American Modern Abstract Paintings

The Circle - Original Abstract on Paper Vibrant composition by California artist Charles "Dave" Francis (American, 1951-2018). Layers of yellow, green, blue and pink blend and overl...

Beautiful oil abstract titled "Coming Out" by Grady McDonald (American, 1938-1980). Signed lower right, titled and dated 1974 on verso. Unframed. Image, 50”H x 44”W. Grady McDona...

You are viewing a modern abstract painting by Robert Blair. Robert Noel Blair (American, 1912-2003) was an American artist, painter, sculptor, printmaker and teacher. He is best k...

Blue Emersion - Original Abstract Acrylic on Paper Vibrant composition by California artist Charles "Dave" Francis (American, 1951-2018). Multicolored layers of green, purple and or...

Inspired by natural texture and colors. My artwork is all about color, harmony and balance. Multiple layers of acrylic paint with textural elements . My composition is guided by an i...

An old weathered abstract seashell tumbled on the beach for 5 years becomes a sculpture worthy of painting. Rich blue against a red ground sparks the light colored textured sea shell...

fun with Color Theory As seen at Art on Paper 2024 at The Mannix Project East Hampton NY 12"x12" (14"x14" framed) each These come in a white frame. Acrylic on Paper Artist Statement...

Original Abstracted Composition of Coral Reef by Dave Francis Unique and vivid abstracted composition of coral reef by California artist Charles "Dave" Francis (American, 1951-2018)...

William Stephens Shields, Jr., 1925 - 2010 "Dreamer's Forest" 1994 Oil on panel 48"x36" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil and Refining Company. Industrial: Hughes Tool Company, General Electric, United States Steel, Phelps Dodge, Sylvania Television, Texas Gulf Sulphur, Litton Industries, Houston Lighting and Power Company...

This intimate oil painting, invites you, the viewer, into an abstracted landscape through richly painted birch trees. The work is a unique variation in style, still remaining within...

A striking large-scale abstract expressionist figurative acrylic on canvas by Bay Area artist Julius Wasserstein (American, 1924-1985). Two abstracted figures, a man in a suit and a woman in a blue wedding dress...

Figurative Cubist Surrealist Abstraction Mid 20th Century American Modern Large O. Louis Guglielmi (1906 - 1956) OBSESSIVE THEME 44 x 33 inches Oil on canvas Signed and dated '48 lo...

A highly abstracted figure emerges in fluid, elegant brush strokes, reminiscent of the works of Francis Bacon, in this striking abstract painting by Bay...

fun with Color Theory As seen at Art on Paper 2024 at The Mannix Project East Hampton NY 12"x12" (15"x15" framed) These come in a white frame. Acrylic on Paper Artist Statement: Pa...

Michael Frary (1918 - 2005) Austin Artist Image Size: 51 x 35 Frame Size: 59 x 43 Medium: Oil Dated 1970 "New Horizon" Biography Michael Frary (1918 - 2005) Michael Frary was born in...

Emotive abstract in warm colors by Anna Ballarian (American, 1918-2010), playing with deep contextualized Magenta and Ochre and blurred collage blocks to an extraordinary Kinetic aff...

Interieur No. II Oil on canvas, 1937 Signed on verso (see photo) nscribed on reverse: Benno 1937 "Interieur" (No. II) 35 x 27 cm 9 rue Compagne Premiere Paris 14e Provenance: Estate of the artist Ruth O'Hara, Lang & O'Hara, New York...

Distressed Abstract Painting Artist Statement: Painting has been a powerful medium for expressing my emotions. Through my art, I am able to escape, dream, hope, remain calm in the m...

Compelling abstract figurative oil painting in bold, primary colors of a man and the moon by J. Gold (American, 20th Century). Signed "J. Gold" lower right. Presented in a Maple woo...

William Stephens Shields, Jr., 1925 - 2010 "A Piece of Heaven" 1994 Oil on canvas 48"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...

Palace of Fine Arts, San Francisco by Garrett Price (American, 1896-1979). Signed "Garrett" lower right. Unframed. Image size, 11.75"H x 15.25"W. G...

Donald Stacy "Red Sun" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate *Custom framing available for additional charge. Please expect framing time between 3-5 weeks. Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League...

Oil on canvas 1979 Large cat peering out window Framed 45.25x55.5 Unframed 36x47

Green Shipping price can change depending on location Artist Statement: Painting has been a powerful medium for expressing my emotions. Through my art, I am able to escape, dream, h...

Bearnice Fisher "Purple Sky Landscape" 1978 Gouache on paper 30" x 22.5" unframed Signed and dated lower right in pencil Bearnice Fisher lived and worked in NYC

Distressed Abstract Painting Artist Statement: Painting has been a powerful medium for expressing my emotions. Through my art, I am able to escape, dream, hope, remain calm in the m...

Virginia Berresford Pond in Back of Her House Signed and titled on the reverse Oil on board 23 1/2 x 17 1/2 inches Virginia Berresford was an underrated American modernist who had ...

Stripes Shipping price can change depending on location Artist Statement: Painting has been a powerful medium for expressing my emotions. Through my art, I am able to escape, dream,...

SALE ONE WEEK ONLY "Falling Squares" is a rich gouache painting by William Antonow. Though the colors are muted they blend in a harmony that contrasts slightly with the falling squares that bring a movement to the piece. One of the original Cass Corridor artists from the 1960s William Antonow studied at the School of the Detroit Society of Arts and Crafts (now the College for Creative Studies) and at Wayne State University, where he received his BFA (1967) and MA (1970.) Other well-known individuals who taught or studied at Wayne State University and are connected with the arts are Arthur Danto, Dr. Wayne Dyer, Susan Aaron-Taylor, Tyree Guyton, Hughie Lee-Smith, Philip Levine, Casey Kasem, Helen Thomas, Sergio DeGuisti, Stanley Rosenthal...

UN Poster Design American Scene Mid 20th Century Modernism WPA World Peace Jo Cain (1904 – 2003) We Are All Members of the Human Race: UN Poster Proposal 21 x...

Clarence Holbrook Carter (American, 1904-2000) Ovoid, 1992 Acrylic on canvas Signed and dated lower right 7.75 x 7.75 inches 9 x 9 inches, framed Clarence Holbrook Carter achieved a...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

Oil on canvas, signed lower left and titled and inscribed on reverse. b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts/SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

Clarence Holbrook Carter (American, 1904-2000) Maze, 1982 Acrylic on cardboard Signed and dated upper right 7 x 9.5 inches A surrealist mid-century figural abstract painting. Clar...

Artist: William Littlefield, American (1902 - 1969) Title: Still Life and Abstract Year: 1950 & 1954 Medium: Double-Sided Oil on Masonite, signed and dated both sides Size: 22 x 28 i...

Clarence Holbrook Carter (American, 1904-2000) Vetriculus Egg, 1965 Acrylic and collage on textured paper Signed and dated lower right 30 x 22 inches A surrealist mid-century figura...

John Evans (American, b. 1945), Untitled oilstick on paper, signed in pencil lower center, gallery label (Allan Stone Gallery, New York) affixed verso, sheet: sight size is 22"h x 3...

You are viewing a modernist American acrylic painting depicting a charming but rundown seaside town at night. Robert Noel Blair (American, 1912-2003) was an American artist, paint...

Mary Ingebrand-Pohlad (American, b. 1953). Graphite, pastel, and paper collage painting "Nantucket Still Life with Whirligig and Hydrangea" depicting a mixed media still life colla...

Clarence Holbrook Carter (American, 1904-2000) Torso No. 5, 1967 Acrylic on paper Signed and dated upper right 25 x 20 inches A mid-century figural abstract painting. Clarence Hol...

An unsigned mid century modern American abstract painting

This captivating 1982 oil painting titled 'Zeus, Venus, and Hera' is a stunning example of semi-abstract figurative art by Edward Marecak (1919-1993), a prominent Denver modernist ar...

Mary Ingebrand-Pohlad (American, b. 1953). Graphite, pastel, and paper collage painting "Still Life with Quilt and Nantucket Whirligig" depicting a mixed media still life collage ...

Charcoal drawing and Collage on sintra panel, blue tones, portrait, excellent gift

Genre: Modern Subject: Abstract Medium: Oil Surface: Canvas Country: United States Sabina Teichman: (1905-1983) Studied at Columbia Univ. (BA, MA), also with Charles J. Martin and Arthur J. Young. Exhibits include WMAA, Art USA, 1958, PAAM, Butler Institute Amer. Art, Audubon Artists Ann., Womens Westchester Center. Sabina Teichman's paintings have a touch of fauvist vitality and responsiveness and color. Her Lyrical Paintings convey the great joy of life which is hers. the joy is so profound that it cannot be obtained in traditional art forms and so it has become necessary for Sabina to create new forms to express the euphoria. As the dynamic colors emerge from her luxuriously coated brush, she surrenders to a newly realized adventure in abstract expressionism. A boldness belies he femininity which yields an exciting style and a joyful freshness. Sabina Teichman illuminates the canvas with strokes of color that affect the very soul of the viewer , for she feels that color inspires the inner being of man. Her response to color elation. Dynamic colors emerge from the luxuriously coated brush of this artist, surrendering to her newly realized adventure in abstract impressionism. A boldness belies her femininity which yields an exciting style and a joyful freshness. Sabina Teichman illuminates the canvas with strokes of color that affect the very soul of the viewer, for she knows as did Goethe, that color inspires the inner being of man. Sabina Teichman's own response to color is elation. Widely known as a figurative painter, one reviews her earlier style only to find that all shapes lived within the surrounding of abstract settings which now dominate her most recent paintings. The Vatican Museum's collection of contemporary art has acquired Sabina Teichman's painting The Prophet given in response to an expressed desire of a representative of Pope Paul VI, who said that, to the best of his knowledge, it was the first painting by a living American to become part of the Vatican. Member of Audubon Artists, Provincetown Art Association Argent Galleries, New York, 1947. Salpeter Gallery, New York, 1949, 1952, 1954. Shore Galleries, Boston, 1955. A C A Gallery, New York, 1957, 1960, 1963, 1969. A C A Gallery, Rome, 1965. Orpheus...

"Cellar with Horseshoe" WPA American Scene Modernism 20th Century NYC Industrial Joseph Solman (1909-2008) "Cellar with Horseshoe," 16 x 20 inches, oil on canvas circa 1938, initial...

Untitled red figurative abstract painting with various nude figures holding various objects by Portland, Oregon artist Brendan McKeon. The canvas is not currently framed.

This dramatic mid-century oil and spackle painting by Henriette “Yetti” Stolz (American, 20th century) presents a bold abstract interpretation of a cityscape, featuring a dynamic bri...

Manfred Schwartz (American, b. Poland, 1909-1970), Reclining Nude Woman, Oil on Canvas, apparently unsigned, gilt wood frame. Image: 14.75" H x 17.75" D; frame: 22" H x 25" W x 2.5"....

Study for Mid-Manhattan II Oil and graphite on paper, mounted to board, 1932 Signed by the artist in pencil lower right Sight size: 8 1/2 x 7 inches One of a series of studies for th...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

ABOUT THIS PIECE #1100 “Rental Boat by Bridge”, Oxford, England 1992 28 x 20”, Oil on Canvas Custom framed. This is a series of English landscapes, painted by the late American arti...

Large abstract painting that explores the relationship between warm and cool colors in an exhilarating and decidedly feminine way. Signed on the edge of the canvas and titled Torn an...

Collage and acrylic paint on sintra panel, excellent gift

Lily Harmon (1912 - 1998) Woman with Rose Ink and gouache on board 23 x 19 inches Lily Harmon, was an artist who worked in portraiture, assemblage and book illustration, and whose ...

fun with Color Theory As seen at Art on Paper 2024 at The Mannix Project East Hampton NY 12"x12" (15"x15" framed) These come in a white frame. Acrylic on Paper Artist Statement: Pa...

Collage and acrylic paint on gold leafed sintra panel, excellent gift Work inspired by David Bowie music

This striking 20th-century modernist watercolor by Richard K. Ayers depicts a captivating scene of an old mine and houses in Cortez, Colorado. The artwork features a rich color palette of blue, green, gold, and brown, capturing the rugged beauty of the landscape with a unique, abstract perspective. Presented in a custom frame with all archival materials, the outer dimensions of the piece measure 36 ½ x 30 ½ x ¾ inches, with an image size of 24 ¾ x 18 ¾ inches. About the Artist: Richard K. Ayers (1921–2003) was a talented artist who studied at Miami University...

This evocative 1946 oil on canvas painting, titled Deserted Street, was created by Colorado/Woodstock modernist Jenne Magafan (1916–1952). The work depicts a solitary figure wanderin...

William Perehudoff (1918-2013) Canadian, Saskatoon, Saskatchewan - Saskatoon, Saskatchewan “Andante 76-29” 1976 Acrylic on canvas 42 1⁄2 x 43 2⁄5 in. unframed. Inscribed “Andante 76-...