Surrealist Abstract Paintings

Surrealist Landscape the Appian Way - One of the earliest Roman Roads. Rich textual surface with impasto paint application. The artist depicts a wide angle and lower angle view and...

What would the last tree do? Would it come through a window, a door? There are several of the works that I have generated that express the deep concern I hold for our home planet. Th...

The Sakyamuni (Historical) Buddha is credited with developing the teaching known as The Dharma. For me, that teaching is a masterpiece. Perfect understanding of the human condition a...

Abstract. Philosophical. Colorful. This piece flew together. The brushstrokes nearly flew from my hand to the Board. The colors demanded to play. But a name just did not show up. I...

Original piece by Moises Salazar Tlatenchi. Showing at The Queer Show Part II.

Robert O'Meara (American, 1957-2024), Surrealist Clothesline, Oil on Canvas Board, signed lower right, unframed. 16" H x 16" W. Provenance: From a 333 East 75th Street Estate.

Chalkboard Diaries, a mixed media painting filled with oils, pastel and chalkboard paint take a diaristic approach on domestic romance.. The flames ar...

“Traveling Together” is a colorful, abstract, surrealist painting by Armenian artist, Vatche Geuvdjelian painted in 2012. Artist’s Statement “𝘛𝘩�...

Artist’s Statement “𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘵𝘩𝘳𝘦𝘦 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘧𝘢𝘤𝘵𝘰𝘳𝘴 𝘵𝘰 𝘮𝘺 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩 𝘵𝘰 𝘱𝘢𝘪𝘯𝘵𝘪𝘯𝘨: 𝟷) 𝘔𝘺 “𝘚𝘱𝘪𝘳𝘪𝘵𝘶𝘢𝘭 𝘚𝘦𝘢𝘳𝘤𝘩” 𝘪𝘯 ...

Artist’s Statement “𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘵𝘩𝘳𝘦𝘦 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘧𝘢𝘤𝘵𝘰𝘳𝘴 𝘵𝘰 𝘮𝘺 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩 𝘵𝘰 𝘱𝘢𝘪𝘯𝘵𝘪𝘯𝘨: 𝟷) 𝘔𝘺 “𝘚𝘱𝘪𝘳𝘪𝘵𝘶𝘢𝘭 𝘚𝘦𝘢𝘳𝘤𝘩” 𝘪𝘯 𝘥𝘦𝘷𝘭𝘰𝘱𝘪𝘯𝘨 𝘢𝘴 𝘢 𝘩𝘶𝘮𝘢𝘯 𝘣𝘦𝘪𝘯𝘨; 𝟸) 𝘚𝘰𝘳𝘵𝘪𝘯𝘨 𝘮𝘺 𝘤𝘩𝘪𝘭𝘥𝘩𝘰𝘰𝘥 𝘮𝘦𝘮𝘰𝘳𝘪𝘦𝘴 𝘰𝘧 𝘈𝘧𝘳𝘪𝘤𝘢 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘔𝘪𝘥𝘥𝘭𝘦 𝘌𝘢𝘴𝘵; 𝘢𝘯𝘥 𝟹) 𝘛𝘦𝘤𝘩𝘯𝘪𝘲𝘶𝘦, 𝘵𝘩𝘦 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘤𝘦 𝘰𝘧 "𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘪𝘯𝘨 𝘵𝘩𝘦 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘮𝘰𝘮𝘦𝘯𝘵", 𝘢𝘯𝘥 𝘵𝘳𝘶𝘴𝘵𝘪𝘯𝘨 𝘵𝘩𝘦 𝘪𝘮𝘱𝘳𝘰𝘷𝘪𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘵𝘩𝘢𝘵 𝘦𝘷𝘰𝘭𝘷𝘦 𝘧𝘳𝘰𝘮 𝘵𝘩𝘪𝘴 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦.” 𝘝𝘢𝘵𝘤𝘩𝘦 𝘎𝘦𝘶𝘷𝘥𝘫𝘦𝘭𝘪𝘢𝘯⁣⁣⁣⁣⁣⁣⁣ Provenance: The artist's private collection "Origins" 2015 A colorful, abstract, surrealist oil painting by an Armenian Artist...

"Organic Mechanism" Date: 2014-2015 Abstract oil painting on canvas (oc) Vatche is an Armenian artist living in Mexico. Artist’s Statement “𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘵𝘩𝘳𝘦𝘦 𝘪𝘮𝘱𝘰𝘳�...

A Fiery Hell is depicted as a volcano that spews flames and lava dust into the air. According to the Peter and Harrison Ellenshaw Family Archive, this work was shown to Stanly Kubrick for a Paradise Lost, movie concept. Peter had created matte paintings for Kubrick's Spartacus in 1960 and they continued their professional friendship for years to come. Peter did some collaboration with TRON in 1982. Unfortunately, the movie concept for John Miltons, Paradise Lost, was not brought into production. An erupting volcano is also an powerful metaphor for many human conditions. Ellenshaw (1913–2007) was a highly regarded matte painter and special-effects creator whose filmography includes Old Yeller (1957), Swiss Family Robinson...

76 x 72 cm without the frame 93 x 97 cm with the frame Toy Room (2022) – Acrylic on Canvas Dimensions: 96.5 x 93 x 3 cm (38 x 36.6 x 1.2 in) Medium: Acrylic on Canvas Condition: Exc...

Isabel Peña New Canabis, 2015 Acrylic on canvas 70.80h x 35.40w in 179.83h x 89.92w cm

Sax Berlin has embarked on a journey through Surrealism. This collection writhes & flows from his "Billion Dollar Hand" creating a complexity of interwoven rhythms. Berlin has been e...

With his works included in the permanent collection at the Norton and the New Britain Museum, Drew Tal’s successful career has been nothing but a soaring ascension into the global ar...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

Gray Area Benjamin Benno, American (1901–1980) Date: circa 1960 Oil on Burlap, signed Size: 18 x 15 in. (45.72 x 38.1 cm) Frame Size: 23.5 x 20 inches

The burning of desire and the subsequent extinction of the flames leads to purification of the soul. Artwork Details: Tawatchai Somkong "Season of the Brilliant Purple Sky" 1998 ...

Heather Farrell Title : Royal Palms Materials : Acrylic on canvas Date : 2019 Dimensions : 4' x 5'. (48 x 60 in.) Signed, COA provided Heather Farrell wor...

Acrylic on canvas.

Acrylic on canvas.

Léopold Survage (1879-1968) Porteuse 1962 oil on canvas 100 x 81.3 cm signed and dated ‘Survage. 48.’ (lower right) Price: $63,000 USD (inc. 5% UK imp...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Untitled is an original oil on canvas realized by Roberto Sébastian Matta in 1996. It comes with a certificate of authenticity by Matta's son ...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (Edward M. Gomez, "Futuristic Forms Frolic Under Eerie Texan Skies...

Technique: Terre colorée sur toile de jute. Delivered with the certificate of authenticity from the archives of Roberto Matta. Artwork size: 100 x 100 cm. Frame size: 114 x 112 cm. Free shipment worldwide. Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Presenting an exceptional and rare mixed media watercolor by Belgian artist Edmond Vandercammen. Vandercammen was classically trained and well ...

Federico Castellón (1914-1971) was a Spanish-American painter, sculptor, printmaker and illustrator of children's books. Portrait of a Genie, is an original pencil signed etching,...