Teté Alurralde

ABSTRACT Colours Blue Red Water Artwork Contemporary Artist Tete Alurralde 2025

2025

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Abstract colorfield with dark shades and also lots of light. Red, pink and blues toned down by dark teal. This painting arrives mounted in a wooden canvas, sides painted, signed in f...

48"x36" abstract composition in indigo blue, turquoise and rose on a white ground. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Artist Commentary: Robert Schoenfeld is a master Color-Field Artist from Seattle and a graduate of the Kansas City Art Institute. Robert’s large Color-Field paintings can be viewed ...

Commemorate, Original Contemporary Red, White, and Blue Abstract Painting, 2022 30" x 48" x 1.5" (HxWxD) Acrylic and Ink on Canvas A vibrant color palette of blues, reds, and greens flows across the canvas in abstracted forms that imply the movement of water. It looks as though you are looking up at a distorted image through the movement of the ocean overhead. The red, white, and blue color scheme invokes a patriotic feel, as if you are spending the 4th of July on a lake. Artist Commentary: 30 x 48 x 1.5” gallery wrapped with painted edges. Acrylic and Ink on canvas. This is one in my series of emotionally charged coastal abstract artworks. I used saturated vibrant colors and powerful brush strokes, as I do in all my paintings, in order to create a lasting visual impression. Materials: Professional acrylic paints and canvas. Finished with a glaze of UV varnish to protect against sunlight and dust damage. My art pieces are held in private and commercial collections around the world, including the UK, Germany, Austria, Netherlands, Asia, France, Canada, Australia and USA. Margaret Juul...