Susanne Zuehlke

Mandarin - an egg Tempera abstract multicolor painting

2022

"Meerblick," meaning "Sea View," by Susanne Zuehlke (b. 1962), is a tranquil and reflective work that embodies the spirit of the ocean. The canvas is filled with varying shades of bl...

"Alles kann nichts muß" (2017), by Susanne Zuehlke (b. 1962), translates to "Everything can, nothing must." The piece embodies a spirit of freedom and spontaneity. The painting is do...

The paiting is Framed inside a White Wood frame, "Crossing the Line" (2014) by Susanne Zuehlke (b. 1962) is a bold and dynamic composition that explores the concept of boundaries and...

"Sea Shore" (2024) by Susanne Zuehlke (b. 1962) is a tranquil and evocative painting that captures the essence of a coastal landscape. The canvas features a harmonious blend of blues...

Waterline Fine Art, Austin, TX is pleased to present the following work: Egg emulsion on fiberglass. Signed and dated upper left and verso; titled verso. 49 x 48 in. 49.75 x 49 in. (framed) Custom framed in hickory. Provenance Albright-Knox Art Gallery, Buffalo, NY Born in Alabama, John Little attended the Buffalo (NY) Fine Arts Academy as a teenager, until 1927. Soon after, he moved to New York where he began operatic vocal training and opened what would become a very successful textile business designing fabric and wallpaper. In 1933, he enrolled at the Art Students League under the tutelage of George Grosz. Little’s early work consisted predominantly of landscapes, until 1937, when he began studying under Hans Hofmann and his work naturally shifted toward abstraction. During his time with Hofmann, he with artists such as Lee Krasner, George McNeil, Gerome Kamrowski, Giorgio Cavallon...

Lesley Anne Spowart (American, born 1957) "Friendship Garden" 2021 Acrylic Paint, Paper, Mixed Media, Canvas The artist signed the back of the painting. Friendship Garden by Lesley ...

Kristy Chettle (American, born 1968) "Untitled No. 29" 2024 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. A captivating exploration of color, texture, and movement, "Untitled No. 29" is a 48" x 48" oil on canvas by contemporary artist Kristy Chettle. This striking abstract work features a harmonious blend of soft blues, whites, and grays, energized by dynamic bursts of yellow, orange, and red. Chettle’s expressive brushwork and layering techniques create an ethereal sense of depth, drawing the viewer into its vibrant and emotive surface. The painting’s gestural marks and textured passages evoke a balance between spontaneity and intentionality, inviting introspection and interpretation. Perfect for modern interiors, "Untitled No. 29" is a bold yet tranquil statement piece, ideal for collectors who appreciate contemporary abstraction and the legacy of Abstract Expressionism. Chettle’s masterful use of oil paint offers both visual energy and a calming atmosphere, making this work a versatile addition to any collection. About the Artist: As a California native (b. 1968, Los Angeles, CA), Kristy Chettle’s paintings explore reflective and thought-provoking themes of nature, transformation, and self-empowerment. Using only her hands and an occasional pallet knife, she paints in multiple layers, sometimes scraping off the paint with her fingers only to reapply a new color later, resulting in a deep texture and raw motion. Occasionally she scrawls her thoughts and emotions into the canvas or uses recycled paper or old screens...

"WHY NOT?", Contemporary Rainbow Abstract Expressionist Composition Vividly colored rainbow explosion abstract expressionist composition by Aromas, California, Monterey Bay Area abs...