Abstract Geometric Abstract Paintings

Abstract work of art by New York artist Anthony Polizzi. To Polizzi the end product is not the principal focus, it is purely a human expression to fin...

LI-M6 Size 36″X36″X3" Light Installation Art. Materials: acrylic, silver acrylic frames, epoxy, natural white crystal stones, LED light. Created A...

'Energy Net' acrylic on raw canvas with sharpie marker- Abstract expressionist soak- stain painting by contemporary artist Elisa Niva. This abstract geometric painting uses the so...

Jodi Fuchs creates modern abstract expressionistic artworks with undeniable energy. Years of inquiry into the metaphysical aspects of life have influenced her studio practice. This is where the act of creation is the muse. By following intuitive impulses, Fuchs' work speaks to the chaos and stillness (and the reconciliation of these two forces) inherent in the human experience. This original 12 inch square artwork...

Abstract geometric painting in pastel shades of off-white, yellow, green, and light blue - inspired by abstract expressionist Richard Diebenkorn "Leave Me Alone" painted by Hudson Va...

In Kal Mansur's new series of gold paintings he continues his exploration of changing perspectives. His idea that most of our “differences” would be viewed as similarities with a si...

Abstract work of art by New York artist Michael Hamilton. Hamilton started his education as an architecture student but later he switched to Art. As he was studying the artist foun...

Unique and stunning collotype triptych (3 panels) abstract composition of fabric and red ribbons draped over rods by Patricia A. Pearce (American, b. 1948). Unsigned. Purchased as pa...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism. The subtle but chic color combina...

2023, Acrylic & watercolor on canvas

2023, Acrylic & watercolor on canvas

2023, Acrylic & watercolor on canvas

2023, Acrylic & watercolor on canvas

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

LI L3– light installation art. Mixed media, LED technology. 48″X48″. 2021. This art is installation of plexiglass sheet on the deep 48"X48"X4" frame. The sides of the frame are mirro...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

LI L4 – light installation art. Mixed media, LED technology. 48″X48″. 2021. This art is installation of plexiglass sheet on the deep 48"X48"X4" frame. The sides of the frame are mirr...

LI L2 – light installation art. Mixed media, LED technology. 48″X48″. 2021. This art is installation of plexiglass sheet on the deep 48"X48"X4" frame. The sides of the frame are mirr...

2018, Acrylic on canvas

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas (Blue) Whimsical abstract composition by an unknown artist (20th Century). Blue acrylic paint makes ...

Hard-edge, colorful geometric work that’s beautifully designed. Stanley Brundage founded the architectural firm, Brundage Kroskin, in 1956 and continued practicing even after he offi...

Batik technique on cotton

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Hard-edge, colorful geometric work that’s beautifully designed. Stanley Brundage founded the architectural firm, Brundage Kroskin, in 1956 and continued practicing even after he offi...

Sweet Devon days was painted in my studio, after sketching at several local beaches. The colours are summer pinks, blues and yellows and the abstract shapes are informed from flags , beach huts, the sights and sounds...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Black & Gold Glyphs II by Cheryl R. Riley Metallic abstract geometric symbols Gouache and metallic ink on 140# cold press watercolor paper Feminist Art and Contemporary Feminist / G...

Batik technique on cotton Marko Reeboskic is a Serbian artist born in 1964 who lives and works in Belgrade, Serbia. With an architectural background Marko continues his work in diff...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Portrait/ abstract geometric by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a fe...

Early geometric ala Kandinsky Oil on paper Estate of Sam Esses Never afraid of trying new styles, curious and opinionated, constantly engaged with the world around him, Rolph Scarle...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Kinetic Minimalism of the Light “Rimele went even further; in his installations, he studied the laws of colour reflections and shadows with care and thus created magical new worlds in which materiality intertwines with their coloured shadowed dematerialisation.” Dr. Jure Mikuž December, 2012 (in the book Oto Rimele. Spirituality of Material Absence, p. 28) In the past tradition of painting, only the frontal parts of paintings were always the carriers of the content. I broke this millennial tradition and focused my attention on applying colour onto the edges and the back of the painting. These parts of my painting compositions are hidden from the viewer's eye and are visible only indirectly – as reflections of the paint reflecting onto the wall area, addressing the viewer with their immaterial presence. This creates coloured light and coloured shadows, which change in the intensity of the coloured radiation in daylight. A single painting composition, however, does not show just one static image, but addresses the viewer with a multitude of images generated by the changing daylight throughout the day. The attentive observer experiences such kinetic pictorial images personally and as a complete mental (spiritual) experience. In the paintings of past periods, light is depicted only indirectly – as an “illuminator” of the materiality of the pictorial motif. For me, light itself is the central motif of painting exploration. In my luminous painting objects, however, I do not depict light, but create it. It is an actual, present light that communicates with the viewer as a living, moving part of the artistic message. In the series of fourteen images entitled Light and Ladder...

Signed lower right. A major exponent of non-objective painting, Rolph Scarlett's career and artistic philosophy is closely linked with the early history of the Solomon R. Guggenhei...

Susan Kiefer The Queen's Regalia Oil on canvas Year: 2023 Size: 24x24x1.35in Signed and inscribed by hand COA provided Ref.: 924802-1685 A ovoid shape with a circular opening is div...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Provenance: Charles Cowles Gallery, New York, NY Signed & Dated verso

Tango Passion, is an abstracted art work, multi layered and impasto textured with elements of printmaking. It is oil and acrylic on canvas. Discover beautiful artwork by Maggie LaPor...

Hard-edge, colorful geometric work that’s beautifully designed. Stanley Brundage founded the architectural firm, Brundage Kroskin, in 1956 and continued practicing even after he offi...

'With Geraniums At the Window and Doves On the Roof' is 60 x 12 inches. Matuszewski creates meditative and harmonious color field paintings to invoke a sense of peace through a visua...

"After intuitively painting this piece, I noticed the dark blue shape in the centre of the painting reminded me of a cave. At the time, I was reading a book by my friend, the poet an...

Abstract geometric painting with a cool toned palette of green, blue, and grey with accents of black and white against a sea foam green colored acrylic wash background "Blue and Grey Green Plan" made by Hudson Valley artists, Donise English, in 2022 Graphite, colored pencil, and acrylic painting on vellum 24 x 18 inches unframed, 31 x 25 x 1.5 with an 8-ply white mat, non-glare plexi, and simple black moulding Signed, verso Excellent condition and ready to hang This abstract geometric painting on vellum was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a blue green toned background of acrylic wash. A grid of box-like patterns in sky blue, green, grey, and black with white line work are stacked to create an irregular shape or an "imagined city grid", says the artist. The painting on vellum is complemented by a simple black frame with an 8-ply white mat, non-glare plexi, and wire backing. It's in excellent condition and ready to hang. About the artist: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

Artist: Jack Brusca, American (1939 - 1993) Title: Metallurgy Year: 1968 Medium: Oil on Canvas, signed, dated and titled verso Size: 20 x 20 in. (50.8 x 50.8 cm)

Rolf Stoll, (German/American, 1892-1978) Signed: Rolf Stoll, (lower, left) “ After the Symphonic Poem, " Verklarte Nacht ", by Arnold Schoenberg ", (titled on stretcher verso) Circ...

Abstract Geometric Composition with Bottles in Acrylic on Canvas Bold geometric abstract by an unknown artist (20th Century). Rectilinear shapes are overlapping each other, creating...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...

"Abstract Script" Ink on Fabric Painting 10" x 2"4 inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...

Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself. Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame Measurements: Frame: 21 x 17 x 1.5 inches Artwork: 18 x 14.25 inches The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...

Bold and balanced abstract composition by Russell Green (American, 1910-1986). Completed in Green's characteristic style, this piece has a balanced interplay of shapes and colors. Blocks of black, reds, blues, and greys create a strong background. Over the top, lines of black, red, and white outline and divide the background shapes. Signed "Russell Green" in the lower left corner. Presented in a wood frame with a double mat. Frame size: 23.5"H x 30"W Image size: 14.5"H x 22.5"W Russell Davis Green (American, 1910-1986) painter, printmaker and teacher, was born in Traer, Iowa on December 29, 1910. He studied art at Iowa State College and the School of the Art Institute of Chicago. Green worked in the Illinois and New York Works Progress Administration-Federal Art Projects in the 1930s and two of his woodcuts are listed in the General Services Administration’s book WPA Artwork in Non-Federal Repositories. Green was also a painter and lithographer, and he was included in the Exhibition by Artists of Chicago and Vicinity at the Art Institute of Chicago in 1934. His work was also included in exhibitions at the Philadelphia Art Alliance; Museum of Modern Art and the Grand Central Galleries in New York; and the Iowa Federation of Women's Clubs, 1935. Green began his long teaching career at Stephens College in Columbia, Missouri in 1940 and eventually headed the art department. He is represented in the collections of the Baltimore Museum of Art; Art Institute of Chicago; Metropolitan Museum of Art; Newark Museum; and the St. Louis Art Museum. [After graduating from the Art Institute of Chicago in 1933, he returned to Iowa to begin teaching. In 1935, approximately the time he completed Thanksgiving, he served as a private art teacher in Sioux City. He also had a one-person exhibition of his work at the Sioux City School of Music, Dramatic Art and Dancing, which was located in the Commerce Building. The exhibition included 81 oil paintings, watercolors and prints.] Russell Green 1910 - 1986 A FINE SENSE OF BALANCE — Russell Green started attending college in small town Iowa during an era of unparalleled prosperity in the United States. Yet by the time Green graduated five years later from the Art Institute of Chicago, the Depression had brought the country to its knees economically. In those few years, ending with his Bachelor of Arts, Green had also undergone a personal transformation from a farm boy...

"Abstract Script" Ink on Fabric Painting 85" x 12" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

Painting from the Series LUMEN, part of the show at the Casa de As Quintas Art Center in Spain in July 2023. The piece appears in the catalog of the show.

Anastasia Vasilyeva - Black white abstraction 015 (2020) Painting on high quality, acid free, high density paper. Conceptual minimalist abstract painting designed in calligraphic st...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable hand can be sometime mistaken to a work of a machine, a printer. But if you look close enough you are able to see that it is a work of a line master!! This piece comes framed in a white wooden frame. The measurements of the work with the frame is 11/11". Op art masters from the 20's century that are inspiration to Lucchetta's pieces are Victor Vasarely, Brigit Riley...

Mario Yrisarry Untitled, 1973 Signed and dated on the overlap Acrylic on canvas 48 x 48 inches Provenance: Private Collection, Ellicott City, Maryland ...

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...

Painting from the Series LUMEN, part of the show at the Casa de As Quintas Art Center in Spain in July 2023. The piece appears in the catalog of the show.

Geometric and serene in its complexity - abstract contemporary painting created with impeccable attention to detail by deconstructing original watercolors into dime sized rectangle c...