duncann, Donald Namohala Yuen,Jade Fon...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil, Board
Abstract Expressionist Figure in Acrylic on Paper
Located in Soquel, CA
Colorful abstracted portrait by Michael William Eggleston (American, 20th Century). Bold colors and dripping paint create an expressive, dynamic composition. The figure is primarily ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Paper, Acrylic
The Oracle
Located in New York, NY
In this painting Stefanelli conveys the intrigue and mystery of oracles, who were offering counsel through prophecies and divination in the ancient times. Wise and insightful, oracle...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Untitled
By Ben Wilson
Located in Lawrence, NY
Oil on masonite.
Like many of his compatriots in the New York School, Ben Wilson (1913-2001) began his career painting figuratively before transitioning to abstraction after WWII (and somewhat later than his compatriots.) However, because he started in a different place than they did, he ended up in a different place. His starting place was the cubism of Picasso, Braque and Leger, and their influence never left him.
A critic in the Princeton Review in 1987 wrote: "Ben Wilson's canvases, while still within the abstract expressionist mode, retain echoes of Picasso, Braque and even mechanistic elements of Fernand Leger." Another critic writes: "The expressive abstractions of Ben Wilson belong among the best work created by New York artists in the 20th century; but they stand outside the critical labels applied to Abstract Expressionism..."
Ben Wilson had more than 30 one-man shows during his lifetime, first starting to show in the early 1930s. As early as 1942, he was singled out by the New York Times art critic Edward Alden...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
Untitled, from the Subway Series.
Located in La Canada Flintridge, CA
Signed lower left and dated lower right. Acrylic on paper.
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic
Phenomena Spectrum Guardian by Paul Jenkins, Abstract Expressionist artist
By Paul Jenkins
Located in London, GB
Phenomena Spectrum Guardian by Paul Jenkins (1923 - 2012)
Acrylic on canvas
76 x 101.5 cm (29 ⁷/₈ x 40 inches)
Signed lower middle Paul Jenkins
Executed in 1970
Provenance:
Gallerie Iris Wazzau, Davos, Switzerland
Private collection, Cologne, Germany
Artist biography:
Born at Kansas City in Missouri (USA), the multi-media artist, poet and playwright Paul Jenkins studied at the Kansas City Art Institute and the Art Students League in New York City. After his discharge from military service at the end of February 1946, he briefly studied playwriting with dramatist George McCalmon at the Carnegie Institute of Technology in Pittsburgh. Thereafter, Jenkins spent four years studying with Japanese American artist Yasuo Kuniyoshi in New York City. His first solo exhibitions were held at Studio Paul Facchetti in Paris in 1954 and the Martha Graham Gallery in New York City in 1956. Over the past thirty years, numerous retrospectives have been curated across the globe and Jenkins’ work can found in national collections from Europe and the United States to Israel, Australia and Japan.
The diversity of his work springs from Jenkins’ wealth of eclectic influences. Some of his earliest works included what he called "interior landscapes" influenced by ancient natural forms like the caves he visited in the Ozark Mountains in his native-Missouri. Frequent student visits to the Frick Collection in New York fostered a love of the great masters: Bellini, Holbein, Vermeer, Rembrandt, de la Tour, Turner and Goya. In compliment, lingering student visits to the renowned Eastern collection of the Nelson-Atkins Museum of Art in Kansas City evoked powerful sympathy for a monumental Chinese fresco...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"Lexington, " Larry Zox, Abstract Expressionism, Minimalism, Brown Modernism
By Larry Zox
Located in New York, NY
Larry Zox
Lexington, 1973
Acrylic on canvas
61 x 49 inches
Provenance:
Andre Emmerich Gallery, New York
Janie C. Lee Gallery, Houston, Texas
Private Collection, Greenwood Village, Colorado
Exhibited:
New York, Andre Emmerich Gallery, Larry Zox: New Paintings, March 10 - 28, 1973.
Houston, Texas, Janie C. Lee Gallery, Larry Zox, February - April, 1974.
A painter who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions, which question and violate symmetry. Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using a mechanical format with X number of possibilities." What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–74 solo exhibition at the Whitney Museum of American Art. Zox also at times used a freer, more intuitive method, while maintaining coloristic autonomy, which became increasingly important to him in his later career.
Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973–74, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum, which acquired fourteen of his works.
Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock.
Zox’s earliest works were collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade.
From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”
In 1965, he began the Scissors Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Vintage Abstract -- "Bandage Affixiation"
Located in Soquel, CA
Compelling vintage abstract titled "Bandage Affixiation" by Carmel, CA based artist "Stoney" DeGuire (American, 20th Century), 1973. Titled, signed an...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Latex, Pastel, Acrylic
"Trap Rock, " Sherron Francis, Female Abstract Expressionism, Blue Color Field
Located in New York, NY
SHERRON FRANCIS (AMERICAN, B. 1940)
Trap Rock, 1972
Acrylic on canvas
22 3/4 x 16 inches
Signed, titled and dated on the reverse
A reappraisal is long overdue for the second-generation abstract expressionists. Artists such as Helen Frankenthaler, Morris Louis, Dan Christensen, and Sam Francis are already well-known names. However, Sherron Francis, a female artist from the Midwestern United States, exhibited alongside many of these stars, yet has not been the recipient of a major exhibition in nearly 40 years.
Francis was born in the Chicago suburb of Downers Grove, Illinois in 1940. She studied fine art at the University of Oklahoma from 1958 to 1960 before transferring to the Kansas City Art Institute for better educational opportunities. At the time, Francis remained loyal to figurative art. Philip Pearlstein, a contemporary artist and visiting professor once remarked at the confidence of Francis’ draftsman abilities.
In the early 1960s, art dealers and gallerists from New York would visit the Institute to recruit artists by offering scholarships, but they only offered these scholarships to men. Francis was forced to plead with deans to allow a scholarship for women so that she could continue her studies. She ultimately graduated from the Kansas City Art Institute in 1963. In Missouri, Francis met Dan Christensen (Class of 1964), an artist friend, who would play a key role in her career throughout the next two decades. Francis then received her MFA from the University of Indiana, where she was housemates with Mernet Larsen, before assuming a teaching position at Eastern Michigan University.
In 1968, with only $300 on hand, Francis moved to 16 Waverly Place in Soho. At the time, the neighborhood boasted some of the biggest names in abstract expressionism. She quickly became friends with Peter Reginato, Walter Darby Bannard, Michael Steiner, Peter Young, Larry Zox, and Larry Poons, who all lived and worked in the neighborhood. In fact, Francis introduced Larry Poons to his now wife, Paula, a friend and student of Sherron’s. Francis helped to found The Bowery Gallery in 1969 and received her first solo exhibition there in 1970 for her figurative works. After this exhibition, Francis decided to switch to abstraction.
By 1971, Christensen, who was exhibiting with Andre Emmerich, introduced Francis to the legendary gallerist. There was no better gallery to be showcasing abstract expressionism and color field painting during this decade for an artist. For example, in 1972, Emmerich held solo exhibitions by art titans, such as Hans Hofmann, Al Held, Esteban Vicente, David Hockney, and Morris Louis. In 1973 alone, Emmerich gave one-person exhibitions to Helen Frankenthaler, Kenneth Noland, Hans Hofmann, Jack Bush and a new discovery: 32-year-old Sherron Francis. The January 27 - February 14 exhibition for Francis was a great success with Peter Schjeldahl commenting in the New York Times:
“Francis has…sidestepped the danger of seeming hopelessly derivative of such artists as Mark Rothko, Morris Louis and Helen Frankenthaler —by, it seems to me, the use of a single canny formal device. All her canvases are tall, vertical rectangles. What this shape achieves is a physical presence that supports the paintings' fragile play of color and texture. Bearing roughly the proportions of the human body, but bigger in size, her pictures confront the viewer with a satisfying firmness, inviting delectation.”
Francis’s career now took off with the stain paintings. In a 1974 article in Arts Magazine, Whee Kim writes, “She has asserted the credibility of her own answer to the problem of the outer edge of a canvas by limiting her investigations to a singular central image. In her variations on this theme, an intuitive sense of color and touch is given restricted free-play.” Schjeldahl added, “Her paintings, stained and brushed to a suavely grainy texture, each float an area of warm, soft color in a somewhat less‐intensely colored field. The areas are amorphous in shape and closely related, by hue, to the surrounding fields. Her colors run to luxurious brown‐golds, dreamy bluegreens and dusty pinks, though each canvas is alive with a variety of evanescent hues and tints. The goal of her art is to be at once as gorgeous and as delicate as possible: she intends to ravish.” In 1973, Francis exhibited at the Whitney Biennial and then received a second solo exhibition at Emmerich the following year. Corporate collections and private enthusiasts, including Helen Frankenthaler, rushed to purchase her paintings. More than sixty of her paintings sold in one year at Emmerich’s gallery. Throughout the 1970s and early 1980s, Francis exhibited at other leading American galleries, including Janie C. Lee Gallery in Houston, Barbara Kornblatt Gallery in Baltimore, Douglas Drake in Kansas City, Rubiner Gallery in Detroit, and Tibor de Nagy Gallery in New York.
Francis always marched to the beat to her own drum. Although she admired the works of Jules Olitski, Jack Bush, and Kenneth Noland, Francis never felt that her work and lifestyle were influenced by others. When her friends summered in the...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Untitled
By Ben Wilson
Located in Lawrence, NY
Oil on masonite.
Like many of his compatriots in the New York School, Ben Wilson (1913-2001) began his career painting figuratively before transitioning to abstraction after WWII (and somewhat later than his compatriots.) However, because he started in a different place than they did, he ended up in a different place. His starting place was the cubism of Picasso, Braque and Leger, and their influence never left him.
A critic in the Princeton Review in 1987 wrote: "Ben Wilson's canvases, while still within the abstract expressionist mode, retain echoes of Picasso, Braque and even mechanistic elements of Fernand Leger." Another critic writes: "The expressive abstractions of Ben Wilson belong among the best work created by New York artists in the 20th century; but they stand outside the critical labels applied to Abstract Expressionism..."
Ben Wilson had more than 30 one-man shows during his lifetime, first starting to show in the early 1930s. As early as 1942, he was singled out by the New York Times art critic Edward Alden...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
Untitled
By Ben Wilson
Located in Lawrence, NY
Oil on masonite.
Like many of his compatriots in the New York School, Ben Wilson (1913-2001) began his career painting figuratively before transitioning to abstraction after WWII (and somewhat later than his compatriots.) However, because he started in a different place than they did, he ended up in a different place. His starting place was the cubism of Picasso, Braque and Leger, and their influence never left him.
A critic in the Princeton Review in 1987 wrote: "Ben Wilson's canvases, while still within the abstract expressionist mode, retain echoes of Picasso, Braque and even mechanistic elements of Fernand Leger." Another critic writes: "The expressive abstractions of Ben Wilson belong among the best work created by New York artists in the 20th century; but they stand outside the critical labels applied to Abstract Expressionism..."
Ben Wilson had more than 30 one-man shows during his lifetime, first starting to show in the early 1930s. As early as 1942, he was singled out by the New York Times art critic Edward Alden...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
Interior, large, colorful figural abstract red, orange, blue acrylic of couple
Located in Beachwood, OH
Richard Andres (American, 1927-2013)
Interior, 1976
acrylic on canvas
signed lower right, signed and titled verso
50 x 59.5 inches
Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University.
Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school.
They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages.
At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute).
He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.”
Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic
Untitled
By Ben Wilson
Located in Lawrence, NY
Oil on masonite.
Like many of his compatriots in the New York School, Ben Wilson (1913-2001) began his career painting figuratively before transitioning to abstraction after WWII (and somewhat later than his compatriots.) However, because he started in a different place than they did, he ended up in a different place. His starting place was the cubism of Picasso, Braque and Leger, and their influence never left him.
A critic in the Princeton Review in 1987 wrote: "Ben Wilson's canvases, while still within the abstract expressionist mode, retain echoes of Picasso, Braque and even mechanistic elements of Fernand Leger." Another critic writes: "The expressive abstractions of Ben Wilson belong among the best work created by New York artists in the 20th century; but they stand outside the critical labels applied to Abstract Expressionism..."
Ben Wilson had more than 30 one-man shows during his lifetime, first starting to show in the early 1930s. As early as 1942, he was singled out by the New York Times art critic Edward Alden...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil
Space Scape, Scanned
Located in Milford, NH
A fine acrylic space scape painting with additional canvas strips added by American artist Carl Caivano (b. 1946). Caivano earned a Master of Fine Arts fr...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Red, Black and Blue Abstract Expressionism
Located in Soquel, CA
Gorgeous abstract expressionist painting by Bay Area artist Michael Pauker (American, b.1957), circa 1970. Can be installed either vertically or horizontally. Unsigned. Purchased as ...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Oil, Wood
"Inherent Light Series IX, " Alan Fenton, Abstract Expressionism, Black Stripes
Located in New York, NY
Alan Fenton (1927 - 2000)
Inherent Light Series IX, 1977
Watercolor on paper
23 x 17 inches
Signed and dated lower right; titled lower left
Fenton's quiet and contemplative nonobjec...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Paper, Watercolor
Elephant
By Wyona Diskin
Located in Aramits, Nouvelle-Aquitaine
Wyona Diskin, American (1915 - 1991)
Elephant
Acrylic on canvas mixed with collage cut out paper, foam, Signed.
Measurements: H 60 x W 50 x D 1.0 inches
Wyona Diskin, an American p...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic, Foam, Paper
"Rembrandt Later Danae, " Alan Fenton, Abstract Expressionism
Located in New York, NY
Alan Fenton (1927 - 2000)
Rembrandt Later Danae, 1975
Watercolor on paper
23 x 17 inches
Signed and dated lower right; titled lower left
Fenton's quiet an...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Gouache, Paper, Watercolor
"Tiny Travelers, " Alan Fenton, Abstract Expressionism, New York School, Stripes
Located in New York, NY
Alan Fenton (1927 - 2000)
Tiny Travelers II, 1975
Watercolor on paper
23 x 17 inches
Signed and dated lower right; titled lower left
Fenton's quiet and co...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Paper, Watercolor
Figurative Expressionism, archived number 12699
Located in La Canada Flintridge, CA
Acrylic on paper.
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic
F. AC (Ficelle AC Bris by JEAN-PAUL RIOPELLE - Canadian artist, 20th century art
Located in London, GB
F. AC (Ficelle AC Bristol) by JEAN-PAUL RIOPELLE (1923-2002)
Acrylic on paper laid down on canvas
89.7 x 49.5 cm (35 1⁄4 x 19 1⁄2 inches)
Signed with initial lower right, R and titl...
Category
1970s Abstract Expressionist Abstract Paintings
Materials
Acrylic
Abstract Expressionist abstract paintings for sale on 1stDibs.
Find a wide variety of authentic Abstract Expressionist abstract paintings available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add abstract paintings created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Yvette Dubois Habasque, Md Tokon, Doïna Vieru, and Juan Jose Garay. Frequently made by artists working with Paint, and Synthetic Resin Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Abstract Expressionist abstract paintings, so small editions measuring 0.5 inches across are also available. Prices for abstract paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $3,600,000, while the average work sells for $3,118.
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